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Babylonian Planet: Culture and Encounter Under Globalization [Kõva köide]

Edited by , Translated by , (Late of Bauhaus University, Weimar, Germany and Évry Val d'Essonne University, France)
  • Formaat: Hardback, 224 pages, kõrgus x laius: 234x156 mm, kaal: 490 g
  • Ilmumisaeg: 02-Dec-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350173231
  • ISBN-13: 9781350173231
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  • Formaat: Hardback, 224 pages, kõrgus x laius: 234x156 mm, kaal: 490 g
  • Ilmumisaeg: 02-Dec-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350173231
  • ISBN-13: 9781350173231
Teised raamatud teemal:
"What is astro-culture? In The Babylonian Planet it is unfolded as an aesthetic, an idea, a field of study, a position, and a practice. It helps to engineer the shift from a world view that is segregated to one that is integrated - from global to planetary; from distance to intimacy and where closeness and cosmic distance live side-by-side. In this tour de force, Sonja Neef takes her cue from Edouard Glissant's vision of multilingualism and reignites the myth of the Tower of Babel to anticipate new formsof cultural encounter. For her, Babel is an organic construction site at which she fuses theoretical analysis and case studies of artists, writers and thinkers like William Kentridge, Orhan Pamuk and Immanuel Kant. Her skilful interrogations then allow her to paint a portrait of art and culture that abolishes the horizon as a barrier to vision and reclaims it as a place of contact and relation. By combining the Babylonian concept of the encounter and the planetary concept of the whole-earth, Neef createsa space - an astro-culture - in which she can examine topics as varied as language, translation, media, modernity, migration and the moon. In doing so, she instigates a renewed cultural understanding receptive to the kinder forms of cultural encounter and globalisation she hopes will come"--

What is astro-culture? In The Babylonian Planet it is unfolded as an aesthetic, an idea, a field of study, a position, and a practice. It helps to engineer the shift from a world view that is segregated to one that is integrated – from global to planetary; from distance to intimacy and where closeness and cosmic distance live side-by-side.

In this tour de force, Sonja Neef takes her cue from Edouard Glissant's vision of multilingualism and reignites the myth of the Tower of Babel to anticipate new forms of cultural encounter. For her, Babel is an organic construction site at which she fuses theoretical analysis and case studies of artists, writers and thinkers like William Kentridge, Orhan Pamuk and Immanuel Kant. Her skilful interrogations then allow her to paint a portrait of art and culture that abolishes the horizon as a barrier to vision and reclaims it as a place of contact and relation.

By combining the Babylonian concept of the encounter and the planetary concept of the whole-earth, Neef creates a space – an astro-culture – in which she can examine topics as varied as language, translation, media, modernity, migration and the moon. In doing so, she instigates a renewed cultural understanding receptive to the kinder forms of cultural encounter and globalisation she hopes will come.

Arvustused

We can now say that Sonja Neefs thinking about and analysis of encounters in the era of globalisation was prophetic. When she wrote these essays, the sense of urgency about the care for the planet, and the importance of the intercultural encounters that the qualifier Babylonion habours, were not as keen as they are today. We miss her wisdom and insight, but at least we now have this book - a monument of sorts. * Mieke Bal, Professor of Cultural Analysis, Amsterdam School for Cultural Analysis (ASCA), The Netherlands * The Babylonian Planet rethinks human civilization in terms of its virtually planetary distribution in time and space. Its comprehensive narrative integrates millennial events of language, communication, mediation, and translation with significant and precisely denoted cultural forms and traces the intertextual lines of their historical transformations in the movement from globalization to planetization. * Bruce Clarke, Paul Whitfield Horn Distinguished Professor of Literature and Science, Texas Tech University, USA * The Babylonian Planet reinvents cultural studies under the prism of planetarization by the use of a creative and convincing methodology, mixing issues as diverse as mythology and deconstruction or cosmos and globalization, while underlining the essential need to thinking translation culturally. The ultimate work of a great figure of cultural studies too quickly disappeared, whose perspective remains of an extreme topicality. * Damien Ehrhardt, Associate Professor, University of Paris-Saclay in Evry, France *

Muu info

The English translation of the late Sonja Neefs key text Der Babylonische Planet, which introduces the concept of 'astro-culture', an aesthetic that aims to shift our view of the view of the world as segregated to integrated.
List of Illustrations
viii
Acknowledgments x
1 The Babylonian Planet
1(18)
Babel reloaded
1(2)
Global flows
3(1)
Building Babel
4(2)
What Babel means
6(1)
BBL
7(2)
Tower and ruin
9(2)
Language and stars
11(2)
The whole earth
13(2)
The planet of the Other
15(4)
2 Europe: Myth and Translation
19(20)
The Mediterranean Sea
19(1)
The myth of Europe
20(2)
Europe as name---or the politics of translation
22(2)
In the ear of the Other: the epyllion of Moschos
24(1)
Phoenician--Greek: between the languages, between the letters
25(4)
The prime meridian
29(2)
Tiepolo's Treppenhaus
31(3)
M/Other
34(5)
3 On the Shores of the Cite nationale de l'histoire de l'immigration in Paris
39(22)
The grand capital
39(2)
A postcard from the edge of language
41(3)
On the edge of the capital
44(2)
Shorelines (I)
46(1)
The politics of showing
47(2)
Benchmarks of migration
49(3)
Shorelines (II)
52(1)
The language of the republic
53(2)
Accent-free Creole
55(3)
Couci couca
58(3)
4 Outre Mer(e): Jacques Derrida and the Mediterranean
61(20)
The sea in between
61(1)
The metropolis
62(2)
"Mer(e)"
64(2)
Jacques Dreirad
66(3)
The other wheel
69(2)
Arabic
71(2)
Jewish
73(2)
Uncanny mouth of the uterus
75(6)
5 The Southern Cross: The Planetarism of Alexander von Humboldt and Francois Arago
81(20)
The language of human rights
81(1)
Arago's universe
82(3)
Babylonian friendship
85(3)
Humboldt's Cosmos
88(3)
A star like a friend
91(5)
Moon viewing in Cumana
96(3)
Cosmos, universe, globalization
99(2)
6 Sublunar: Star Friendship in Orhan Pamuk's The White Castle
101(14)
The Venetian and Hoja
101(3)
"Sages" and "scholars"
104(3)
Pamuk's cosmology
107(5)
Mirror scenes
112(1)
Star friendship
113(2)
7 In Earth Orbit: Constellation "Suitcase." Planetary Aesthetics in William Kentridge's Felix in Exile
115(14)
Remembrance and forgetting
115(2)
A poetics of segregation
117(3)
Planetary aesthetics
120(2)
Moon views
122(2)
The dilemma of the telescope
124(2)
Handwork and onanism
126(1)
Behind the horizon
127(2)
8 Intergalactic: Universal Translation. Immanuel Kant, the Spaceship Enterprise, and the Circulation of the Planets
129(18)
Cosmopolitanism
129(1)
Television
130(2)
The United Federation of Planets
132(3)
The universal translator
135(4)
Babylonian conference
139(4)
Planetary dispositifs
143(4)
9 Heaven on Earth: Paul, a Cosmopolitan?
147(18)
Why Paul?
147(2)
The event (the subsets)
149(4)
Being-gentile (εθνoσ)
153(3)
Sonhood (lineage)
156(3)
Paul, a cosmopolitan?
159(2)
Cosmic singularity
161(4)
10 Finally: East Pole and West Pole
165(4)
Afterword 169(4)
Notes 173(22)
Bibliography 195(10)
Index 205
Sonja Neef (1968-2013) was Junior Professor of European Media and Culture at the Bauhaus University in Weimar, Germany, from 2003 until 2010. She also became a Fellow at the International Kolleg Morphomata at the University of Cologne and a Feodor-Lynen Scholar of the Alexander von Humboldt Foundation at the University of Evry (Paris).