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Writing Across Cultures [Pehme köide]

  • Formaat: Paperback / softback, 246 pages, kõrgus x laius x paksus: 229x152x20 mm, kaal: 360 g
  • Ilmumisaeg: 01-Jul-2019
  • Kirjastus: Utah State University Press
  • ISBN-10: 1607328739
  • ISBN-13: 9781607328735
Teised raamatud teemal:
  • Formaat: Paperback / softback, 246 pages, kõrgus x laius x paksus: 229x152x20 mm, kaal: 360 g
  • Ilmumisaeg: 01-Jul-2019
  • Kirjastus: Utah State University Press
  • ISBN-10: 1607328739
  • ISBN-13: 9781607328735
Teised raamatud teemal:
Writing Across Culturesinvites both new and experienced teachers to examine the ways in which their training has—or has not—prepared them for dealing with issues of race, power, and authority in their writing classrooms.


Writing Across Cultures invites both new and experienced teachers to examine the ways in which their training has—or has not—prepared them for dealing with issues of race, power, and authority in their writing classrooms. The text is packed with more than twenty activities that enable students to examine issues such as white privilege, common dialects, and the normalization of racism in a society where democracy is increasingly under attack. This book provides an innovative framework that helps teachers create safe spaces for students to write and critically engage in hard discussions.
 
Robert Eddy and Amanda Espinosa-Aguilar offer a new framework for teaching that acknowledges the changing demographics of US college classrooms as the field of writing studies moves toward real equity and expanding diversity. Writing Across Cultures utilizes a streamlined cross-racial and interculturally tested method of introducing students to academic writing via sequenced assignments that are not confined by traditional and static approaches. They focus on helping students become engaged members of a new culture—namely, the rapidly changing collegiate discourse community. The book is based on a multi-racial rhetoric that assumes that writing is inherently a social activity. Students benefit most from seeing composing as an act of engaged communication, and this text uses student samples, not professionally authored ones, to demonstrate this framework in action.
 
Writing Across Cultures will be a significant contribution to the field, aiding teachers, students, and administrators in navigating the real challenges and wonderful opportunities of multi-racial learning spaces.
 
Acknowledgments ix
Preface: How Writing Across Cultures Positions Itself in Current Rhetoric, Writing, Racism, and Diversity Scholarship xi
Introduction 3(19)
1 Home Culture(s), Academic Discourse, Critical Reading, and the Eddy Model of Intercultural Experience
22(15)
2 Entrance to the Preliminary Stage: Brainstorming about Culture
37(27)
3 The Preliminary Stage, Part 2: Prewriting Using the Eddy Method
64(15)
4 The Spectator Stage: First Draft
79(17)
5 The Increasing-Participation Stage: Working Drafts and Revision
96(34)
6 The Shock Stage: Writer's Block and Fear of Change
130(23)
7 Convincing the Audience by Using Edited American English
153(15)
8 The Adaptation Stage: Final Drafts and Congruence
168(23)
9 The Reentry Stage: Future Compositions and Dissonant Voices
191(11)
10 Cultural Meshing or Switching in Poly- or Intercultural Writing Classes
202(11)
References 213(4)
Index 217