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Who Will Pay Reparations on My Soul?: Essays [Kõva köide]

(Harvard University)
  • Formaat: Hardback, 352 pages, kõrgus x laius x paksus: 239x160x30 mm, kaal: 589 g, 5 black-and-white illustrations
  • Ilmumisaeg: 28-May-2021
  • Kirjastus: Liveright Publishing Corporation
  • ISBN-10: 1631496484
  • ISBN-13: 9781631496486
Teised raamatud teemal:
  • Formaat: Hardback, 352 pages, kõrgus x laius x paksus: 239x160x30 mm, kaal: 589 g, 5 black-and-white illustrations
  • Ilmumisaeg: 28-May-2021
  • Kirjastus: Liveright Publishing Corporation
  • ISBN-10: 1631496484
  • ISBN-13: 9781631496486
Teised raamatud teemal:
Ranging from Ta-Nehisi Coatess case for reparations to DAngelos simmering blend of R&B and racial justice, Jesse McCarthys dazzling essays capture debates at the intersection of art, literature and politics in the twenty-first century with virtuosic intensity.

In Notes on Trap, McCarthy borrows a conceit from Susan Sontag to dissect the significance of trap music in American society, while in The Masters Tools, Velázquez becomes a lens through which to view Kehinde Wileys paintings. Essays on John Edgar Wideman, Terrance Hayes and Claudia Rankine survey the state of black letters. In The Time of the Assassins, McCarthy, a black American raised in France, writes about returning to Paris after the Bataclan massacre and finding a nation in mourning but dangerously unchanged. Taken together, these essays portray a brilliant critic at work, making sense of our dislocated times while seeking to transform our understanding of race and art, identity and representation.

Arvustused

"McCarthys analyses and observations are masterfully articulated, as are his dissents With a younger readership at the top of his mind but an open invitation to all, McCarthy seems determined to draw attention to African-Americans true strength and worth. He well knows that if despair brought on by a troubled world is to be kept in check, the right prescriptions must be offered, the right traditions advanced, the right lessons drawn, and from the right people." -- Jerald Walker - The New York Times Book Review "McCarthy, an assistant professor at Harvard, draws on a broad array of cultural and historical influences from Kara Walker to Nas to Sappho in these essays, which he began writing in 2014. He approaches the countrys cultural changes in the intervening years through the lens of the arts and intellectual culture, opening with a provocative question: What do people owe each other when debts accrued can never be repaid?" -- 16 New Books to Watch For in March - The New York Times "This is a very smart and soulful book. Jesse McCarthy is a terrific essayist." -- Zadie Smith "Remarkable... Their cumulative range and force are as exhilarating as they are compelling... The finest essays in this book function like origami, folding together the apparently disparate into a unique and seemingly inevitable form... In sum, they illuminate, almost like a guide for the novice, the rich contemporary cosmos of black American art, literature, and philosophy." -- Claire Messud - Harpers Magazine

A Note on Style and Usage xi
Introduction xv
I
The Master's Tools
3(19)
The Origin of Others
22(12)
Venus and the Angel of History
34(17)
The Low End Theory
51(13)
Black Dada Nihilismus
64(11)
II
To Make a Poet Black
75(23)
Back in the Day
98(11)
Notes on Trap
109(24)
An Open Letter to D'Angelo
133(9)
Language and the Black Intellectual Tradition
142(21)
III
Underground Man
163(13)
Fathers and Sons
176(12)
The Protest Poets
188(10)
On Afropessimism
198(25)
Who Will Pay Reparations on My Soul?
223(16)
IV
The Work of Art in the Age of Spectacular Reproduction
239(8)
What Is a Cafe?
247(6)
In the Zone
253(9)
The Time of the Assassins
262(15)
Harlem Is Everywhere
277(12)
Acknowledgments 289(2)
Sources and Suggested Reading 291(12)
Index 303
Jesse McCarthy is Assistant Professor in the departments of English and of African and African American Studies at Harvard University. He has published articles and reviews in the journals transposition, NOVEL, and African American Review and contributed chapters to Richard Wright in Context (Cambridge University Press, 2021) and Ralph Ellison in Context (forthcoming) as well as a new introduction for Vincent O. Carters long out-of-print memoir The Bern Book (Dalkey Archive, 2020). He is also the author of Who Will Pay Reparations on My Soul? a collection of essays (Liveright, 2021) and a novel, The Fugitivities (Melville House, 2021).