This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.
Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West-centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.
This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.
This edited collection offers an unprecedented focus on decolonizing audience and user studies in the Global South, challenging essentialist discourses of media imperialism and technological determinism. This essential resource serves as a practical guide for decolonial approaches in media and communication studies.
1. Decolonising Approaches to Users and Audiences in the Global South:
An Introduction
2. PostColonial Media Studies in a Fractured World: A
Dialogue with David Morley Part I:Decolonising Audiences in Africa
3.
Redefining Digital Audience Research: Perspectives and Practices from the
Global South
4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and
Occupying Online Spaces
5. A Decolonial Approach to a Nollywood Audience:
Engaging with Cultural SelfAwareness Part II:Decolonising Audiences in Asia
6. Localising Online TV: Japanese Broadcast VideoonDemand Services and the
Shaping of Online Viewing Practices
7. Decolonising Audience Research: Gender
and Caste Politics in Indian Literature
8. An Oasis Medium in the 1980s: The
Popularisation of Television in China and Its Social Implications
9. The
Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and
Practices of SelfCare Part III:Decolonising Audiences in Latin America
10.
Indigenous Communication in Mexico: Decolonizing through SelfRepresentation
11. Ombudsmans Office for Audiences in Latin America: An Analysis from a
Decolonial Approach
12. Toward a Decolonization of Arab Audiences
13.
Im(Possibilities) of Palestinian Media Audiences in Times of Permanent War
and Excessive Mediation
14. Aesthetic Experience and Performing Arts in the
Arab Region: Towards a Decolonial Audience-Centred Perspective
15. Searching
for the Good Old Days in New Turkiye: Nostalgia of the TRT Era
Tarik Sabry is Full Professor of Media and Cultural Studies at the University of Westminster where he is a member of the Communication and Media Research Institute. He is co-founder and co-editor of the Middle East Journal of Culture and Communication. He is an author of Cultural Encounters in the Arab World: On Media, the Modern and the Everyday (2010) and a co-author of Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective (2019). Sabry has also edited three books in the area of Arab Cultural Studies.
Winston Mano is Full Professor and a member of the University of Westminsters top-rated Communication and Media Research Institute (CAMRI). He is Course Director for the MA in Media and Development and Founder/Editor-in-Chief of the Journal of African Media Studies. He is Director of the Africa Media Centre and was Co-Director of the Chevening Africa Media Freedom Fellowship programme (20202023).
Andrea Medrado is a Senior Lecturer in Global Communications and Co-Director of Research for the Department of Communications, Drama and Film of the University of Exeter in the United Kingdom. Her book Media Activism, Artivism and the Fight Against Marginalisation in the Global South, co-authored with Isabella Rega, was published by Routledge in 2023. She has also published widely in academic journals, such as Big Data & Society, Information Communication & Society, and Tapuya: Latin American Science Technology & Society.
