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Beat Goes On: Liverpool, Popular Music and the Changing City [Kõva köide]

Edited by (Department of Music, University of Liverpool (United Kingdom)), Edited by (Department of Music, University of Liverpool (United Kingdom))
  • Formaat: Hardback, 193 pages, kõrgus x laius: 239x163 mm, 32 Illustrations
  • Sari: National Museums Liverpool
  • Ilmumisaeg: 16-Aug-2010
  • Kirjastus: Liverpool University Press
  • ISBN-10: 1846311896
  • ISBN-13: 9781846311895
Teised raamatud teemal:
  • Formaat: Hardback, 193 pages, kõrgus x laius: 239x163 mm, 32 Illustrations
  • Sari: National Museums Liverpool
  • Ilmumisaeg: 16-Aug-2010
  • Kirjastus: Liverpool University Press
  • ISBN-10: 1846311896
  • ISBN-13: 9781846311895
Teised raamatud teemal:
In 2001 the Guinness Book of Records declared Liverpool City of Pop, the City that has produced more hit records than anywhere else. But why is Liverpool so important musically and how has it sustained its importance from the Beatles to the Zutons via Echo and the Bunnymen, Cream, The Las and others?

The Beat Goes On is a critical historical account of popular music in Liverpool which explores the contextual, creative and geographical factors that have contributed to the citys status as a major centre of creativity within Anglo-Amercian popular music. Rather than attempting to create a singular linear account of the history of popular music and its cultures within the city the book will take a thematic and case-study approach which will offer a new approach to the study of the subject. The book is therefore necessarily interdisciplinary with contributions from experts from the field of popular music history, cultural geography, ethnography and musicology, alongside essays and interviews with Liverpool musicians.
List of contributors vii
List of illustrations ix
Acknowledgements xi
Introduction: creativity, representation and place 1(10)
Robert Strachan
Marion Leonard
1 Historical approaches to Merseybeat: delivery, affinity and diversity 11(17)
Ian Inglis
2 Growing up with the Beatles 28(15)
Spencer Leigh
3 From sea shanties to cosmic scousers: the city, memory and representation in Liverpool's popular music 43(22)
Robert Strachan
4 Pubs in the precinct: music making, retail developments and the characterization of urban space 65(19)
Sara Cohen
Brett Lashua
5 The soul continuum: Liverpool black musicians and the UK music industry from the 1950's to the 1980's 84(21)
Robert Strachan
6 Not just one of the boys: gender, representation and the historical record 105(19)
Marion Leonard
7 Liverpool's 1970's bohemia: Deaf School, Eric's and the post-punk scene 124(19)
Robert Strachan
8 Dance moves: finding a place for house music in Liverpool 143(18)
Georgina Young
9 The creative process: Liverpool songwriters on songwriting 161(21)
Marion Leonard
Index 182
Marion Leonard is Senior Lecturer, University of Liverpool and Rob Strachan Lecturer, in the School of Music at the University of Liverpool