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Dialogues with Degas: Influence and Antagonism in Contemporary Art [Kõva köide]

(Loughborough University, UK)
  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 236x158x20 mm, kaal: 740 g, 28 colour & 53 bw illus
  • Ilmumisaeg: 14-Dec-2023
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350258695
  • ISBN-13: 9781350258693
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  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 236x158x20 mm, kaal: 740 g, 28 colour & 53 bw illus
  • Ilmumisaeg: 14-Dec-2023
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350258695
  • ISBN-13: 9781350258693
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices.

The first in-depth examination of this major artists impact on contemporary art, this book explores how contemporary practitioners have used Degass creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degass art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren.

Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degass technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art.

The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degass art and that of his interlocutors, it also has methodological significance for the writing of art history.

Arvustused

Thoughtfully positioning the work of Edgar Degas in dialogue with that of certain contemporary artists, Brown compellingly reveals not just his ongoing relevance, but also the rich possibilities presented by an art history that is global, diverse, non-linear and inclusive. * MARNI KESSLER, Professor and Director of Graduate Studies, Kress Foundation Department of Art History, University of Kansas, USA * Kathryn Brown makes an adventurous charting of the cultural, social, and aesthetic loops and swoops of Degass art through the practices of leading contemporary artists. Dialogical and tantalisingly transversal in its sights and insights, vivid in its writing, this book is a major advance in art criticism. * SUSAN HARROW, Ashley Watkins Professor of French, University of Bristol, UK * Exhilarating in her focus on women and minority painters, Kathryn Brown recalibrates our understanding of Degas through the prism of modern art. Browns vivid analysis of post-WWII artists engagement with Degas including Kitaj, Rego, Hambling, Xinyi Cheng and Twombly explores the enduring impact of Degass provocative art. * ANTHEA CALLEN, Professor Emeritus of Visual Culture, and Professor Emeritus, The Australian National University, Australia * Bringing Degas oeuvre thrillingly to life, this book demonstrates how, in grappling with his more problematic aspects, contemporary artists have added a whole range of complexities of their own. * REBECCA FORTNUM, Professor of Fine Art and Head of the School of Fine Art, The Glasgow School of Art, UK *

Muu info

This book shows how contemporary artists since the 1980s have used Edgar Degass creativity as a springboard for engaging imaginatively with colonialism, gender, race and class in their art practices.
Acknowledgements
List of Colour Plates
List of Figures

Introduction
Influence and Antagonism
Art out of Time
Structure and Approach

1. Degas and the School of London
R. B. Kitaj and the Anxious Condition of Art Making
The Anti-Dreyfusard Master
Leon Kossoff and Frank Auerbach Draw Degas

2. Influence as Excess
Misogyny
Paula Regos Dog Women
Cecily Brown: New Provocations

3. Vitrines, Vacancy, and Immanent Things: Little Fourteen-Year-Old
Dancer
Medicine and Moral Judgment: Damien Hirst
Entangled Histories: Yinka Shonibare
Ryan Ganders Empathetic Storytelling

4. Degas Doubled
Rebecca Warren as Twin
Juan Muñoz and Miss La Las Legacy

5. Pearl Divers: Prying Loose the Past
Maggi Hamblings Monotypes: Queer Phenomenology and the Gaze
Chantal Joffes Bathers: Self and Other
Xinyi Cheng: Modern Masculinities

6. The Final Act
Jenny Saville: Colour Shock
Howard Hodgkins Hero

Conclusion
Cy Twombly and Degass Hat
Degas Unbound

Notes
Bibliography
Index
Kathryn Brown is Associate Professor of Art History and Visual Culture at Loughborough University, UK. Her books include Women Readers in French Painting 18701890 (2012), Matisses Poets: Critical Performance in the Artists Book (Bloomsbury, 2017) and Henri Matisse (2021). She is the series editor of Contextualizing Art Markets (Bloomsbury).