The Woman in Black terrified viewers in 1989 and is remembered as one of Britains scariest horror films. It is justly famous as the combined work of three giants of British drama: Susan Hill, Nigel Kneale and Herbert Wise. This book is the first to study the rich themes and terrifying impact of this film, presenting it as a TV film that is cinematic in its effect and quality.
The book traces the adaptation of Susan Hills novel, paying close attention to the ways in which the celebrated writer Nigel Kneale turned a popular book into a spooky film, and reconstructs the brilliance of veteran director Herbert Wise. It also explores themes ranging from maternal rage and imperial disquiet to eerie soundscapes and landscapes. Archival papers from the Nigel Kneale Archive on the Isle of Man are used to reveal how Kneale transformed the novel into the script, and interviews with production personnel shed light on the remarkable talent and experience of the team who produced this classic film.
I felt a strange sensation, excitement mingled with alarm: Production,
Reception and TV Horror
Vying with one another to tell the horridest, most spine-chilling tale:
Authorship and Adaptation
She has found a way to make me hear their calamity in the marshes:
Aurality, Time and Technology
Just a house, on the marshes: Landscapes, Seascapes and Horror
Mr Drablow was a China trader, he died out East: Colonialism and National
Identity
I wont be feared of my own kin: Ghostly Children and Maternal Hatred
Mark Fryers is a lecturer and founder member of the Department of Film and Media at The Open University, UK. His research primarily focuses on media, environment, gothic horror and identity. Marcus K. Harmes teaches at the University of Southern Queensland, Australia. His research is focused on science fiction (especially Doctor Who), the cultural history of education and education in popular culture.
