'Holly Pester's café is a place to sink into the soft leather couches, eavesdrop, work and dream: a waiting room both strange and familiar, full of spillages (of coffee) and slippages (of language). A public space or a place to hide; to meet friends and strangers or to be alone; Pester's brilliance builds this cafe up and invites us in to linger.'
Francesca Wade, author of Gertrude Stein: an Afterlife Holly Pester makes the world sing. The song is written by Victoria Wood, and it's a happy-sad song about utopia. Figured not as a distant place but as a way of being with people and things, that might also be called friendship, that might also be called poetry. She reminds us that poetry is a social activity, an expression of faith in the possibility of connection with other people, with the world, with happiness that feels, in our historical moment, like a form of resistance.
Ben Eastham, author of The Floating World Romance! Revolution! Happy work! Salad! In this ingenious and devastatingly funny work, the perky smooth surfaces of contemporary capitalism are vivisected to show fleshy conflicts and writhing contradictions. On lifes menu can we actually pick our options, rather than just onions? Can we dare to experience one another outside of the transaction? Cafés is a striking and vital work of dreaming and dream interpretations, a clarion call for interruption that will make thoughts paddle. Enter the café, scooch closer and awaken your critique!
Lila Matsumoto, author of Two Twin Pipes Sprout Water Holly Pester is one of my favourite contemporary poets and Cafés is her strangest and maybe best book (so far). Narrative fragments emerge and recede, characters coalesce and dissolve, sentences threaten to topple their own grammar, and the subject matter shifts near-constantly from work to love to friendship to aging to art. Pester has a special ability to thwart literal sense while sustaining emotional sense, even when the feeling is subtle. Like a café, the book makes space for the pleasures of barely structured time: time spent in reflection, conversation, and maybe even hard work, but without an overarching aim thats clear to oneself. A simpler book would symptomatise such pleasures, but Cafés meets them openly, with ambivalence and love.
Steven Zultanski, author of Help Holly Pester is a genius and The Lodgers gets into everything that matters.
Kate Briggs, author of The Long Form (praise for The Lodgers) There is no one better than Holly Pester at communicating the eerie, sometimes hilarious and often hallucinatory experience of modern precarity. This is a novel for the age and for generation rent: a captivating and unforgettable account of how economic circumstance can lead to a feeling of being only half alive.
Nathalie Olah, author of Bad Taste (praise for The Lodgers) With tang and pith in every sentence, The Lodgers speaks to a generational epidemic of rootlessness and porous selfhood with vital wit and utter originality.
AK Blakemore, author of The Glutton (praise for The Lodgers) A sad strange lyrical story of shame and displacement but whose strength will not let you go.
Sheena Patel, author of I'm a Fan (praise for The Lodgers)
