Recorded Selections |
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xi | |
Preface |
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xvii | |
The Authors |
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xxiii | |
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The Music-Culture as a World of Music |
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1 | (34) |
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1 | (3) |
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4 | (1) |
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5 | (4) |
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9 | (6) |
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9 | (2) |
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11 | (2) |
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13 | (1) |
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14 | (1) |
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A Music-Culture Performance Model |
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15 | (4) |
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The Four Components of a Music-Culture |
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19 | (12) |
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19 | (5) |
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Activities Involving Music |
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24 | (3) |
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27 | (2) |
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Material Culture of Music |
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29 | (2) |
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Ecological and Sustainable Worlds of Music |
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31 | (1) |
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32 | (3) |
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North America / Native America |
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35 | (32) |
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35 | (8) |
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35 | (5) |
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40 | (1) |
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41 | (2) |
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43 | (21) |
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A Yeibichai Song from The Nightway Ceremony |
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43 | (3) |
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46 | (2) |
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48 | (2) |
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Traditional Popular Music |
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50 | (1) |
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The Circle Dance Song ``Shizhane'e'' |
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51 | (2) |
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53 | (4) |
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The Native American Church |
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57 | (3) |
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60 | (2) |
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New Composers in Traditional Modes |
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62 | (2) |
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The Native American Flute Revival |
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64 | (1) |
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64 | (1) |
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65 | (2) |
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Africa Ewe, Mande., Dagbamba, Shona, BaAka |
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67 | (40) |
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Postal Workers Canceling Stamps |
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69 | (3) |
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Generalizations About African Music-culture |
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70 | (2) |
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Agbekor: Music and Dance of the Ewe People |
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72 | (15) |
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73 | (1) |
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Agbekor: History and Contemporary Performance |
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74 | (5) |
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Music of the Percussion Ensemble |
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79 | (4) |
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83 | (4) |
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87 | (4) |
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87 | (1) |
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88 | (1) |
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Life Story: Abubakari Lunna |
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89 | (2) |
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91 | (8) |
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91 | (2) |
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93 | (1) |
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94 | (2) |
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Thomas Mapfumo and Chimurenga Music |
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96 | (3) |
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The Baaka People Singing ``Makala'' |
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99 | (5) |
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Three Images of the Forest People |
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100 | (1) |
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101 | (2) |
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Music-culture as an Adaptive Resource |
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103 | (1) |
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104 | (1) |
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105 | (2) |
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North America / Black America |
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107 | (36) |
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107 | (5) |
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112 | (4) |
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116 | (1) |
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117 | (22) |
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118 | (1) |
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Response to the Lyrics of ``Poor Boy Blues'' |
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118 | (3) |
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Autobiography and the Blues |
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121 | (4) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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A Blues Song in the Making |
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127 | (3) |
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Social Context and the Meaning of the Blues |
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130 | (3) |
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133 | (2) |
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135 | (4) |
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139 | (2) |
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141 | (2) |
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Europe / Central and Southeastern Regions |
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143 | (36) |
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143 | (2) |
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Social and Political Organization |
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145 | (3) |
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145 | (2) |
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Nationalism and Nation-States |
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147 | (1) |
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The Sounds of European Music |
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148 | (6) |
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148 | (2) |
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Pitches, Scales, and Melody |
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150 | (1) |
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151 | (2) |
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European Musics in the World |
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153 | (1) |
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Case Study: Podhale, Polish Tatra Region |
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154 | (15) |
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People and Music in Podhale |
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155 | (1) |
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156 | (7) |
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Life Story: Krzysztof Trebunia-Tutka |
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163 | (5) |
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European Village Music on Stage and in Your Neighborhood |
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168 | (1) |
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European Regional Musics on the Global Stage: Two Case Studies |
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169 | (7) |
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Muzyka Podhala and Reggae |
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169 | (3) |
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Riffing on Music from the ``Southern Slavs'' |
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172 | (4) |
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176 | (1) |
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177 | (2) |
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179 | (34) |
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History, Culture, and Music |
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182 | (5) |
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The Indus Valley Civilization (c. 2500-c. 1700 B.C.E.) |
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182 | (1) |
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The Aryans (c. 1700-c. 500 B.C.E.) |
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183 | (1) |
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Kingdoms through the Classic and Medieval Periods (500 B.C.E.-c. 1400 C.E.) |
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183 | (1) |
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The Moghuls (1527-c. 1867) |
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184 | (1) |
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The Period of British Colonization (1600s-1947) |
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185 | (1) |
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Independence and the Modern Period (1947-Present) |
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186 | (1) |
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187 | (4) |
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187 | (3) |
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190 | (1) |
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191 | (10) |
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193 | (2) |
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195 | (1) |
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The Ensemble: Musical Texture |
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196 | (1) |
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197 | (2) |
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199 | (1) |
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200 | (1) |
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200 | (1) |
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A Carnatic Music Performance |
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201 | (7) |
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205 | (1) |
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205 | (1) |
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206 | (1) |
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207 | (1) |
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The Drum Solo: Tani Avartanam |
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207 | (1) |
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Indian Music and the West |
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208 | (3) |
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211 | (2) |
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213 | (28) |
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215 | (16) |
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216 | (3) |
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219 | (1) |
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220 | (1) |
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Gamelan Performance Contexts |
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221 | (7) |
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228 | (1) |
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Gamelan Music and Shadow Puppetry |
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229 | (2) |
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231 | (4) |
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235 | (2) |
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237 | (1) |
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238 | (3) |
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East Asia / China, Taiwan, Singapore, Overseas Chinese |
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241 | (36) |
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A Cross-Section of Chinese Music |
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246 | (2) |
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248 | (4) |
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Shan'ge (Songs of Agricultural Work, Flirting, and Courting) |
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248 | (4) |
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Instrumental Ensemble Traditions |
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252 | (9) |
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254 | (2) |
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256 | (5) |
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261 | (3) |
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261 | (3) |
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Solo Instrumental Tradtions |
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264 | (5) |
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264 | (4) |
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268 | (1) |
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269 | (2) |
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271 | (4) |
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Chinese Music/World Music? |
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275 | (1) |
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276 | (1) |
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Latin America / Chile, Bolivia, Ecuador, Peru |
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277 | (40) |
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Chilean Nueva Cancion: Victor Jara/Inti Illimani |
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279 | (5) |
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284 | (5) |
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The Quichua of the Northern Andes of Ecuador |
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289 | (15) |
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The Musical Tradition: Sanjuan |
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291 | (5) |
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296 | (4) |
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African Ecuadorian Music of the Chota River Valley |
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300 | (4) |
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The Andean Ensemble Phenomenon: Going Abroad |
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304 | (6) |
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306 | (3) |
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309 | (1) |
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Afro-Peruvian Music: A Lando |
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310 | (5) |
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315 | (1) |
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316 | (1) |
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317 | (38) |
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317 | (2) |
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319 | (7) |
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The Performers and Their Instruments |
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320 | (1) |
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321 | (1) |
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322 | (1) |
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Form, Melody, and Improvisation |
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322 | (3) |
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325 | (1) |
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Religion and Music in the Arab World |
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326 | (4) |
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A Chance Meeting with Sabri Mudallal |
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327 | (1) |
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327 | (2) |
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329 | (1) |
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Music in History/Music as History |
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330 | (8) |
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Musical Life in Medieval Mesopotamia and Present-day Iraq |
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330 | (1) |
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Interview with Rahim Alhaj, Musician from Baghdad |
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331 | (5) |
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The Ottoman Empire and the Colonial Era |
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336 | (1) |
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337 | (1) |
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338 | (3) |
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338 | (2) |
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340 | (1) |
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The Music of Celebration: Communal Music Making at a Wedding in Morocco |
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341 | (6) |
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341 | (1) |
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341 | (2) |
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The Zaffah Wedding Procession |
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343 | (1) |
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Wedding Traditions of the Eastern Mediterranean Arab World (The Levant) |
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344 | (3) |
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Poetry and Core Values of Bedouin Culture |
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347 | (1) |
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Homeland and Diaspora: An Unexpected Reaction |
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348 | (2) |
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From Diaspora to Globalization: Ofra Haza and World Beat |
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350 | (1) |
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351 | (2) |
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353 | (2) |
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Discovering and Documenting a World of Music |
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355 | (28) |
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Music in Our Own Backyards |
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355 | (9) |
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356 | (1) |
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357 | (1) |
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357 | (1) |
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358 | (1) |
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359 | (2) |
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361 | (1) |
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362 | (1) |
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362 | (2) |
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Doing Musical Ethnography |
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364 | (17) |
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Selecting a Subject: Some Practical Suggestions |
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364 | (3) |
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367 | (1) |
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367 | (1) |
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Participation and Observation |
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367 | (2) |
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369 | (2) |
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Library and Internet Research |
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371 | (2) |
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373 | (1) |
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Field Gear: Notebook, Recorder, Camera |
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374 | (2) |
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376 | (3) |
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Other Means of Collecting Information |
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379 | (1) |
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380 | (1) |
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381 | (2) |
References |
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383 | (24) |
Glossary |
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407 | (14) |
Index |
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421 | |