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Witness Onstage: Documentary Theatre in Twenty-First-Century Russia [Kõva köide]

  • Formaat: Hardback, 200 pages, kõrgus x laius x paksus: 216x138x13 mm, 20 black & white illustration
  • Sari: Theatre: Theory Practice Performance
  • Ilmumisaeg: 22-Oct-2019
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526126192
  • ISBN-13: 9781526126191
  • Formaat: Hardback, 200 pages, kõrgus x laius x paksus: 216x138x13 mm, 20 black & white illustration
  • Sari: Theatre: Theory Practice Performance
  • Ilmumisaeg: 22-Oct-2019
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526126192
  • ISBN-13: 9781526126191
Witness Onstage is a detailed study of the remarkable growth of documentary theatre forms in Russian since the early 2000s. It draws on the author’s work as a performer, producer, and researcher of documentary theatre both in Russia and internationally to provide new perspective on the mechanics of theatre as a venue for civic engagement.

As the Kremlin’s crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the civic sphere and its connections to the country’s twentieth-century past. Witness Onstage traces the history of documentary theatre’s rapid growth in twenty-first century Russia and situates the form within the socio-political setting of the Putin years. It argues that through the practice of performing documents, Russian theatre artists are creating a new type of cultural and historical archive that challenges the dominance of state-sponsored media and invites individuals to participate in a collective renegotiation of cultural narratives.

Arvustused

'This book analyzes twenty-first century Russian theater in conjunction with Teatr.doc and related stage productions. Molly Flynn offers a close-up perspective as a translator, performer, and producer, and in her own creative work demonstrates the different roles performed on stage by documents.' The Russian Review -- .

List of figures
ix
Acknowledgements xi
Note on the text xiii
Introduction 1(25)
1 Called to the stand: The origins of Russian documentary theatre
26(25)
2 History on trial: Performing memory in twenty-first-century Russia
51(23)
3 Evidentiary hearing: The pursuit of justice in Russian documentary theatre
74(23)
4 Material witness: History, belief, and the theatre of enactment
97(22)
5 Burden of proof: New Sincerity and the performance of post-Soviet national identities
119(22)
6 A special verdict: Theatre and protest in Putins Russia
141(23)
Conclusion 164(5)
Bibliography 169(11)
Index 180
Molly Flynn is a Lecturer in Theatre and Performance at Birkbeck University of London -- .