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Australian Art Field: Practices, Policies, Institutions [Kõva köide]

Edited by (New York University), Edited by (Western Sydney University, Australia), Edited by (independent scholar), Edited by (Western Sydney University, Australia)
  • Formaat: Hardback, 354 pages, kõrgus x laius: 254x178 mm, kaal: 1029 g, 4 Tables, black and white; 14 Illustrations, color; 54 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 08-Jun-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367184419
  • ISBN-13: 9780367184414
  • Formaat: Hardback, 354 pages, kõrgus x laius: 254x178 mm, kaal: 1029 g, 4 Tables, black and white; 14 Illustrations, color; 54 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 08-Jun-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367184419
  • ISBN-13: 9780367184414
"This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in the context of their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of indigenous artists. This book will be of interest to scholars in contemporary art, art history, Asia Pacific studies, and indigenous peoples"--

    This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia.

    Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists.

    This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.

    Arvustused

    Winner of the Art Association of Australia and New Zealand (AAANZ)'s 2021 Best Anthology!

    Winner of the Art Association of Australia and New Zealand (AAANZ)'s 2021 Best Art Writing by an Indigenous Australian (for a chapter by Danie Mellor)!

    List of Figures
    viii
    List of Tables
    x
    List of Plates
    xi
    Notes on Contributors xii
    Preface xviii
    Acknowledgements xx
    Introduction: The Australian Art Field - Frictions and Futures 1(12)
    Deborah Stevenson
    Tony Bennett
    Fred Myers
    Tamara Winikoff
    PART 1 Framing the Arts
    13(102)
    Introduction
    15(2)
    Tony Bennett
    1 The Australian Art Exhibitionary Complex
    17(14)
    Terry Smith
    2 Mona and the Political-Cultural Economy of Independent Galleries
    31(13)
    Adrian Franklin
    3 On the Possibility of Another Australian Art History
    44(12)
    Rex Butler
    A.D.S. Donaldson
    4 `Craftsperson', `Artist', `Designer': Problematising the `Art Versus Commerce' Divide Within Australian Creative Fields Today
    56(14)
    Susan Luckman
    5 Feminist Effects: Australian Visual Artists Past, Present, Future
    70(13)
    Julie Ewington
    6 Australian Working-Class Art Field: Its Making and Unmaking
    83(15)
    Tony Moore
    7 Liking Australian Art, Liking Australian Culture
    98(17)
    Tony Bennett
    Modesto Gayo
    PART 2 Governance, Institutions, and the Social
    115(92)
    Introduction
    117(2)
    Deborah Stevenson
    8 Cultural Policy in Australia: Key Themes in the Governance of the Arts
    119(12)
    Deborah Stevenson
    9 Experiments with Arts Institutions: The Kandos School of Cultural Adaptation and Frontyard
    131(15)
    Laura Fisher
    Alexandra Crosby
    10 Art Education and the Maker Movement: Identity, Wellbeing, Community, and Entrepreneurship
    146(12)
    Kylie Budge
    11 Why We Need to Talk About Race in the Arts, or the Limits of Aspirational Diversity
    158(12)
    Rimi Khan
    12 Artist Activism in a Cultural Policy Void
    170(13)
    Cecelia Cmielewski
    13 Gaming the Data: The Evaluation of Arts Activities and the Tensions for Public Policy
    183(12)
    Hilary Glow
    Katya Johanson
    14 Arguing Value: Attitudes and Activism
    195(12)
    Tamara Winikoff
    PART 3 Indigenous Art
    207(60)
    Introduction
    209(2)
    Fred Myers
    15 The Work of Art: Hope, Disenchantment, and Indigenous Art in Australia
    211(13)
    Fred Myers
    16 Indigenising the Australian Artworld: National Culture and State Sovereignty
    224(13)
    Ian Mclean
    17 Approaching the Sovereign: From Art Centres to Art Fairs
    237(15)
    Jennifer L. Biddle
    18 Indigenous Curatorial Interpellations: Insistence and Refusal
    252(15)
    Stephen Gilchrist
    PART 4 Artists' Voices
    267(48)
    Introduction
    269(4)
    Tamara Winikoff
    19 Speaking of an Unquiet Country
    273(6)
    Danie Mellor
    20 Testing the Ground: Art and `Difficult' Histories
    279(6)
    Julie Gough
    21 In Between
    285(6)
    Hossein Valamanesh
    22 Cultural Democracy in Action
    291(6)
    Julie Shiels
    23 Body Disclosures
    297(6)
    Julie Rrap
    24 Labour and Ritual
    303(5)
    Ben Quilty
    25 Futile Fighting, Fanciful Folly
    308(7)
    Deborah Kelly
    Index 315
    Tony Bennett is Research Professor in Social and Cultural Theory in Western Sydney Universitys Institute for Culture and Society, and a Fellow of both the Australian Academy of the Humanities and the UK Academy of the Social Sciences.

    Deborah Stevenson is Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University.

    Fred Myers is the Silver Professor of Anthropology at New York University.

    Tamara Winikoff OAM is a cultural advocate and commentator, policy adviser and senior arts manager. Currently working as an arts consultant, Tamara was previously CEO of the national peak body for the Australian visual arts sector, the National Association for the Visual Arts (NAVA).