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Cognitive Media Theory [Kõva köide]

Edited by (University of Queensland, Australia), Edited by (University of Kent, UK)
  • Formaat: Hardback, 358 pages, kõrgus x laius: 229x152 mm, kaal: 612 g, 5 Tables, black and white; 25 Halftones, black and white
  • Sari: AFI Film Readers
  • Ilmumisaeg: 24-Apr-2014
  • Kirjastus: Routledge
  • ISBN-10: 0415629861
  • ISBN-13: 9780415629867
Teised raamatud teemal:
  • Formaat: Hardback, 358 pages, kõrgus x laius: 229x152 mm, kaal: 612 g, 5 Tables, black and white; 25 Halftones, black and white
  • Sari: AFI Film Readers
  • Ilmumisaeg: 24-Apr-2014
  • Kirjastus: Routledge
  • ISBN-10: 0415629861
  • ISBN-13: 9780415629867
Teised raamatud teemal:
Across the academy, scholars are debating the question of what bearing scientific inquiry has upon the humanities. The latest addition to the AFI Film Readers series, Cognitive Media Theory takes up this question in the context of film and media studies. This collection of essays by internationally recognized researchers in film and media studies, psychology, and philosophy offers film and media scholars and advanced students an introduction to contemporary cognitive media theoryan approach to the study of diverse media forms and content that draws upon both the methods and explanations of the sciences and the humanities. Exploring topics that range from color perception to the moral appraisal of characters to our interactive engagement with videogames, Cognitive Media Theory showcases the richness and diversity of cognitivist research. This volume will be of interest not only to students and scholars of film and media, but to anyone interested in the possibility of a productive relationship between the sciences and humanities.
List of figures
ix
List of tables
x
Acknowledgments xi
1 Introduction: Contemporary Cognitive Media Theory
1(24)
Ted Nannicelli
Paul Taberham
Part One The state of cognitive media theory: current views and issues
25(58)
2 "the pit of naturalism": neuroscience and the naturalized aesthetics of film
27(19)
Murray Smith
3 evolutionary film theory
46(16)
Malcolm Turvey
4 the geography of film viewing: what are the implications of cultural-cognitive differences for cognitive film theory?
62(21)
Daniel Barratt
Part Two psychological research and media theory
83(56)
5 audiovisual correspondences in sergei eisenstein's alexander nevsky: a case study in viewer attention
85(21)
Tim J. Smith
6 engaged and detached film viewing: exploring film viewers' emotional action readiness
106(18)
Ed S. Tan
7 coloring the animated world: exploring human color perception and preference through the animated film
124(15)
Kaitlin L. Brunick
James E. Cutting
Part Three Cognitive theory and media content
139(94)
8 mood and ethics in narrative film
141(17)
Carl Plantinga
9 effects of entertaining violence: a critical overview of the general aggression model
158(19)
Dirk Eitzen
10 a general theory of comic entertainment: arousal, appraisal, and the PECMA flow
177(19)
Torben Grodal
11 postcolonial humor, attachment, and yasujiro ozu's early summer
196(18)
Patrick Colm Hogan
12 avant-garde film in an evolutionary context
214(19)
Paul Taberham
Part Four Cognitive Theory and Media Forms
233(70)
13 cognitive theory and the individual film: the case of rear window
235(18)
William Seeley
Noel Carroll
14 cognitive theory and video games
253(15)
Andreas Gregersen
15 blinded by familiarity: partiality, morality, and engagement with television series
268(17)
Margrethe Bruun Vaage
16 coming out of the corner: the challenges of a broader media cognitivism
285(18)
Greg M. Smith
Bibliography 303(28)
Contributors 331(4)
About the american film institute 335(2)
Index 337
Ted Nannicelli is Lecturer in Film and Television Studies in the School of English, Media Studies, and Art History at the University of Queensland, Australia. He is the author of A Philosophy of the Screenplay.

Paul Taberham is Lecturer in Animation Studies at Arts University Bournemouth. He has published in Projections: The Journal for Movies and Mind, Animation Journal and The Routledge Encyclopedia of Film Theory.