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Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 18511900 [Kõva köide]

  • Formaat: Hardback, 264 pages, kõrgus x laius x paksus: 240x170x21 mm, 41 colour illustrations
  • Sari: Studies in Design and Material Culture
  • Ilmumisaeg: 12-Apr-2018
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526114720
  • ISBN-13: 9781526114723
  • Formaat: Hardback, 264 pages, kõrgus x laius x paksus: 240x170x21 mm, 41 colour illustrations
  • Sari: Studies in Design and Material Culture
  • Ilmumisaeg: 12-Apr-2018
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526114720
  • ISBN-13: 9781526114723
Windows for the world focuses on the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions.

The book recognises those who made and exhibited stained glass for display at the international exhibitions, and demonstrates the long-lasting impact of the classification and modes of displaying stained glass at these events. A number of stained glass exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century.

Windows for the world will appeal to those interested in the history of stained glass as well as nineteenth-century history, art and architecture.

Arvustused

'Readers of this book will emerge with a strong sense of how stained glass evolved into an international medium and how this was facilitated or impeded within the context of the international exhibitions. Allens pertinent analysis provides insights about how the exhibitions functioned, how exhibitors attempted to promote their works, and the ways that historicist styles were adapted to meet contemporaneous issues. This book is both an important contribution to our understanding of the international exhibitions and welcome stimulus for opening up the study of stained glass to the analytical attention that it deserves.' Journal of Design History -- .

List of plates
ix
Acknowledgements xiii
Introduction 1(18)
1 Exhibiting stained glass: classification, organisation and status
19(25)
2 A multitude of displays
44(39)
3 Stylistic eclecticism in nineteenth-century stained glass
83(44)
4 Competition and exchange: exhibitors and their networks
127(25)
5 Stained glass as propaganda
152(32)
Conclusion: reappraising nineteenth-century stained glass 184(5)
Appendix 189(29)
Bibliography 218(26)
Index 244
Jasmine Allen is Director and Curator of The Stained Glass Museum, the only museum dedicated to the art of stained glass in the UK, which boasts a national collection of stained glass from medieval to modern. She gained her PhD from the University of York. -- .