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Where We Belong: Beyond Abstraction in Perceiving Nature [Pehme köide]

  • Formaat: Paperback / softback, 280 pages, kõrgus x laius x paksus: 229x152x23 mm, kaal: 399 g, 36 b&w photos
  • Ilmumisaeg: 01-Apr-2009
  • Kirjastus: University of Georgia Press
  • ISBN-10: 082033345X
  • ISBN-13: 9780820333458
Teised raamatud teemal:
  • Formaat: Paperback / softback, 280 pages, kõrgus x laius x paksus: 229x152x23 mm, kaal: 399 g, 36 b&w photos
  • Ilmumisaeg: 01-Apr-2009
  • Kirjastus: University of Georgia Press
  • ISBN-10: 082033345X
  • ISBN-13: 9780820333458
Teised raamatud teemal:
Gathered here in book form for the first time, the fourteen essays in Where We Belong exemplify Paul Shepard's interdisciplinary approach to human interaction with the natural world. Drawn from Shepard's entire career and presented chronologically, these pieces vary in setting from the Hudson River to the American prairie to New Zealand. Equally impressive is Shepard's spatial range, as he moves from subtle differences to grand designs, from the intimacy of an artist's brush stroke to a vista of the harsh Greek terrain.

Alluding to a range of sources from Star Trek to Marshall McLuhan to the Bible, the writings discuss such topics as the geomorphology of New England landscape paintings, beautification and conservation projects, the Oregon Trail, and tourism. Whether Shepard is pondering why the Great Plains conjured up sea imagery in early observers, or how pioneers often resorted to architectural terms--temple, castle, bridge, tower--when naming the West's natural formations, he exposes, and thus invites us to unshoulder, the cultural and historical baggage we bring to the act of seeing. Throughout the book, Shepard seeks the antecedents of environmental perception and questions whether the paradigm we inherited should be superseded by one that leads us to a greater concern for the health of the planet.

This volume is an important addition to Shepard's canon if only for the new view it offers of his intellectual development. More important, however, these selections demonstrate Shepard's grasp of a wide range of ideas related to the physical environment, including the various factors--historical, aesthetic, and psychological--that have shaped our attitudes toward the natural world and color the way we see it.

Arvustused

What is particularly striking about the selections in this anthology, especially the early essays, is Shepard's prescience in anticipating research and practice in art and ecology, cultural landscape studies, tourism studies, the body, environmental history, and the general concern for the intersection between the physical landscape and material world and the realm of ideas. -- Kenneth Helphand * from the foreword * Watching Shepard struggle to separate ideas about nature from the natural worldand, in the process, trace out the intricate connections between themis enlightening. His essays are so erudite, his sources so wide-ranging, that it is impossible not to read these essays and see old problems in new ways. -- Environmental History Every encounter with Paul Shepard's work challenges those of us who would envision sustainable lifeways to remember that the general good is the plea of the liar, the hypocrite, the scoundrel. The general good is Utopia, no place. -- Resurgence Shepard's intellect was wide-ranging and his writing is strong, as this collection proves. His influence on the American environmental movement was an important one. -- Virginia Quarterly Review

List of Illustrations
vii
Foreword ix
Kenneth Helphand
Preface xv
Florence Rose Shepard
Landscape
Paintings of the New England Landscape: A Scientist Looks at Their Geomorphology
3(17)
The Cross Valley Syndrome
20(11)
Ugly Is Better
31(6)
Five Green Thoughts
37(20)
Place
Place in American Culture
57(20)
Place and Human Development
77(12)
Perceptions of the Landscape by Pioneers
An Ecstasy of Admiration: The Romance of the High Plains and Oregon Trail in the Eyes of Travelers before 1850
89(66)
The Nature of Tourism
155(9)
They Painted What They Saw
164(9)
Dead Cities in the American West
173(10)
English Reaction to the New Zealand Landscape before 1850
183(20)
Gardens Revisited
The Garden as Objets Trouves
203(5)
Phyto-resonance of the True Self
208(6)
Virtually Hunting Reality in the Forests of Simulacra
214(11)
Notes 225(10)
Bibliography 235(8)
Acknowledgments 243(2)
Index 245
PAUL SHEPARD (1925-1996) was Avery Professor of Natural Philosophy and Human Ecology at Pitzer College in Claremont, California. He is the author of twelve books, a number of which are available from the University of Georgia Press.