Preface |
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ix | |
Acknowledgments |
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xv | |
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1 Maria Cavalli, Copyist and Teacher |
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3 | (23) |
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2 Il ritorno di Poppea: A New German Source Provokes Some New Thoughts---and Old Arguments |
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26 | (11) |
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3 An Unreported Mantuan Libretto from 1623 |
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37 | (15) |
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4 The Triumph of Inconstancy: The Vicissitudes of a Seventeenth-Century Libretto |
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52 | (22) |
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5 A Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" |
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74 | (15) |
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Part Two Performance Studies |
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6 Recordings of Music Written for St. Mark's: An Architectural Historian's View |
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89 | (12) |
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7 The Twenty-Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid-Seventeenth-Century Italian Opera |
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101 | (16) |
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Part Three Eroticisms and Identities |
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8 "Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento |
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117 | (28) |
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9 The Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea |
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145 | (22) |
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10 Baciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven |
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167 | (26) |
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Part Four Music and Classical Literature |
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11 Powerless Spirit: Echo on the Musical Stage of the Late Renaissance |
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193 | (26) |
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12 Excavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid |
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219 | (14) |
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Part Five Poetic Considerations |
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13 Music as a Fonte della varieta: Sforza Pallavicino on the Aria |
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233 | (18) |
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14 Giambattista Marino's Operatic Aesthetics |
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251 | (14) |
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15 Strophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi |
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265 | (22) |
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16 Cantar ottave, cantar storie |
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287 | (31) |
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17 Dramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) |
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318 | (29) |
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Part Six Music and Painting |
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18 Incitamentum amoris musica [ picta] |
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347 | |
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Selected Bibliography |
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375 | (6) |
List of Contributors |
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381 | (6) |
Index |
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387 | |
Preface |
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ix | |
Acknowledgments |
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xv | |
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Part One Hearing Voices, Stories, and Sounds in Eighteenth-Century Opera and Cantata |
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1 The Choices of Hercules and Handel |
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3 | (20) |
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2 The Cantata as Narrative: Serials, Colloquies, and Commemoratives |
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23 | (23) |
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3 Continuities of Time in Handel's Operas |
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46 | (26) |
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4 The Metastasian Sonosphere |
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72 | (17) |
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Part Two Hearing Voices in German Song |
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5 Music for a Saxon Princess |
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89 | (22) |
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6 Text, Voice, and Genre in "Nun ist der Herr zur Ruh gebracht" BWV 244/67 |
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111 | (25) |
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7 Ellen's Songs (D. 837--39) |
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136 | (9) |
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8 Happy and Sad: Robert Schumann's Art of Ambiguity |
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145 | (26) |
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Part Three Hearing Voices through Time |
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9 Beethoven's Handel and the Messiah Copies |
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171 | (16) |
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10 The Livre d'or of Charlotte de Rothschild |
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187 | (26) |
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11 The Art of Artlessness, or, Adelina Patti Teaches Us How to Be Natural |
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213 | (30) |
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12 Manly Music: Reading Victorian Language |
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243 | (12) |
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Selected Bibliography |
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255 | (4) |
List of Contributors |
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259 | (4) |
Index |
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263 | |