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Seven Basic Plots: Why We Tell Stories [Pehme köide]

3.76/5 (1739 hinnangut Goodreads-ist)
  • Formaat: Paperback / softback, 736 pages, kõrgus x laius: 234x153 mm, kaal: 908 g
  • Ilmumisaeg: 11-Jul-2019
  • Kirjastus: Bloomsbury Continuum
  • ISBN-10: 1472976185
  • ISBN-13: 9781472976185
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  • Formaat: Paperback / softback, 736 pages, kõrgus x laius: 234x153 mm, kaal: 908 g
  • Ilmumisaeg: 11-Jul-2019
  • Kirjastus: Bloomsbury Continuum
  • ISBN-10: 1472976185
  • ISBN-13: 9781472976185
Teised raamatud teemal:
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world.

Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology.

Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose.

Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.

Arvustused

....remarkable parallels between the structure of the modern film Jaws and that of the Old English Beowulf. * Writing Magazine * If you have any interest in fiction and the way it works, you will enjoy this exploration of the seven basic plots and how they have been adapted and developed across the centuries. * Writing Magazine * This magisterial volume really does offer readers a genuinely fresh and exciting perspective on virtually every tale ever told. -- Bookmark Fantastically entertaining -- The Times This book...has mind-expanding properties. Not only for anyone interested in literature, but also for those fascinated by wider questions of how human beings organise their societies and explain the outside world to their inmost selves, it is fascinating. -- Katherine Sale * FT * Christopher Booker's mammoth account of plot types, archetypes, their role in literary history and where Western culture has gone horribly wrong. * Times Literary Supplement * His prose is a model of clarity, and his lively enthusiasm for fictions of every description is infectious...The Seven Basic Plots is...one of the most diverting works on storytelling I've ever encountered. -- Dennis Dutton * The Washington Post * This is the most extraordinary, exhilarating book. It always seemed to me that 'the story' was God's way of giving meaning to crude creation. Booker now interprets the mind of God, and analyses not just the novel - which will never to me be quite the same again - but puts the narrative of contemporary human affairs into a new perspective. If it took its author a lifetime to write, one can only feel gratitude that he did it. -- Fay Weldon An enormous piece of work...nothing less than the story of all stories. And an extraordinary tale it is ... Booker ranges over vast tracts of literature, drawing together the plots of everything from Beowulf to Bond, from Sophocles to soap opera, from Homer to Homer Simpson, to show the underlying parallels in stories from what appear to be the most disparate sources. If stories are about "what happens next", this book sets out to show that the answer is always "the same things", then to explain why. I found it absolutely fascinating. -- Ian Hislop * Private Eye * This is literally an incomparable book, because there is nothing to compare it with. It goes to the heart of man's cultural evolution through the stories we have told since storytelling began. It illuminates our nature, our beliefs and our collective emotions by shining a bright light on them from a completely new angle. Original, profound, fascinating - and on top of it all, a really good read. -- Sir Antony Jay, co-author of Yes, Minister I have been quite bowled over by Christopher Booker's new book. It is so well planned with an excellent beginning and the contrasts and comparisons throughout are highly entertaining as well as informative and most original - and always extremely readable. -- John Bayley Booker's knowledge and understanding of imaginative literature is unrivalled, his essays on the great authors both illuminating and stimulating. This is a truly important book, an accolade often bestowed and rarely deserved in our modern age. -- Dame Beryl Bainbridge ...some splendid links between story and reality...enjoyably provocative -- Gordon Parsons * The Morning Star * It's hard not to admire the commitment of any writer whose book has taken 34 years to evolve. And there can be no doubting that Christopher Booker's 700-page, exhaustive examination of "Why we tell stories" - the book's subtitle - is a labour of love. -- Gordon Parsons * The Morning Star * one of the most brilliant books of recent years -- Bel Mooney * The Times *

Muu info

Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years.
Introduction and historical notes 1(16)
PART ONE THE SEVEN GATEWAYS TO THE UNDERWORLD
Prologue to Part One
17(4)
Chapter 1 Overcoming the Monster
21(10)
Chapter 2 The Monster (II) and the Thrilling Escape From Death
31(20)
Chapter 3 Rags to Riches
51(18)
Chapter 4 The Quest
69(18)
Chapter 5 Voyage and Return
87(20)
Chapter 6 Comedy
107(24)
Chapter 7 Comedy (II): The Plot Disguised
131(22)
Chapter 8 Tragedy (I): The Five Stages
153(20)
Chapter 9 Tragedy (II): The Divided Self
173(8)
Chapter 10 Tragedy (III): The Hero as Monster
181(12)
Chapter 11 Rebirth
193(22)
Chapter 12 The Dark Power: From Shadow into Light
215(24)
Epilogue to Part One The Rule of Three (the role played in stories by numbers)
229(10)
PART TWO THE COMPLETE HAPPY ENDING
Prologue to Part Two
239(2)
Chapter 13 The Dark Figures
241(12)
Chapter 14 Seeing Whole: The Feminine and Masculine Values
253(14)
Chapter 15 The Perfect Balance
267(10)
Chapter 16 The Unrealised Value
277(12)
Chapter 17 The Archetypal Family Drama (Continued)
289(8)
Chapter 18 The Light Figures
297(14)
Chapter 19 Reaching the Goal
311(18)
Chapter 20 The Fatal Flaw
329(18)
PART THREE MISSING THE MARK
Chapter 21 The Ego Takes Over (I): Enter the Dark Inversion
347(20)
Chapter 22 The Ego Takes Over (II): The Dark and Sentimental Versions
367(18)
Chapter 23 The Ego Takes Over (III): Quest, Voyage and Return, Comedy
385(14)
Chapter 24 The Ego Takes Over (IV): Tragedy and Rebirth
399(14)
Chapter 25 Losing the Plot: Thomas Hardy -- A Case History
413(12)
Chapter 26 Going Nowhere: The Passive Ego. The Twentieth-Century Dead End -- From Chekhov to Close Encounters
425(30)
Chapter 27 Why Sex and Violence? The Active Ego. The Twentieth-Century Obsession: From de Sade to The Terminator
455(40)
Chapter 28 Rebellion Against `The One': From Job to Nineteen Eighty-Four
495(10)
Chapter 29 The Mystery
505(12)
Chapter 30 The Riddle of the Sphinx: Oedipus and Hamlet
517(26)
PART FOUR WHY WE TELL STORIES
Chapter 31 Telling Us Who We Are: Ego versus Instinct
543(28)
Chapter 32 Into the Real World: The Ruling Consciousness
571(22)
Chapter 33 Of Gods and Men: Reconnecting with "The One'
593(52)
Chapter 34 The Age of Loki: The Dismanding of the Self
645(54)
Epilogue: The Light and the Shadows on the Wall 699(4)
Author's Personal Note 703(4)
Glossary of Terms 707(4)
Bibliography 711(4)
Index of Stories Cited 715(5)
General Index 720
Christopher Booker writes for the Sunday Telegraph and is the bestselling author of The Seven Basic Plots, The Real Global Warming Disaster, The Great Deception and Scared to Death (all published by Bloomsbury Continuum). He has been an author and journalist for nearly 50 years, and was the founding editor of the satirical magazine Private Eye.