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Whole Book of Psalms Collected into English A Critical Edition of the Texts and Tunes 2 [Kõva köide]

  • Formaat: Hardback, 570 pages, kõrgus x laius x paksus: 240x155x44 mm, kaal: 828 g
  • Ilmumisaeg: 31-Dec-2018
  • Kirjastus: Arizona Center for Medieval & Renaissance Studies,US
  • ISBN-10: 0866986154
  • ISBN-13: 9780866986151
Teised raamatud teemal:
  • Formaat: Hardback, 570 pages, kõrgus x laius x paksus: 240x155x44 mm, kaal: 828 g
  • Ilmumisaeg: 31-Dec-2018
  • Kirjastus: Arizona Center for Medieval & Renaissance Studies,US
  • ISBN-10: 0866986154
  • ISBN-13: 9780866986151
Teised raamatud teemal:
First published in 1562, The Whole Book of Psalms was almost certainly the single best-selling book in early modern England, its production significantly outrunning that of the Bible and the Book of Common Prayer as well as every other devotional manual, music book, and collection of verse during much of the 17th century. Many of the melodies evolved into well known hymns throughout the anglophone world. For all that, however, it was never an official part of the English liturgy, so changed at the whim of the printer. This critical edition, the first to include texts and tunes, is based on the 148 English impressions remaining from the reign of Elizabeth I, along with their Marian predecessors. This second volume contains a historical essay and notes on individual texts and tunes. Published by the Arizona Center for Medieval and Renaissance Studies. Annotation ©2020 Ringgold, Inc., Portland, OR (protoview.com)

RETS Vol. 37. The Whole Book of Psalms, first published in a complete form in 1562, introduced congregational singing to England and contained the best known English verse in the early modern period. Often referred to by later critics as “Sternhold and Hopkins,” it was the dominant hymnal in England until the mid-eighteenth century and printed until 1861. This critical edition, the first to include both texts and tunes, is based on the 148 English impressions remaining from the reign of Elizabeth I along with their Marian predecessors. The appendices include miniature critical editions of the psalm paraphrases as published during Edward’s reign, additional texts included in some editions, later musical revisions, and the short tunes that began to replace the printed ones by the late sixteenth century.

Although this is a scholarly edition with complete critical apparatus, it is also designed to make this crucial piece of early modern culture accessible to non-specialists. The texts are in modern spelling and the tunes in modern notation. The edition offers an extensive historical essay and notes on each text and tune, and is furnished with an audio supplement of representative musical settings.

Volume One
List of Figures, Tables, and Music Examples
ix
Audio Supplement xi
Editors' Preface xiv
Acknowledgments xxi
Abbreviations and Conventions xxiii
How to Use This Edition xxv
Editions Collated xxxix
Stemma xlviii
The Whole Book of Psalms
3(496)
Index of Psalms and Hymns
499(6)
Volume Two
Historical Essay
505(118)
Development and Publication
506(40)
The Elizabethan Psalm Book
546(53)
Later History of the Psalm Book
599(24)
Notes on Individual Texts and Tunes 623(166)
Appendix 1 A List of Predecessors, Editions, and Companions to 1603 789(8)
Appendix 2 The 1549 Sternhold and Hopkins Psalm Texts 797(74)
Appendix 3 Texts Absent from 1567, but Commonly Included in 16th-Century Editions of the WBP 871(38)
Appendix 4 The Musical Revision of 1586 909(74)
Appendix 5 Other Tunes Found in the WBP 983(28)
Appendix 6 The Musical Companions to the Psalms 1011(12)
Appendix 7 References to WBP Items in Churchwardens' Accounts, 1558-1568 1023(6)
Appendix 8 A List of Textual Contents in Each Printing Series of the WBP to 1603 1029(8)
Glossary of Musical Terms 1037(6)
Bibliography 1043(26)
Index of Psalm and Hymn Tunes 1069(6)
Index of Biblical Passages 1075(6)
General Index 1081