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Writing the Short Film 3rd edition [Pehme köide]

(Tisch School of the Arts, New York University, NY, USA), (Tisch School of the Arts, New York University, New York)
  • Formaat: Paperback / softback, 370 pages, kõrgus x laius: 229x152 mm, kaal: 612 g
  • Ilmumisaeg: 26-Oct-2004
  • Kirjastus: Focal Press
  • ISBN-10: 0240805887
  • ISBN-13: 9780240805887
  • Formaat: Paperback / softback, 370 pages, kõrgus x laius: 229x152 mm, kaal: 612 g
  • Ilmumisaeg: 26-Oct-2004
  • Kirjastus: Focal Press
  • ISBN-10: 0240805887
  • ISBN-13: 9780240805887
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.

NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

A comprehensive guide to writing this challenging form
Numerous exercises to jumpstart visualization and writing
In-depth discussion of genres suited to the short screenplay

Arvustused

"...for the more technically minded this weighty tome is invaluable." - Black Filmmaker "...for the more technically minded this weighty tome is invaluable." - Black Filmmaker

"It is a tough call to sell the script of a short film to a film production company, and your script needs to be outstanding both in concept and execution. If you are a scriptwriter who aims to tackle this tough brief, then here is the book to help you." - Writing Magazine

Muu info

A comprehensive guide to writing this challenging form Numerous exercises to jumpstart visualization and writing In-depth discussion of genres suited to the short screenplay
ACKNOWLEDGMENTS ix
INTRODUCTION 1(6)
PART I Fundamentals: Breaking Ground 7(80)
Chapter 1 STORYTELLING IN GENERAL
9(8)
Chapter 2 TELLING A STORY IN IMAGES
17(12)
Chapter 3 USING SOUND TO TELL THE STORY
29(8)
Chapter 4 DISCOVERING AND EXPLORING A MAIN CHARACTER
37(10)
Chapter 5 TELLING THE DRAMATIC STORY
47(18)
Chapter 6 WRITING AN ORIGINAL SHORT SCREENPLAY
65(14)
Chapter 7 ON REVISION: SUBSTANCE AND STYLE
79(8)
PART II Moving Forward: Writing Strategies 87(64)
Chapter 8 THE NEED FOR STORYTELLING
89(12)
Chapter 9 VISUALIZATION STRATEGIES
101(12)
Chapter 10 DRAMATIC STRATEGIES
113(14)
Chapter 11 CHARACTERIZATION STRATEGIES
127(14)
Chapter 12 MORE ON DIALOGUE STRATEGIES
141(10)
PART III Genres: Forming the Story 151(70)
Chapter 13 THE MELODRAMA
153(18)
Chapter 14 THE DOCUDRAMA
171(16)
Chapter 15 THE HYPERDRAMA
187(18)
Chapter 16 THE EXPERIMENTAL NARRATIVE
205(16)
PART IV New Directions 221(12)
Chapter 17 THE OPPORTUNITY FOR RENEWAL
223(10)
APPENDIX A Short Short Screenplays 233(24)
Vincent, by Gert Embrechts
235(6)
Sob Story, by Matthew E. Goldenberg and Michael Slavens
241(8)
Pigeon, by Anthony Green
249(8)
APPENDIX B Short Screenplays 257(88)
Another Story, by Lisa Wood Shapiro
259(11)
The Lady in Waiting, by Christian Taylor
270(27)
Sleeping Beauties, by Karyn Kusama
297(11)
The Wounding, by Susan Emerling
308(15)
Dead Letters Don't Die, by Anais Granofsky and Michael Swanhaus
323(22)
INDEX 345


Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.