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E-raamat: Australian Art Field: Practices, Policies, Institutions

Edited by (Western Sydney University, Australia), Edited by (New York University), Edited by (Western Sydney University, Australia), Edited by (independent scholar)
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This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia.

Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists.



This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.

Arvustused

Winner of the Art Association of Australia and New Zealand (AAANZ)'s 2021 Best Anthology!

Winner of the Art Association of Australia and New Zealand (AAANZ)'s 2021 Best Art Writing by an Indigenous Australian (for a chapter by Danie Mellor)!

List of Figures
viii
List of Tables
x
List of Plates
xi
Notes on Contributors xii
Preface xviii
Acknowledgements xx
Introduction: The Australian Art Field - Frictions and Futures 1(12)
Deborah Stevenson
Tony Bennett
Fred Myers
Tamara Winikoff
PART 1 Framing the Arts
13(102)
Introduction
15(2)
Tony Bennett
1 The Australian Art Exhibitionary Complex
17(14)
Terry Smith
2 Mona and the Political-Cultural Economy of Independent Galleries
31(13)
Adrian Franklin
3 On the Possibility of Another Australian Art History
44(12)
Rex Butler
A.D.S. Donaldson
4 `Craftsperson', `Artist', `Designer': Problematising the `Art Versus Commerce' Divide Within Australian Creative Fields Today
56(14)
Susan Luckman
5 Feminist Effects: Australian Visual Artists Past, Present, Future
70(13)
Julie Ewington
6 Australian Working-Class Art Field: Its Making and Unmaking
83(15)
Tony Moore
7 Liking Australian Art, Liking Australian Culture
98(17)
Tony Bennett
Modesto Gayo
PART 2 Governance, Institutions, and the Social
115(92)
Introduction
117(2)
Deborah Stevenson
8 Cultural Policy in Australia: Key Themes in the Governance of the Arts
119(12)
Deborah Stevenson
9 Experiments with Arts Institutions: The Kandos School of Cultural Adaptation and Frontyard
131(15)
Laura Fisher
Alexandra Crosby
10 Art Education and the Maker Movement: Identity, Wellbeing, Community, and Entrepreneur ship
146(12)
Kylie Budge
11 Why We Need to Talk About Race in the Arts, or the Limits of Aspirational Diversity
158(12)
Rimi Khan
12 Artist Activism in a Cultural Policy Void
170(13)
Cecelia Cmielewski
13 Gaming the Data: The Evaluation of Arts Activities and the Tensions for Public Policy
183(12)
Hilary Glow
Katya Johanson
14 Arguing Value: Attitudes and Activism
195(12)
Tamara Winikoff
PART 3 Indigenous Art
207(60)
Introduction
209(2)
Fred Myers
15 The Work of Art: Hope, Disenchantment, and Indigenous Art in Australia
211(13)
Fred Myers
16 Indigenising the Australian Artworld: National Culture and State Sovereignty
224(13)
Ian Mclean
17 Approaching the Sovereign: From Art Centres to Art Fairs
237(15)
Jennifer L. Biddle
18 Indigenous Curatorial Interpellations: Insistence and Refusal
252(15)
Stephen Gilchrist
PART 4 Artists' Voices
267(48)
Introduction
269(4)
Tamara Winikoff
19 Speaking of an Unquiet Country
273(6)
Danie Mellor
20 Testing the Ground: Art and `Difficult' Histories
279(6)
Julie Gough
21 In Between
285(6)
Hossein Valamanesh
22 Cultural Democracy in Action
291(6)
Julie Shiels
23 Body Disclosures
297(6)
Julie Rrap
24 Labour and Ritual
303(5)
Ben Quilty
25 Futile Fighting, Fanciful Folly
308(7)
Deborah Kelly
Index 315
Tony Bennett is Research Professor in Social and Cultural Theory in Western Sydney Universitys Institute for Culture and Society, and a Fellow of both the Australian Academy of the Humanities and the UK Academy of the Social Sciences.

Deborah Stevenson is Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University.

Fred Myers is the Silver Professor of Anthropology at New York University.

Tamara Winikoff OAM is a cultural advocate and commentator, policy adviser and senior arts manager. Currently working as an arts consultant, Tamara was previously CEO of the national peak body for the Australian visual arts sector, the National Association for the Visual Arts (NAVA).