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Cambridge Companion to Percussion [Kõva köide]

Edited by (University of Toronto)
  • Formaat: Hardback, 310 pages, kõrgus x laius x paksus: 254x178x18 mm, kaal: 790 g, 24 Printed music items; 19 Halftones, unspecified; 5 Line drawings, unspecified
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 10-Mar-2016
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1107093457
  • ISBN-13: 9781107093454
Teised raamatud teemal:
  • Formaat: Hardback, 310 pages, kõrgus x laius x paksus: 254x178x18 mm, kaal: 790 g, 24 Printed music items; 19 Halftones, unspecified; 5 Line drawings, unspecified
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 10-Mar-2016
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1107093457
  • ISBN-13: 9781107093454
Teised raamatud teemal:
Percussion music is both the oldest and most recent of musical genres and exists in diverse forms throughout the world. This Companion explores percussion and rhythm from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. Topics covered include percussion in symphony orchestras from the nineteenth century to today and the development of percussion instruments in chapters on the marimba revolution, the percussion industry, drum machines, and the effect of acoustics. Chapters also investigate drum set playing and the influences of world music on Western percussion, and outline the roles of percussionists as composers, conductors, soloists, chamber musicians, and theatrical performers. Developments in scientific research are explored in chapters on the perception of sound and the evolution of musical rhythm. This book will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.

This Companion explores percussion instruments and music from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. It will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.

Arvustused

'The Cambridge Companion to Percussion is a concise yet action-packed and concept-rich volume that, like its subject matter, strikes forcibly in the range of ideas from its contributors. The book aims broadly, its chapters cover a vast quantity of musical material, the topics are timely, and the references in the footnotes essential.' Thomas Brett, BrettWorks reviews (www.brettworks.com) 'The writing is varied and informative, pleasing and revealing. The publication does a good job in informing the reading public about percussion as seen by performers, educators, composers and conductors. This book deserves a place in library and personal collections worldwide.' National Association of College Wind and Percussion Instructors Journal ' the volume comprises fairly focused essays, on a variety of topics, that taken together provide an effective overview of the richly varied world of modern percussion [ and] is particularly valuable and should be required reading for any student hoping to embark on an orchestral career.' CHOICE ' this reviewer highly recommends a thorough read regarding the field of percussion music education which is represented in many colleges and universities. The writing is varied and informative, pleasing and revealing. The publication does a good job in informing the reading public about percussion as seen by performers, educators, composers and conductors. This book deserves a place in library and personal collections worldwide.' Geary Larrick, Nacwpi Journal 'This is another fine addition to the Cambridge Companion series and is essential for all libraries supporting percussion studies and research. It also provides thoughtful and entertaining reading for the player or listener who wants deeper insight into this wide-ranging discipline.' Russ Girsberger, Notes

Muu info

This Companion explores percussion and rhythm and is written by performers, composers, conductors, scholars, instrument designers, and scientists.
List of figures
ix
List of music examples
xi
Notes on contributors xiii
Acknowledgments xvii
Introduction 1(4)
Russell Hartenberger
PART ONE Orchestral percussion
5(36)
1 Timpani traditions and beyond
7(14)
Russell Hartenberger
2 Orchestral percussion in the twenty-first century: concerns and solutions
21(20)
William L. Cahn
PART TWO The development of percussion instruments
41(54)
3 Marimba revolution: mallet instruments, repertoire, and technique in the twenty-first century
43(12)
William Moersch
4 Instrumental ingredients
55(12)
Garry Kvistad
5 The percussion industry
67(15)
Rick Mattingly
6 Virtual drumming: a history of electronic percussion
82(13)
Thomas Brett
PART THREE Percussion in performance
95(64)
7 Lost and found: percussion chamber music and the modern age
97(19)
Adam Sliwinski
8 Taking center stage: percussionist as soloist
116(12)
Colin Currie
9 Percussion theater: the drama of performance
128(15)
Aiyun Huang
10 Three convergences: a percussionist learns to conduct
143(16)
Steven Schick
PART FOUR Composing music for percussion instruments
159(26)
11 Finding a voice
161(7)
Bob Becker
12 Flexibility as a defining factor
168(5)
Jason Treating
13 Thoughts on percussion and rhythm
173(12)
Steve Reich
PART FIVE Drum sets and drumming
185(42)
14 In the pocket: how a drum set player grooves
187(14)
Peter Erskine
15 The "Funky Drummer" break: ghost notes, timbre, and popular music drumming
201(10)
Steven F. Pond
16 Way beyond wood and skin: drum sets, drumming, and technology
211(16)
Jeff Packman
PART SIX World percussion
227(38)
17 Speaking of rhythm
229(12)
Russell Hartenberger
18 African influences on Western percussion performance and pedagogy
241(12)
B. Michael Williams
19 The gamelan beleganjur as Balinese percussion ensemble
253(12)
Michael B. Bakan
PART SEVEN Percussion and rhythm
265(31)
20 Lessons from the laboratory: the musical translation of scientific research on movement
267(14)
Michael Schutz
21 In the beginning was the beat: evolutionary origins of musical rhythm in humans
281(15)
John R. Iversen
Select bibliography 296(5)
Index 301
Russell Hartenberger is a Professor at the University of Toronto and has been a member of both Nexus and Steve Reich and Musicians since 1971. With Nexus, he created the soundtrack for the Academy Award-winning full-length documentary, The Man Who Skied Down Everest. With Steve Reich and Musicians he has recorded for ECM, DGG and Nonesuch Records, and performed on the Grammy Award-winning recording of Music for 18 Musicians. His awards include the Toronto Arts Award, the Banff Centre for the Arts National Award, a Juno nomination, and induction into the Percussive Arts Society Hall of Fame.