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Beat Goes On: Liverpool, Popular Music and the Changing City [Pehme köide]

Edited by (Department of Music, University of Liverpool (United Kingdom)), Edited by (Department of Music, University of Liverpool (United Kingdom))
  • Formaat: Paperback / softback, 193 pages, kõrgus x laius: 234x156 mm, 32 Illustrations
  • Sari: National Museums Liverpool
  • Ilmumisaeg: 26-Jul-2010
  • Kirjastus: Liverpool University Press
  • ISBN-10: 184631190X
  • ISBN-13: 9781846311901
Teised raamatud teemal:
  • Formaat: Paperback / softback, 193 pages, kõrgus x laius: 234x156 mm, 32 Illustrations
  • Sari: National Museums Liverpool
  • Ilmumisaeg: 26-Jul-2010
  • Kirjastus: Liverpool University Press
  • ISBN-10: 184631190X
  • ISBN-13: 9781846311901
Teised raamatud teemal:
In 2001 the Guinness Book of Records declared Liverpool `City of Pop', reflecting its status as the British city that has produced the most hit records relative to the size of its population. But why is Liverpool so important musically and how has it sustained its importance, from the Beatles to the Zutons and beyond?

The Beat Goes On is a critical historical account of popular music in Liverpool which explores the contextual, creative and geographical factors that have contributed to the city's status as a major centre of creativity within Anglo-American popular music. Rather than attempting to create a singular linear account of the history of popular music and its cultures within the city, the book takes a thematic and case-study approach, drawing on popular music history, cultural geography, and ethnography. The Beat Goes On explores the ways in which Liverpool has been represented through its music and its musicians, and makes use of extensive interview material to provide a fascinating set of new perspectives on both the dominant and the less well known elements of the musical history of the `City of Pop'.

In 2001 the Guinness Book of Records declared Liverpool the “City of Pop” for producing more hit records than any other city. The Beat Goes On is a historical account of popular music in Liverpool that explores the contextual, creative, and geographical factors that have contributed to the city’s status as a major center of musical creativity. With contributions from experts in popular music history, cultural geography, ethnography, and musicology, alongside essays and interviews with Liverpool musicians and rare archival images, this volume offers an interdisciplinary exploration of the city’s unique place in the realm of popular music.

List of contributors
vii
List of illustrations
ix
Acknowledgements xi
Introduction: creativity, representation and place 1(10)
Robert Strachan
Marion Leonard
1 Historical approaches to Merseybeat: delivery, affinity and diversity
11(17)
Ian Inglis
2 Growing up with the Beatles
28(15)
Spencer Leigh
3 From sea shanties to cosmic scousers: the city, memory and representation in Liverpool's popular music
43(22)
Robert Strachan
4 Pubs in the precinct: music making, retail developments and the characterization of urban space
65(19)
Sara Cohen
Brett Lashua
5 The soul continuum: Liverpool black musicians and the UK music industry from the 1950s to the 1980s
84(21)
Robert Strachan
6 Not just one of the boys: gender, representation and the historical record
105(19)
Marion Leonard
7 Liverpool's 1970s bohemia: Deaf School, Eric's and the post-punk scene
124(19)
Robert Strachan
8 Dance moves: finding a place for house music in Liverpool
143(18)
Georgina Young
9 The creative process: Liverpool songwriters on songwriting
161(21)
Marion Leonard
Index 182
Marion Leonard is Senior Lecturer, University of Liverpool and Rob Strachan Lecturer, in the School of Music at the University of Liverpool