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Word, Image, and Song [ 2 volume set]: Essays on Early Modern Italy and Essays on Musical Voices [Multiple-component retail product]

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  • Formaat: Multiple-component retail product, 704 pages, kõrgus x laius: 229x152 mm, kaal: 1314 g, 48 b/w, 142 line illus., Contains 2 hardbacks
  • Sari: Eastman Studies in Music
  • Ilmumisaeg: 01-Nov-2013
  • Kirjastus: University of Rochester Press
  • ISBN-10: 1580464548
  • ISBN-13: 9781580464543
Teised raamatud teemal:
  • Formaat: Multiple-component retail product, 704 pages, kõrgus x laius: 229x152 mm, kaal: 1314 g, 48 b/w, 142 line illus., Contains 2 hardbacks
  • Sari: Eastman Studies in Music
  • Ilmumisaeg: 01-Nov-2013
  • Kirjastus: University of Rochester Press
  • ISBN-10: 1580464548
  • ISBN-13: 9781580464543
Teised raamatud teemal:
New essays by noted authorities explore music and related arts in early modern Italy, the concept of musical voice, the role of singing in musical life, and the many ways of experiencing music.

This two-volume set explores the relationship between words and music -- and the roles they play in culture and society -- from the Renaissance through the nineteenth century. The first volume, Word, Image, and Song: Essays onEarly Modern Italy, presents a broad range of approaches to the study of music and related arts during that era. Chapters are devoted to such topics as musical source studies, issues of performance, poetry, and linguistics, influences on music from the Classical tradition, and the interconnectedness of music and visual art. Volume 2, Word, Image, and Song: Essays on Musical Voices, takes the notion of musical voice as a starting point and applies it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Essays in this volume present a range of interpretive strategies with respect to the "voices" that one might hear and understand as emerging from a musical work, from the historical contexts of music, and from the reception of music and musical ideaswithin societies.

Rebecca Cypess is assistant professor of music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Arvustused

The excellent scholarship, brilliant insights, and fresh and sometimes unconventional thinking in this impressive collection offer a significant contribution to the study of the relationship of music and verbal text in seventeenth-century Italy. Representing modern approaches to questions that in some cases are more than a century old, these essays reflect a harmonious variety of methods, points of view, and interests. -- Hendrik Schulze, Assistant Professor of Music History, University of North Texas These essays illustrate the diversity of approaches that scholars have applied to the study of text and music in the first decade of the twenty-first century. In their sampling of a fascinating variety of musical genres, milieux, and practices, these studies open windows for new insights into cultural history in the eighteenth and nineteenth centuries, as well as into the lives and musical thinking of writers, composers, and performers. -- Professor of Music, Florida State University -- Douglass Seaton, Warren D. Allen Professor of Music, Florida State University

Preface ix
Acknowledgments xv
Part One Source Studies
1 Maria Cavalli, Copyist and Teacher
3(23)
Jennifer Williams Brown
2 Il ritorno di Poppea: A New German Source Provokes Some New Thoughts---and Old Arguments
26(11)
Alan Curtis
3 An Unreported Mantuan Libretto from 1623
37(15)
Gary Tomlinson
4 The Triumph of Inconstancy: The Vicissitudes of a Seventeenth-Century Libretto
52(22)
Beth L. Glixon
Jonathan E. Glixon
5 A Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba"
74(15)
Dinko Fabris
Part Two Performance Studies
6 Recordings of Music Written for St. Mark's: An Architectural Historian's View
89(12)
Deborah Howard
7 The Twenty-Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid-Seventeenth-Century Italian Opera
101(16)
Alvaro Torrente
Part Three Eroticisms and Identities
8 "Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento
117(28)
Suzanne G. Cusick
9 The Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea
145(22)
Wendy Heller
10 Baciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven
167(26)
Andrew H. Weaver
Part Four Music and Classical Literature
11 Powerless Spirit: Echo on the Musical Stage of the Late Renaissance
193(26)
Barbara Russano Hanning
12 Excavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid
219(14)
Susan Parker Shimp
Part Five Poetic Considerations
13 Music as a Fonte della varieta: Sforza Pallavicino on the Aria
233(18)
Robert R. Holzer
14 Giambattista Marino's Operatic Aesthetics
251(14)
Giuseppe Mazzotta
15 Strophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi
265(22)
Ruth I. DeFord
16 Cantar ottave, cantar storie
287(31)
Margaret Murata
17 Dramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649)
318(29)
Mauro Calcagno
Part Six Music and Painting
18 Incitamentum amoris musica [ picta]
347
David Rosand
Selected Bibliography 375(6)
List of Contributors 381(6)
Index 387
Preface ix
Acknowledgments xv
Part One Hearing Voices, Stories, and Sounds in Eighteenth-Century Opera and Cantata
1 The Choices of Hercules and Handel
3(20)
Ruth Smith
2 The Cantata as Narrative: Serials, Colloquies, and Commemoratives
23(23)
Ellen T. Harris
3 Continuities of Time in Handel's Operas
46(26)
Nathan Link
4 The Metastasian Sonosphere
72(17)
Giovanni Morelli
Part Two Hearing Voices in German Song
5 Music for a Saxon Princess
89(22)
Rebecca Cypess
6 Text, Voice, and Genre in "Nun ist der Herr zur Ruh gebracht" BWV 244/67
111(25)
Daniel R. Melamed
7 Ellen's Songs (D. 837--39)
136(9)
Joseph Kerman
8 Happy and Sad: Robert Schumann's Art of Ambiguity
145(26)
Kristina Muxfeldt
Part Three Hearing Voices through Time
9 Beethoven's Handel and the Messiah Copies
171(16)
Bathia Churgin
10 The Livre d'or of Charlotte de Rothschild
187(26)
Philip Gossett
11 The Art of Artlessness, or, Adelina Patti Teaches Us How to Be Natural
213(30)
Roger Freitas
12 Manly Music: Reading Victorian Language
243(12)
Ruth A. Solie
Selected Bibliography 255(4)
List of Contributors 259(4)
Index 263