Introduction |
|
1 | (3) |
Poetry Is Bourgeois |
|
4 | (3) |
|
|
I When Will You Learn My Name? |
|
|
|
America Runs on Immigrants |
|
|
7 | (1) |
|
|
My Father Dreams of a New Country |
|
|
8 | (1) |
|
|
|
9 | (3) |
|
|
Burden Hill Apothecary & Babalu-Aye Prepare Stinging Nettle Tea |
|
|
12 | (2) |
|
|
The Bureau of reclamation |
|
|
14 | (2) |
|
|
|
16 | (1) |
|
|
Poem Where no one is deported |
|
|
17 | (2) |
|
|
|
19 | (3) |
|
|
All in Conflict with This Act Are Hereby Repealed |
|
|
22 | (2) |
|
Annette Saunooke Clapsaddle |
|
|
|
24 | (1) |
|
|
Dispatch Out of a Language I Used to Speak |
|
|
25 | (2) |
|
|
|
27 | (3) |
|
|
|
30 | (1) |
|
|
The Holiness of Our Fathers |
|
|
31 | (3) |
|
|
|
34 | (2) |
|
|
|
36 | (2) |
|
|
Fair Gabbro in the Orchard |
|
|
38 | (1) |
|
|
|
39 | (4) |
|
|
|
43 | (4) |
|
|
|
47 | (4) |
|
|
II Just Don't Never Give up on Love |
|
|
|
|
51 | (3) |
|
|
Mourning Hillary and What Might Have Been |
|
|
54 | (3) |
|
|
Dialogue in Diptych with Emma Goldman |
|
|
57 | (1) |
|
|
Poolside at the Dearborn Inn |
|
|
58 | (4) |
|
|
|
62 | (2) |
|
|
What Proof Need You of Love |
|
|
64 | (2) |
|
|
Hymn of Our Jesus & the Holy Tow Truck |
|
|
66 | (1) |
|
|
Just Don't Never Give up on Love |
|
|
67 | (3) |
|
|
|
70 | (2) |
|
Allison Adelle Hedge Coke |
|
|
|
72 | (3) |
|
|
|
|
Thirteen Ways of Looking at a Saltine |
|
|
75 | (6) |
|
|
|
81 | (6) |
|
|
|
|
87 | (1) |
|
|
If Anyone Should Fight to Breathe |
|
|
88 | (1) |
|
|
Bringing the Monument Down Birmingham, AL |
|
|
89 | (1) |
|
|
|
90 | (2) |
|
|
|
92 | (2) |
|
|
Statement of Teaching Philosophy |
|
|
94 | (1) |
|
|
|
95 | (2) |
|
|
|
97 | (8) |
|
|
|
105 | (1) |
|
|
Ghazal for Grandma's Hands |
|
|
106 | (2) |
|
|
Family Musings, Matriliny, and Legacy |
|
|
108 | (4) |
|
|
The making of {#289-128} in five parts |
|
|
112 | (1) |
|
|
|
113 | (2) |
|
|
|
115 | (2) |
|
|
|
117 | (1) |
|
|
Reparations Redefinition: Bond |
|
|
118 | (2) |
|
|
|
120 | (1) |
|
|
|
121 | (5) |
|
|
Ode to the Hotel Near the Children's Hospital |
|
|
126 | (2) |
|
|
|
128 | (5) |
|
|
IV Every One of Us: Owned |
|
|
|
|
133 | (1) |
|
|
|
134 | (4) |
|
|
|
138 | (2) |
|
|
|
140 | (1) |
|
Marci Calabretta Cancio-Bello |
|
|
Necessary Weight, Necessary Time |
|
|
141 | (4) |
|
|
|
|
145 | (3) |
|
|
|
148 | (1) |
|
|
"Estan Haciendo Trabajos Que Ni Siquiera Los Negros Quieren Hacer" |
|
|
149 | (2) |
|
|
|
151 | (1) |
|
|
|
152 | (2) |
|
Marcelo Hernandez Castillo |
|
|
I Am Bound for de Kingdom |
|
|
154 | (3) |
|
|
V We Shift / We Wield / We Bury |
|
|
|
|
157 | (2) |
|
|
|
159 | (2) |
|
|
|
161 | (6) |
|
|
|
167 | (2) |
|
|
The Neighborhood Girls Ask Their Manager for a Raise |
|
|
169 | (2) |
|
|
|
171 | (1) |
|
|
|
172 | (2) |
|
|
|
174 | (2) |
|
|
Alabanza: In Praise of Local 100 |
|
|
176 | (2) |
|
|
|
178 | (2) |
|
|
|
180 | (2) |
|
|
For God So Loved the World He Gave Us Vision |
|
|
182 | (1) |
|
|
|
183 | (4) |
|
|
VI This Is My One and Only Life |
|
|
|
|
187 | (1) |
|
|
|
188 | (3) |
|
|
|
191 | (1) |
|
|
At War with Ourselves: The Battle of and for the Black Face Boy |
|
|
192 | (7) |
|
|
|
199 | (1) |
|
|
Job Opening For Border Patrol Agents |
|
|
200 | (2) |
|
|
|
202 | (2) |
|
|
|
204 | (1) |
|
|
Somebody Else Sold the World |
|
|
205 | (2) |
|
|
|
207 | (1) |
|
|
|
208 | (2) |
|
|
|
210 | (4) |
|
|
Que me manden a matar/If They Send Someone to Kill Me |
|
|
214 | (7) |
|
|
VII Something Necessary to Give |
|
|
|
|
221 | (1) |
|
|
Lyft Asks Drivers to Share an Inspiring New Year's Eve Story, Miami 2019 |
|
|
222 | (2) |
|
|
The Man of the Small Hours |
|
|
224 | (1) |
|
|
|
225 | (1) |
|
|
The Night after You Lose Your Job |
|
|
226 | (2) |
|
|
|
228 | (1) |
|
|
Prayer for the Workingman |
|
|
229 | (2) |
|
|
|
231 | (3) |
|
|
|
234 | (2) |
|
|
My Mother Told Us Not to Have Children |
|
|
236 | (1) |
|
|
|
237 | (1) |
|
|
Dream of Death by Factory |
|
|
238 | (1) |
|
|
|
239 | (1) |
|
|
|
240 | (1) |
|
|
|
241 | (2) |
|
|
When Those Who Have the Power Start to Lose It, They Panic |
|
|
243 | (2) |
|
|
|
245 | (1) |
|
|
|
246 | (2) |
|
|
Disparate Impacts: The Testimony of Joseph Gaston |
|
|
248 | (6) |
|
|
What I Mean When I Say Labor |
|
|
254 | (2) |
|
|
Snow, Rain, Heat, Pandemic, Gloom of Night |
|
|
256 | (4) |
|
|
My Mom Makes Friends with the nurses |
|
|
260 | (1) |
|
|
The Horns of Horns Valley Moved from Alabama to Arkansas, Gained an "e," and I Returned Three Generations Later for Graduate School in Creative Writing, of All Things |
|
|
261 | (6) |
|
|
|
267 | (5) |
|
|
An Hour with an Etruscan Sarcophagus |
|
|
272 | (1) |
|
|
|
273 | (2) |
|
|
|
275 | (1) |
|
|
|
276 | (2) |
|
|
|
278 | (1) |
|
|
|
279 | (1) |
|
|
|
280 | (3) |
|
|
|
283 | (1) |
|
|
Ghazal Written For the Lids In Downtown Brooklyn Where I Chose My Name |
|
|
284 | (2) |
|
|
What I Learned About Love and Billionaires in 26 Hours |
|
|
286 | (4) |
|
|
|
290 | (1) |
|
|
|
291 | (1) |
|
|
|
292 | (1) |
|
|
Santa Ana of Grocery Carts |
|
|
293 | (2) |
|
|
|
295 | (2) |
|
|
|
297 | (2) |
|
|
|
299 | (2) |
|
|
|
301 | (2) |
|
|
|
303 | (1) |
|
|
|
304 | (1) |
|
Notes and Acknowledgments |
|
305 | (8) |
Contributors |
|
313 | (22) |
Index of Author Names |
|
335 | |