Thoughtfully positioning the work of Edgar Degas in dialogue with that of certain contemporary artists, Brown compellingly reveals not just his ongoing relevance, but also the rich possibilities presented by an art history that is global, diverse, non-linear and inclusive. * MARNI KESSLER, Professor and Director of Graduate Studies, Kress Foundation Department of Art History, University of Kansas, USA * Kathryn Brown makes an adventurous charting of the cultural, social, and aesthetic loops and swoops of Degass art through the practices of leading contemporary artists. Dialogical and tantalisingly transversal in its sights and insights, vivid in its writing, this book is a major advance in art criticism. * SUSAN HARROW, Ashley Watkins Professor of French, University of Bristol, UK * Exhilarating in her focus on women and minority painters, Kathryn Brown recalibrates our understanding of Degas through the prism of modern art. Browns vivid analysis of post-WWII artists engagement with Degas including Kitaj, Rego, Hambling, Xinyi Cheng and Twombly explores the enduring impact of Degass provocative art. * ANTHEA CALLEN, Professor Emeritus of Visual Culture, and Professor Emeritus, The Australian National University, Australia * Bringing Degas oeuvre thrillingly to life, this book demonstrates how, in grappling with his more problematic aspects, contemporary artists have added a whole range of complexities of their own. * REBECCA FORTNUM, Professor of Fine Art and Head of the School of Fine Art, The Glasgow School of Art, UK * Moving beyond teleological models of influence, Brown sets the work of more recent artists in productive and reinterpretative dialogue with Degas and his work, thereby freeing each into new and persuasive interpretations. * Francesca Berry, Associate Professor, Department of Art History, Curating and Visual Studies, University of Birmingham, UK *
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