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Writing Tools: 50 Essential Strategies for Every Writer [Pehme köide]

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  • Formaat: Paperback / softback, 245 pages, kaal: 350 g
  • Ilmumisaeg: 02-Apr-2008
  • Kirjastus: CQ Press
  • ISBN-10: 0872899632
  • ISBN-13: 9780872899636
Teised raamatud teemal:
  • Formaat: Paperback / softback, 245 pages, kaal: 350 g
  • Ilmumisaeg: 02-Apr-2008
  • Kirjastus: CQ Press
  • ISBN-10: 0872899632
  • ISBN-13: 9780872899636
Teised raamatud teemal:
"Begin sentences with subjects and verbs," is the first tool in Roy Peter Clarks Writing Tools: 50 Essential Strategies for Every Writer. "Own the tools of your craft," the last. Pithy, entertaining, and always straight-to-the-point, Writing Tools sandwiches 48 more useful tools in-between, on "Nuts and Bolts" (words and sentences) "Special Effects" (tricks of the trade), "Blueprints" (organizational strategies), and "Useful Habits" for successful writers. Informed by Clarks thirty years as a teacher, writer, and journalist, every tool bears the stamp of his experience and lighthearted wisdomfrom the usefulness of the suggestions (Tool 14: "Get the name of the dog") to the clarity of the prose itself.

As fun to read as it is hands-on practical, it can be enjoyed straight-through or used as a reference as students draft, revise, and edit. Spiral-bound, the College Edition lays flat as students work at the computer, and at $16.95 suggested retail (after bookstore mark-up), Writing Tools is considerably less expensive than traditional writing textbooks. With over 30,000 copies sold to the mass-market, the College Edition is the perfect book to accompany a more comprehensive textbook, or for classrooms that dont use a traditional text at all.
Preface for Instructors xi
A Note to Students xiii
Introduction: A Nation of Writers 3(6)
Part One. NUTS AND BOLTS
9(48)
Begin sentences with subjects and verbs
11(4)
Order words for emphasis
15(4)
Activate your verbs
19(4)
Be passive-aggressive
23(4)
Watch those adverbs
27(4)
Take it easy on the -ings
31(5)
Fear not the long sentence
36(5)
Establish a pattern, then give it a twist
41(4)
Let punctuation control pace and space
45(5)
Cut big, then small
50(7)
Part Two. SPECIAL EFFECTS
57(60)
Prefer the simple over the technical
59(5)
Give key words their space
64(4)
Play with words, even in serious stories
68(4)
Get the name of the dog
72(4)
Pay attention to names
76(4)
Seek original images
80(4)
Riff on the creative language of others
84(4)
Set the pace with sentence length
88(5)
Vary the lengths of paragraphs
93(5)
Choose the number of elements with a purpose in mind
98(5)
Know when to back off and when to show off
103(4)
Climb up and down the ladder of abstraction
107(5)
Tune your voice
112(5)
Part Three. BLUEPRINTS
117(76)
Work from a plan
119(5)
Learn the difference between reports and stories
124(4)
Use dialogue as a form of action
128(5)
Reveal traits of character
133(4)
Put odd and interesting things next to each other
137(5)
Foreshadow dramatic events and powerful conclusions
142(4)
To generate suspense, use internal cliffhangers
146(4)
Build your work around a key question
150(5)
Place gold coins along the path
155(4)
Repeat, repeat, and repeat
159(6)
Write from different cinematic angles
165(4)
Report and write for scenes
169(5)
Mix narrative modes
174(5)
In short works, don't waste a syllable
179(5)
Prefer archetypes to stereotypes
184(4)
Write toward an ending
188(5)
Part Four. USEFUL HABITS
193(52)
Draft a mission statement for your work
195(5)
Turn procrastination into rehearsal
200(5)
Do your homework well in advance
205(5)
Read for both form and content
210(4)
Save string
214(5)
Break long projects into parts
219(4)
Take an interest in all crafts that support your work
223(5)
Recruit your own support group
228(4)
Limit self-criticism in early drafts
232(4)
Learn from your critics
236(4)
Own the tools of your craft
240(5)
Afterword 245(1)
Acknowledgments 246(3)
Writing Tools Quick List 249(6)
Index 255
Roy Peter Clark is vice president and senior scholar at the Poynter Institute. He has taught writing at every levelto school-children and Pulitzer Prize-winning authorsfor more than 30 years, and has spoken about the craft of writing on The Oprah Winfrey Show, NPR, and Today; at conferences from Singapore to Brazil; and at news organizations from The New York Times to the Sowetan in South Africa. A writer who teaches, and a teacher who writes, he has authored and edited fourteen books about writing and journalism.