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What Is Research in the Visual Arts?: Obsession, Archive, Encounter [Pehme köide]

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  • Formaat: Paperback / softback, 246 pages, kõrgus x laius: 241x178 mm, kaal: 680 g, 61 b-w illus.
  • Sari: Clark Studies in the Visual Arts
  • Ilmumisaeg: 13-Jan-2009
  • Kirjastus: Yale University Press
  • ISBN-10: 0300134134
  • ISBN-13: 9780300134131
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  • Formaat: Paperback / softback, 246 pages, kõrgus x laius: 241x178 mm, kaal: 680 g, 61 b-w illus.
  • Sari: Clark Studies in the Visual Arts
  • Ilmumisaeg: 13-Jan-2009
  • Kirjastus: Yale University Press
  • ISBN-10: 0300134134
  • ISBN-13: 9780300134131
Teised raamatud teemal:
Smith (director of the Centre for the Arts, Humanities, and Cultural Institutions, U. of Westminster, London) and Holly (director of the Research and Academic Program, Sterling and Francine Clark Art Institute) edit essays based on the 2007 Clark Conference focused on philosophical and practical questions about working with visual art, primarily arguing that research is a legitimate topic in its own right. International contributors from academia, publishing, and the arts industries provide essays in two broad topics of encounters and obsessions, and the world and the archive; particular studies include the researcher as collector of failed goods, archival obsessions and obsessive archives, research as obsession with the scent of history, and new words on cold cases. With its exceptional research and writing, this volume will prove valuable to scholars and practitioners in the various facets of arts research. Illustrated in black-and-white throughout. Distributed by Yale U. Press. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com) With essays by Ernst van Alphen, Mieke Bal, Marc Gotlieb, Serge Guilbaut, Michael Ann Holly, Akira Mizuta Lippit, W. J. T. Mitchell, Joanne Morra, Sina Najafi, Alexander Nemerov, Celeste Olalquiaga, Alexander Potts, and Reva Wolf      The discipline of art history is in a moment of self-consciousness, and art historians are increasingly more self-reflexive about their practices. In this volume, thirteen authors address both the philosophical and practical issues now facing those in the visual arts field by investigating the ever-pressing issue of research. Their essays explore the remarkable nature of art historians’ personal, political, aesthetic, creative, and emotive curiosity and the process of doing research in the archive, library, studio, gallery, museum, and beyond. As such, the book considers the pleasures and dangers of researchers’ obsessions and encounters with the incoherence, chaos, and wonder that lie at the heart of searching for the not-yet-known. The volume is based on the 2007 Clark Conference of the same name.

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"With its exceptional research and writing, this volume will prove valuable to scholars and practitioners in the various facets of arts research."Reference & Research Book News * Reference & Research Book News *

Preface vii
Michael Ann Holly
Introduction Why ``What Is Research in the Visual Arts?: Obsession, Archive, Encounter''? x
Marquard Smith
Part One: Encounters and Obsessions
What Is Research in Art History, Anyway?
3(10)
Michael Ann Holly
Seeing Ghosts: The Turn of the Screw and Art History
13(20)
Alexander Nemerov
Dead Stock: The Researcher as Collector of Failed Goods
33(14)
Celeste Olalquiaga
The Work of Research: Remembering, Repeating, and Working-Through
47(18)
Joanne Morra
Archival Obsessions and Obsessive Archives
65(20)
Ernst van Alphen
Our Monstrous Double: The Dream of Research in ``Outsider Art History''
85(20)
Marc Gotlieb
Part Two: The World and the Archive
Factory of Facts: Research as Obsession with the Scent of History
105(14)
Serge Guilbaut
The Artwork, the Archive, and the Living Moment
119(19)
Alex Potts
Cut the Bean: Curiosity and Research in the Pages of Cabinet Magazine
138(20)
Sina Najafi
The Scholar and the Fan
158(10)
Reva Wolf
The Abu Ghraib Archive
168(15)
W.J.T. Mitchell
The World Archive and Universal Research
183(13)
Akira Mizuta Lippit
Research Practice: New Words on Cold Cases
196(17)
Mieke Bal
Contributors 213
Michael Ann Holly is director of the Research and Academic Program at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Marquard Smith is course director for the masters program in art and design history at Kingston University, London, and editor-in-chief of the journal of visual culture.