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Writing Architecture in Modern Italy: Narratives, Historiography, and Myths [Kõva köide]

  • Formaat: Hardback, 150 pages, kõrgus x laius: 234x156 mm, kaal: 720 g, 33 Halftones, black and white; 33 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 02-Oct-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367431114
  • ISBN-13: 9780367431112
Teised raamatud teemal:
  • Formaat: Hardback, 150 pages, kõrgus x laius: 234x156 mm, kaal: 720 g, 33 Halftones, black and white; 33 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 02-Oct-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367431114
  • ISBN-13: 9780367431112
Teised raamatud teemal:
"Writing Architecture in Modern Italy tells the history of an intellectual group connected to the small but influential Italian Einaudi publishing house between the 1930s and 1950s. It concentrates on a diverse group of individuals including Bruno Zevi, an architectural historian and politician; Giulio Carlo Argan, an art historian; Italo Calvino, a fiction writer; Giulio Einaudi, a publisher; and Elio Vittorini and Cesare Pavese, both writers and translators. Linking architectural history and historiography within a broader history of ideas, this book proposes four different methods of writing history, defining historiographical genres, modes, and tones of writing that can be applied to history writing to analyse political and social moments in time. Itidentifies four writing genres: myths, chronicles, history, and fiction, that became accepted as forms of multiple postmodern historical stories after 1957. An important contribution to the architectural debate, Writing Architecture in Modern Italy will appeal to those interested in the history of architecture, history of ideas and architectural education"--

Writing Architecture in Modern Italy tells the history of an intellectual group connected to the small but influential Italian Einaudi publishing house between the 1930s and the 1950s. It concentrates on a diverse group of individuals, including Bruno Zevi, an architectural historian and politician; Giulio Carlo Argan, an art historian; Italo Calvino, a fiction writer; Giulio Einaudi, a publisher; and Elio Vittorini and Cesare Pavese, both writers and translators.

Linking architectural history and historiography within a broader history of ideas, this book proposes four different methods of writing history, defining historiographical genres, modes, and tones of writing that can be applied to history writing to analyze political and social moments in time. It identifies four writing genres: myths, chronicles, history, and fiction, which became accepted as forms of multiple postmodern historical stories after 1957.

An important contribution to the architectural debate, Writing Architecture in Modern Italy will appeal to those interested in the history of architecture, history of ideas, and architectural education.

Foreword ix
Spyros Papapetros
Preface xiii
Acknowledgments xv
Introduction 1(12)
1 Americana: origins, myths, and the prehistoric myth of a new world
13(28)
2 From building interiors to real estate: Italo Calvino's urban fictive chronicles
41(26)
3 From chronicles to Storia: the transition and attempted integration of chronicles into history
67(28)
4 Officina Einaudi: the stories behind the history of a publishing house
95(22)
5 Storia `quasi una fantasia': Giulio Carlo Argan and the fictive in historical writing
117(20)
Conclusion: meta-history and the new historiographical Babel 137(6)
Index 143
Daria Ricchi is an architectural historian and writer. She holds a PhD from Princeton University, School of Architecture. She is a researcher at Oxford Brookes University and part-time tutor at Oxford University.