De Jongs study is enriching and stimulating. Her strength lies in categorizing, in reflection, and taking the debate about contemporary witnesses to a new level. Whoever wants to learn about the role of eye witnesses in the Memorial Museum will not be able to ignore this study. H-Soz-Kult
In The Witness as Object, Steffi de Jong adds an important layer to [ current] discussions by offering a comparative perspective on video testimonies as museum objects that are part of a broader, ideological narrativeAlthough the focus of her work is on memorial museumsthis research has implications for the analysis of many other museum types that utilize video testimonies in their dramaturgyNavigating a vast array of theoretical literaturede Jong is able to offer a nuanced discussion of the ethical and theoretical dilemmas inherent in the use of video testimonies. Reading Religion
This is an impressive and often powerfully written book. It offers an insightful analysis and an accessible point of entry into key debates around the function of testimony and the differences between communicative and cultural memory. Andrea Witcomb, Deakin University
This excellent volume makes an original and timely contribution to the study of museums on the one hand, and to contemporary reflections on mediated witnessing on the other. Tamar Katriel, University of Haifa
