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Seven Basic Plots: Why We Tell Stories [Kõva köide]

3.76/5 (1722 hinnangut Goodreads-ist)
  • Formaat: Hardback, 400 pages, kõrgus x laius: 216x138 mm, kaal: 300 g
  • Ilmumisaeg: 21-Oct-2004
  • Kirjastus: Continuum International Publishing Group Ltd.
  • ISBN-10: 0826452094
  • ISBN-13: 9780826452092
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  • Formaat: Hardback, 400 pages, kõrgus x laius: 216x138 mm, kaal: 300 g
  • Ilmumisaeg: 21-Oct-2004
  • Kirjastus: Continuum International Publishing Group Ltd.
  • ISBN-10: 0826452094
  • ISBN-13: 9780826452092
Teised raamatud teemal:
This is a monumental work of breath-taking originality - the fruit of a lifetime's research and reading that will unlock the secrets of stories through the ages for all. From The Epic of Gilgamesh to Jaws and Schindler's List, Christopher Booker examines in details the stories that underlie literature and the plots that are basic to story-telling through the ages. In this magisterial work he examines the plots of films, opera libretti and the contemporary novel and short story. Underlying the stories he examines are seven basic plots: rags to riches; the quest; voyage and return; the hero as monster; rebirth, and so on. Booker shows that the images and stories serve a far deeper and more significant purpose in our lives than we have realised hitherto. In the definition of these basic plots, Booker shows us entering a realm in which the recognition of the plots proves to be only the gateway. We are in fact uncovering a kind of hidden universal language: a nucleus of situations and figures that are the very stuff from which stories are made. With Booker's exploration, there is literally no story in the world that cannot be seen in a new light. We have come to the heart of what stories are about, and why we tell them. Here, Christopher Booker moves on from some of the themes he outlined in his best-selling book The Neophiliacs. Seven Basic Plots is unquestionably his most important book to date.

Arvustused

"'I am overwhelmed by the immensity of [ this] intellectual, literary, cultural and psychological achievement. [ Booker has] encompassed the great European canon, mastered it, penetrated it and laid bare its anatomy and physiology.' Anthony Stevens"

Introduction and historical notes 1(16)
PART ONE: THE SEVEN GATEWAYS TO THE UNDERWORLD
Prologue to Part One
17(4)
Overcoming the Monster
21(10)
The Monster (II) and the Thrilling Escape From Death
31(20)
Rags to Riches
51(18)
The Quest
69(18)
Voyage and Return
87(20)
Comedy
107(24)
Comedy (II): The Plot Disguised
131(22)
Tragedy (I): The Five Stages
153(20)
Tragedy (II): The Divided Self
173(8)
Tragedy (III): The Hero as Monster
181(12)
Rebirth
193(22)
The Dark Power: From Shadow into Light
215(26)
Epilogue to Part One: The Rule of Three (the role played in stories by numbers)
229(10)
PART TWO: THE COMPLETE HAPPY ENDING
Prologue to Part Two
239(2)
The Dark Figures
241(12)
Seeing Whole: The Feminine and Masculine Values
253(14)
The Perfect Balance
267(10)
The Unrealised Value
277(12)
The Archetypal Family Drama (Continued)
289(8)
The Light Figures
297(14)
Reaching the Goal
311(18)
The Fatal Flaw
329(18)
PART THREE: MISSING THE MARK
The Ego Takes Over (I): Enter the Dark Inversion
347(20)
The Ego Takes Over (II): The Dark and Sentimental Versions
367(18)
The Ego Takes Over (III): Quest, Voyage and Return, Comedy
385(14)
The Ego Takes Over (IV): Tragedy and Rebirth
399(14)
Losing the Plot: Thomas Hardy -- A Case History
413(12)
Going Nowhere: The Passive Ego. The Twentieth-Century Dead End - From Chekhov to Close Encounters
425(30)
Why Sex and Violence? The Active Ego. The Twentieth-Century Obsession: From de Sade to The Terminator
455(40)
Rebellion Against `The One': From Job to Nineteen Eighty-Four
495(10)
The Mystery
505(12)
The Riddle of the Sphinx: Oedipus and Hamlet
517(26)
PART FOUR: WHY WE TELL STORIES
Telling Us Who We Are: Ego versus Instinct
543(28)
Into the Real World: The Ruling Consciousness
571(22)
Of Gods and Men: Reconnecting with `The One'
593(52)
The Age of Loki: The Dismantling of the Self
645(54)
Epilogue: The Light and the Shadows on the Wall 699(4)
Author's Personal Note 703(4)
Glossary of Terms 707(4)
Bibliography 711(4)
Index of Stories Cited 715(5)
General Index 720


Christopher Booker was one of the founders of Private Eye. He writes a weekly column for The Sunday Telegraph. He has published many books including The Neophiliacs, Castle of Lies and The Great Deception. He still writes for Private Eye.