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Beethoven Sonatas and the Creative Experience [Pehme köide]

  • Formaat: Paperback / softback, 336 pages, kõrgus x laius: 235x152 mm, kaal: 562 g
  • Ilmumisaeg: 22-Apr-1994
  • Kirjastus: Indiana University Press
  • ISBN-10: 0253213827
  • ISBN-13: 9780253213822
Teised raamatud teemal:
Beethoven Sonatas and the Creative ExperienceSuurem pilt
  • Formaat: Paperback / softback, 336 pages, kõrgus x laius: 235x152 mm, kaal: 562 g
  • Ilmumisaeg: 22-Apr-1994
  • Kirjastus: Indiana University Press
  • ISBN-10: 0253213827
  • ISBN-13: 9780253213822
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780253213822.html
Märksõnad:
" . . . one of the most interesting, useful and even exciting books on the process of musical creation." American Music Teacher

" . . . noteworthy contribution . . . with plenty of insight into interpretation . . . remarkable as an insider's account of the works in an individual perspective." European Music Teacher

Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.

Arvustused

" ... one of the most interesting, useful and even exciting books on the process of musical creation." --American Music Teacher " ... noteworthy contribution ... with plenty of insight into interpretation ... remarkable as an insider's account of the works in an individual perspective." --European Music Teacher "... one of the most interesting, useful and even exciting books on the process of musical creation." --Marilyn Neeley, American Music Teacher "This book is a highly worthwhile addition for every serious pianist's library and to the scholarship on Beethoven. It is lavishly illustrated with examples from the scores." --William Race, Notes "In [ this book's] blend of pianistic, analytical and aesthetic issues, the author breaks new ground, encouraging a more holistic interpretative approach." --Malcolm Miller, European Music Teacher

Muu info

A revealing exploration of all 32 of Beethoven's sonatas.
Preface ix
The First Raptus, and All Subsequent Ones
1(8)
The Sounds of Involvement
Technique as Touch
9(24)
Tempo and the Pacing of Musical Ideas
33(7)
Dynamic Nuance and Musical Line
40(8)
The Role of Silence
48(6)
Sound as Color
54(13)
The Sonatas
Descriptive Music: Op. 81a, Op. 13
67(17)
Motivic Development: Op. 2 No. 1, Op. 57, Op. 110
84(29)
Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26
113(15)
Line and Space: Op. 2 No. 2, Op. 101
128(16)
Movement as Energized Color: Op. 53
144(15)
The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3
159(32)
Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90
191(20)
The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op.31 No. 1, Op. 79
211(28)
The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1
239(20)
Embracing the Dachstein: Op. 7, Op. 106
259(21)
A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111
280(25)
The Witness Tree
305(6)
Notes 311(6)
Index 317
Kenneth Drake is Professor Emeritus of Piano at the University of Illinois and author ofThe Sonatas of Beethoven as He Played and Taught Them. He is active as a performer on period pianos.

Cover illustration: The Beethoven Broadwood fortepiano. Courtesy of the Hungarian National Museum. Photo by Sheila Rock, Thorn EMI London.