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Beethoven Sonatas and the Creative Experience [Kõva köide]

  • Formaat: Hardback, 336 pages, kõrgus x laius: 235x156 mm, kaal: 567 g, 485mus.exs.
  • Ilmumisaeg: 01-Apr-1994
  • Kirjastus: Indiana University Press
  • ISBN-10: 025331822X
  • ISBN-13: 9780253318220
  • Kõva köide
  • Hind: 61,23 €*
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  • Formaat: Hardback, 336 pages, kõrgus x laius: 235x156 mm, kaal: 567 g, 485mus.exs.
  • Ilmumisaeg: 01-Apr-1994
  • Kirjastus: Indiana University Press
  • ISBN-10: 025331822X
  • ISBN-13: 9780253318220
An interpreter searching for meaning, Kenneth Drake begins with Beethoven's expressive treatment of the keyboard -- the variations of touch, articulation, line, color, use of silence, and the pacing of musical ideas. He then analyzes individual sonatas, exploring motivic development, philosophic overtones, and technical demands. Hundreds of musical examples illustrate this exploration of emotional and interpretive implications of ""the 32"". Here musicians are encouraged to exercise intuition and independence of thought, complementing their performance skills with logical conclusions about ideas and relationships within the score.

Arvustused

" ... one of the most interesting, useful and even exciting books on the process of musical creation." --American Music Teacher " ... noteworthy contribution ... with plenty of insight into interpretation ... remarkable as an insider's account of the works in an individual perspective." --European Music Teacher "... one of the most interesting, useful and even exciting books on the process of musical creation." --Marilyn Neeley, American Music Teacher "This book is a highly worthwhile addition for every serious pianist's library and to the scholarship on Beethoven. It is lavishly illustrated with examples from the scores." --William Race, Notes "In [ this book's] blend of pianistic, analytical and aesthetic issues, the author breaks new ground, encouraging a more holistic interpretative approach." --Malcolm Miller, European Music Teacher

Muu info

A revealing exploration of all 32 of Beethoven's sonatas.
Preface ix
The First Raptus, and All Subsequent Ones
1(8)
The Sounds of Involvement
Technique as Touch
9(24)
Tempo and the Pacing of Musical Ideas
33(7)
Dynamic Nuance and Musical Line
40(8)
The Role of Silence
48(6)
Sound as Color
54(13)
The Sonatas
Descriptive Music: Op. 81a, Op. 13
67(17)
Motivic Development: Op. 2 No. 1, Op. 57, Op. 110
84(29)
Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26
113(15)
Line and Space: Op. 2 No. 2, Op. 101
128(16)
Movement as Energized Color: Op. 53
144(15)
The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3
159(32)
Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90
191(20)
The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op., 31 No. 1, Op. 79
211(28)
The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1
239(20)
Embracing the Dachstein: Op. 7, Op. 106
259(21)
A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111
280(25)
The Witness Tree
305(6)
Notes 311