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Contemporary Color: Theory and Use 3rd edition [Pehme köide]

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  • Formaat: Paperback / softback, 292 pages, kõrgus x laius: 246x174 mm, kaal: 630 g, 1 Tables, color; 251 Halftones, color; 251 Illustrations, color
  • Ilmumisaeg: 24-Apr-2023
  • Kirjastus: Routledge
  • ISBN-10: 1032151536
  • ISBN-13: 9781032151533
Teised raamatud teemal:
Contemporary Color: Theory and Use 3rd editionSuurem pilt
  • Formaat: Paperback / softback, 292 pages, kõrgus x laius: 246x174 mm, kaal: 630 g, 1 Tables, color; 251 Halftones, color; 251 Illustrations, color
  • Ilmumisaeg: 24-Apr-2023
  • Kirjastus: Routledge
  • ISBN-10: 1032151536
  • ISBN-13: 9781032151533
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781032151533.html
Märksõnad:

This fully revised and updated third edition offers students and artists valuable insights into traditional color theory and its practical application using today's cutting-edge technology.



This fully revised and updated third edition offers students and artists valuable insights into traditional color theory and its practical application using today's cutting-edge technology.

The text is lavishly illustrated, stressing issues of contemporary color use and examining how today’s artists and designers are using color in a multitude of mediums in their work. It is the only book that has parity between the male and female artists and designers represented, while containing more multicultural and global examples of art and design than any other text. This book begins with how we see color and its biological basis, progressing to the various theories about color and delving into the psychological meaning of color and its use. There are individual chapters on color use in art and design, as well as global and multicultural color use. One chapter investigates cross cultural life events such as marriages and funerals, while examining the six major religions’ conceptual and psychological underpinnings of color use. The final chapter explores the future of color.

Contemporary Color is the ideal text for color theory courses, but also for beginning art and design students, no matter what their future major discipline or emphasis may be. It provides the foundation on which to build their career and develop their own personal artistic voice and vision.

Arvustused

"Contemporary Color, Theory and Use is a must-have for students of art and design. Along with theoretical discussions, it covers the practical aspects of color as a means of expression and communication. The presentation of ideas is clear and concise. This third edition is updated to include recent innovations in the field." - Sandy Skoglund

"A wonderful resource and a must-have reference book for all artists, designers, visual creators and students interested in the deep impacts that colors have on our lived experience." - Jennifer Wen Ma

Preface xv
Introduction 1(2)
Chapter 1 Color Perception
3(24)
Introduction
4(1)
Do Animals See Color?
5(1)
Color Perception
5(1)
Light and Color
6(2)
Newton's Theory of Color
8(1)
Sources of Light
9(2)
Metamerism
11(1)
The Human Eye
12(1)
Rods and Cones
13(3)
Afterimages
16(1)
Color Perception Deficiencies
17(2)
Synesthesia
19(2)
Color and Health
21(1)
Chromatherapy
22(2)
Luminotherapy
24(1)
Contemporary Colorists: Severino Alfonso and Loukia Tsafoulia's Synesthesia
25(1)
Summary
25(2)
Chapter 2 Color Theory: Making Sense of Color
27(26)
Introduction
28(1)
Naming Color
29(1)
The Color Circle
29(2)
Aristotle
31(1)
Da Vinci
31(1)
Newton
32(1)
Le Blon and Harris
33(1)
Goethe and Impressionism
33(3)
Chevreul, Rood and Pointillism
36(1)
Albers, Itten and the Bauhaus
37(3)
Munsell
40(1)
Commission Internationale de l'Eclairage (CIE)
41(1)
International Color Consortium (ICC) and Inter-Society Color Council (ISCC)
42(1)
Digital Color
42(1)
Chromophobia
43(4)
Nadin
47(1)
Color Forecasting
48(2)
Contemporary Colorist: Jennifer Wen Ma, Nature and Man in Rhapsody of Light at the Water Cube
50(1)
Summary
51(1)
Color Theory Time Line
51(2)
Chapter 3 Color Psychology
53(26)
Introduction
54(1)
Innate Responses
54(1)
Learned Color Responses
55(1)
Color and Psychoanalysis
55(1)
The Luscher Color Test
56(2)
The Brain and Cortex
58(1)
Color Constancy
59(1)
Color Function and Cognition
60(1)
A History of Blue
61(1)
Picasso's Blue Period
62(2)
Psychological Perception
64(1)
Mood and Emotion
65(1)
Color and Appetite
66(1)
Color and Flavor
66(1)
Packaging and Products
67(1)
Apple Changes Everything
68(1)
Socioeconomic Aspects of Color
69(1)
Oppenheim's Blue Shirt
70(1)
Artists' Use of Color
71(1)
Color as a Means of Expression
72(4)
Contemporary Colorist: Jim Arendt, Sarah and Augustus
76(1)
Summary
77(2)
Chapter 4 Color Harmonies
79(30)
Introduction
80(1)
Shades of Cray
81(2)
Tints, Tones and Shades
83(2)
Hue, Value and Saturation
85(2)
The Color Wheel
87(1)
Color Temperature
88(1)
More Spatial Effects
89(1)
Transparency and Space
90(1)
Color Harmonies
91(2)
Vanishing Boundaries
93(1)
Complements
94(4)
Neutrals
98(1)
Triads
99(2)
Tetrads
101(1)
Disharmony
101(1)
The Bezold Effect
102(1)
Simultaneous Contrast
103(1)
Interactions of Black and White
104(1)
Value Contrast
105(1)
Luminosity and Luminescence
105(2)
Contemporary Colorist: Tyler Gross, Fireside Chat for Red Bull Radio
107(1)
Summary
107(2)
Chapter 5 Pigments, Colorants and Paints
109(24)
Introduction
110(1)
A Short History
111(1)
Pigments
112(1)
Vehicles
112(1)
Professional Grade Versus Student Grade
113(1)
Reading a Tube of Paint
114(1)
Brushes
115(1)
More about Paints and Pigments
116(1)
Water-Based Paints
117(1)
Oils
118(1)
Acrylics
119(1)
Encaustics
120(1)
Inks and Printer Inks
121(1)
Colored Pencils
122(1)
Pastels
123(1)
Crayons
124(1)
Other Media
125(1)
Tattoos
126(1)
Sand Painting
127(2)
Glazes
129(2)
Contemporary Colorist: Pamela Bowers, Using markers as an art medium
131(1)
Summary
132(1)
Chapter 6 Digital Color
133(30)
Introduction
134(1)
Pixels
135(1)
Color and Pixel Depth
136(1)
Raster Versus Vector
137(1)
Additive Color - RGB
138(1)
Color Pickers
138(3)
Types of Computer-Imaging Programs
141(1)
Monitors
141(1)
Gamma and the Monitor
141(1)
LCD
141(1)
LED
142(1)
Describing Color: Gamut
143(1)
Color Management Modules
144(1)
ICC Profiles
144(1)
Input Devices
145(1)
Blu-ray
146(1)
Scanning
147(1)
Megapixels
147(1)
Digital Cameras
148(1)
White Balance
148(1)
Web Color
148(2)
Online Versus Printing
150(1)
Printing
150(1)
Inkjet, Laser and Giclee Printers
151(1)
PostScript
152(1)
Raster Image Processor (RIP)
153(1)
Dot Gain
153(1)
Production Printing
153(1)
Four-Color Separations: Plates
153(2)
3-D Printing
155(1)
Digital Video
156(1)
Animation
157(3)
Virtual Reality
160(1)
Contemporary Colorist: Nancy Stahl's Coyote
161(1)
Summary
162(1)
Chapter 7 Color and 3-D
163(22)
Introduction
164(1)
Value and Light
164(1)
Innate Color
165(1)
Truth in Materials
166(1)
Stains
167(1)
Applied Color
168(1)
To Paint or Not
168(1)
Paints, Colorants and Patinas
169(1)
Clays and Glazes
170(1)
Color and Dimensionality
171(3)
Kinetic Art
174(1)
Glass
175(1)
Interiors
176(1)
Architecture
177(1)
New Issues of Dimensionality
178(1)
Conceptual Art
179(1)
Light and Color Installations
180(1)
Landscape and Environmental Art
181(1)
Performance and Body Art
181(2)
Contemporary Colorist: Jeremy Brooks' Ceramic Innovation
183(1)
Summary
184(1)
Chapter 8 Color in Fine Art
185(22)
Introduction
186(1)
Impressionism
186(3)
Pointillism
189(2)
Cezanne
191(1)
Fauvism
192(1)
Abstract Expressionism
193(1)
Minimalism
194(1)
Op Art
195(2)
Neo-Expressionism
197(1)
Contemporary Color
198(1)
Outsider Art
199(1)
Aboriginal Art
199(2)
New Media
201(3)
Alternative Media
204(1)
Contemporary Colorist: Bisa Butler's Forever
205(1)
Summary
206(1)
Chapter 9 Color in Design
207(20)
Introduction
208(1)
Design and the Fine Arts
209(1)
Stefan Sagmeister
209(1)
The Sixties: Psychedelic Color
210(1)
April Greiman
211(1)
Graphics and Brand Identity
212(2)
Package Design
214(2)
A Fragrance Is Born
216(1)
Product Design
216(3)
Toy Design
219(1)
Websites
220(2)
Color Complexity
222(1)
Motion Graphics
222(2)
Gaming
224(1)
Contemporary Colorist: Gail Anderson
225(1)
Summary
226(1)
Chapter 10 Global Color
227(28)
Introduction
228(1)
Color and Meaning
228(2)
From Red to Green
230(1)
Wedding Color
230(1)
Traditional White
230(3)
Nonwestern Color
233(3)
Australia
236(1)
Global Color: Natural Hues
237(1)
Global Color Chart
238(2)
Religion and Color
240(1)
Christianity
240(2)
Judaism
242(2)
Islam
244(1)
Hinduism
245(1)
Buddhism
246(3)
Sikhism
249(1)
Global Color Usage
250(2)
Contemporary Colorist: Nabil Nahas, Inka Dinka Doo
252(1)
Summary
253(2)
Chapter 11 The Future of Color
255(20)
Introduction
256(1)
Environmentally Friendly Paints
256(1)
The Color Green
257(1)
Green Art
257(1)
Sustainable Arts Foundation
258(1)
Corporate Green
259(1)
Mickey D's Goes Green
259(2)
Green Building and Architecture
261(1)
Color Ownership: Color and the Law
261(3)
Yves Kline Blue
264(1)
New Territory
265(1)
Lasers and Holography
266(1)
Web Art
267(2)
Augmented Reality and Interactivity
269(1)
NFTs
270(1)
The Metaverse
271(1)
Cyborg Art
272(1)
Contemporary Colorist: Neil Harbisson, Human Cyborg
273(1)
Summary
274(1)
Glossary 275(6)
Index 281
Steven Bleicher is a tenured professor of visual arts and former chairperson of the visual arts department at Coastal Carolina University. Bleicher received his B.F.A. and M.F.A. from Pratt Institute. He is an accomplished artist whose artwork is included in many major collections and is widely exhibited both nationally and internationally in numerous solo and group exhibitions. Bleicher is one of the most sought after color consutants, and over the last five years he has developd a thriving practice working as an expert witness on color and trademark and copyright infringement cases.