Muutke küpsiste eelistusi

Worlds of Music, Shorter Version 4th ed. [Pehme köide]

  • Formaat: Paperback / softback, 422 pages, kõrgus x laius x paksus: 251x203x15 mm, kaal: 612 g
  • Sari: Mindtap Course List
  • Ilmumisaeg: 01-Jan-2017
  • Kirjastus: Cengage Learning
  • ISBN-10: 1337101494
  • ISBN-13: 9781337101493
Teised raamatud teemal:
  • Formaat: Paperback / softback, 422 pages, kõrgus x laius x paksus: 251x203x15 mm, kaal: 612 g
  • Sari: Mindtap Course List
  • Ilmumisaeg: 01-Jan-2017
  • Kirjastus: Cengage Learning
  • ISBN-10: 1337101494
  • ISBN-13: 9781337101493
Teised raamatud teemal:
This shorter version of the bestselling WORLDS OF MUSIC provides much of the authoritative coverage of the comprehensive version in a format that's accessible to students without any background or training in music. Using a case-study approach, the text presents in-depth explorations of music from several cultures around the world. The authors, all working ethnomusicologists, base their discussions of music-cultures on their own fieldwork and give students a true sense of both the music and culture that created it. Editor Jeff Todd Titon's opening chapter introduces students to ethnomusicology and relates each chapter's music to the fundamentals of music in a worldwide context, while the final chapter invites students to undertake a fieldwork research project that increases their understanding of music in daily life. Authentic recordings from the authors' fieldwork are keyed to the text and available online, giving students access to a wide range of music-cultures.
1 The Music-Culture as a World of Music
1(30)
Jeff Todd Titon
The Soundscape
2(1)
The Music-Culture
3(2)
What Is Music?
5(3)
Structure in Music
8(6)
Rhythm and Meter
9(1)
Melody
10(2)
Harmony
12(1)
Form
13(1)
A Music-Culture Performance Model
14(4)
The Four Components of a Music-Culture
18(10)
Ideas about Music
19(3)
Activities Involving Music
22(2)
Repertories of Music
24(3)
Material Culture of Music
27(1)
Ecological and Sustainable Worlds of Music
28(3)
2 North America/Native America
31(38)
Christopher A. Scales
Tribal Musics
33(14)
Haudenosaunee Music
34(4)
Yuchi Music
38(5)
Navajo Music
43(4)
Intertribal Music
47(13)
Powwow Music
48(12)
Native American Popular Music
60(9)
3 Africa/Ewe, Dagbamba, Shona, BaAka
69(42)
David Locke
Postal Workers Canceling Stamps
71(3)
Generalizations about African Music-Culture
72(2)
Agbekor: Music and Dance of the Ewe People
74(14)
The Ewe People
74(2)
Agbekor: History and Contemporary Performance
76(5)
Music of the Percussion Ensemble
81(3)
Songs
84(4)
A Drummer of Dagbon
88(4)
The Drums
88(1)
A Praise Name Dance
89(1)
Life Story: Abubakari Lunna
89(3)
Shona Mbira Music
92(7)
Cultural Context
92(2)
The Mbira
94(1)
"Nhemamusasa"
95(2)
Thomas Mapfumo and Chimurenga Music
97(2)
Fela and Afrobeat
99(4)
The BaAka People Singing "Makala"
103(5)
Three Images of the Forest People
105(1)
"Makala" A Mabo Song
106(1)
Music-Culture as an Adaptive Resource
107(1)
Conclusion
108(3)
4 North America/Black America
111(36)
Jeff Todd Titon
Music of Worship
113(4)
Music of Work
117(3)
Music of Play
120(1)
Blues
120(27)
Blues and the Truth
121(1)
Response to the Lyrics of "Poor Boy Blues"
122(2)
Autobiography and the Blues
124(6)
Learning the Blues
130(1)
The Blues Scale
131(1)
Composing the Blues
131(1)
A Blues Song in the Making
132(2)
Social Context and the Meaning of the Blues
134(1)
The Blues Yesterday
135(4)
Modern Blues
139(2)
Blues in the New Millennium
141(6)
5 Europe/Central and Southeastern Regions
147(34)
Timothy J. Cooley
Social and Political Organization
148(5)
Religion and Society
148(4)
Nationalism and Nation-States
152(1)
The Sounds of European Music
153(6)
Rhythm and Meter
153(2)
Pitches, Scales, and Melody
155(1)
Harmony
155(3)
European Precis
158(1)
Case Study: Podhale, Polish Tatra Region
159(13)
People and Music in Podhale
160(1)
Music for Dancing
161(6)
Life Story: Krzysztof Trebunia-Tutka
167(5)
European Regional Musics on the Global Stage: Two Case Studies
172(7)
Case Study 1 Muzyka Podhala and Reggae
173(2)
Case Study 2 Riffing on Music from the "Southern Slavs"
175(4)
Reinterpreting Europe
179(2)
6 Asia/India
181(28)
David B. Reck
History, Culture, and Music
183(4)
The Indus Valley Civilization (C. 2500--C. 1700 B.C.E.)
183(1)
The Aryans (C. 1700--C. 500 B.C.E.)
183(1)
Kingdoms through the Classic and Medieval Periods (500 B.C.E.--C. 1400 C.E.)
184(1)
The Mughals (1527--C. 1867 C.E.)
185(1)
The Period of British Colonization (1600S--1947)
186(1)
Independence and the Modern Period (1947--Present)
186(1)
Many Musics
187(1)
Religion and Music in South India
187(1)
Classical Music
188(3)
The Kriti: A Song
189(2)
The Sound World
191(13)
Concerts
191(1)
The Ensemble: Musical Texture
191(2)
Raga: The Melodic System
193(1)
Tala: The Time Cycle
194(1)
A Carnatic Music Performance
195(6)
Pop Music
201(3)
Indian Music and the West
204(5)
7 Asia/Indonesia
209(34)
R. Anderson Sutton
Central Java
211(15)
Gamelan
212(4)
Gamelan Construction
216(1)
Gamelan Identity
216(1)
Gamelan Performance Contexts
217(3)
Gamelan Music: A Javanese Gendhing in Performance
220(4)
Irama Level
224(1)
Gamelan Music and Shadow Puppetry
224(2)
Bali
226(3)
North Sumatra
229(3)
Indonesian Popular Music
232(11)
Rhoma Irama, Dangdut
233(3)
Responses to Globalization
236(7)
8 Asia/China, Taiwan, Singapore, Overseas Chinese
243(34)
Jonathan P. J. Stock
A Cross Section of Chinese Music
248(2)
Folk Song
250(4)
Shan'ge (Songs of Agricultural Work, Flirting, and Courting)
250(4)
Instrumental Ensemble Traditions
254(7)
Jiangnan Sizhu
256(2)
Beiguan
258(3)
Opera Traditions
261(3)
Jingju (Beijing Opera)
261(3)
Solo Instrumental Traditions
264(5)
Zither (Qin) Solos
265(3)
Piano Solos
268(1)
Religious Traditions
269(2)
Popular Music
271(4)
Chinese Music/World Music?
275(2)
9 South America/Chile, Bolivia, Ecuador, Peru
277(34)
John M. Schechter
Chilean Nueva Cancion
279(4)
Victor Jara and Inti-Illimani
280(3)
Bolivian K'antu
283(4)
The Quichua of the Northern Andes of Ecuador
287(14)
The Musical Tradition: Sanjuan
289(5)
A Classic Sanjuan
294(3)
African Ecuadorian Music of the Chota River Valley
297(4)
The Andean Ensemble Phenomenon: Going Abroad
301(5)
Chaskinakuy
302(2)
Other Groups
304(2)
Afro-Peruvian Music: A Lando
306(5)
Despedida, or Farewell
310(1)
10 The Arab World
311(38)
Anne K. Rasmussen
"Arabia"
312(2)
The Takht Ensemble
314(5)
The Performers and Their Instruments
314(1)
Musical Texture
315(1)
Rhythm
316(1)
Form, Melody, and Improvisation
316(2)
Tarab
318(1)
Religion and Music in the Arab World
319(3)
The "Call to Prayer": Azan
319(2)
Music and Islam
321(1)
Music in History/Music as History
322(6)
Musical Life in Medieval Mesopotamia
322(1)
Interview with Rahim Alhaj, Musician from Baghdad
323(4)
The Ottoman Empire and the Colonial Era
327(1)
The Maghrib
328(2)
Independent Morocco
329(1)
The Music of Celebration: Communal Music Making at a Wedding in Morocco
330(13)
The Public Baths
330(1)
The Wedding Celebration
331(1)
The Zaffa Wedding Procession
332(2)
Wedding Traditions of the Eastern Mediterranean Arab World (The Levant)
334(2)
Musical Biodiversity in the City of Salalah, Sultanate of Oman
336(7)
Homeland and Diaspora: An Unexpected Reaction
343(2)
From Diaspora to Globalization: Ofra Haza and World Beat
345(2)
Concluding Remarks
347(2)
11 Discovering and Documenting a World of Music
349(26)
Jeff Todd Titon
David B. Reck
Music in Our Own Backyards
350(7)
Family
350(1)
Generation and Gender
351(1)
Leisure
352(1)
Religion
353(1)
Ethnicity
353(1)
Regionalism
354(2)
Commodified Music
356(1)
Doing Musical Ethnography
357(18)
Selecting a Subject: Some Practical Suggestions
358(2)
Collecting Information
360(1)
Gaining Entry
360(1)
Participation and Observation
361(1)
Selecting a Topic
362(3)
Library and Internet Research
365(2)
Ethics
367(1)
Field Gear: Notebook, Recorder, Camera
368(2)
Interviewing
370(3)
Other Means of Collecting Information
373(1)
Finishing the Project
373(2)
Glossary 375(6)
References 381(16)
Credits 397(2)
Index 399