Muutke küpsiste eelistusi

Encountering Texts: The Multicultural Theatre Project and «Minority» Literature New edition [Pehme köide]

  • Formaat: Paperback / softback, 250 pages, kõrgus x laius: 220x150 mm, kaal: 370 g
  • Sari: Critical Praxis and Curriculum Guides 4
  • Ilmumisaeg: 25-Aug-2015
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433124351
  • ISBN-13: 9781433124358
  • Formaat: Paperback / softback, 250 pages, kõrgus x laius: 220x150 mm, kaal: 370 g
  • Sari: Critical Praxis and Curriculum Guides 4
  • Ilmumisaeg: 25-Aug-2015
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433124351
  • ISBN-13: 9781433124358
Encountering Texts represents the theory and praxis uncovered through an ongoing interdisciplinary arts-based critical pedagogy that engages students in critical self-reflection (disciplined, sustained thinking, requiring engagement) on difference. The Multicultural Theatre Project (MTP) is a dialogical encounter with literature through the dramatic arts. This book provides a blueprint for the multiple ways in which this enacted theory/method can be utilized as a high impact practice toward transformative learning. The significance of minority literature as fertile testing ground for raising and seeking to answer questions about difference is undisputed. To address this dynamic, this research utilizes Hans-Georg Gadamers hermeneutical method of understanding to engage students in the interpretive process using theatre as methodology. Gadamers concept, described as a fusion of horizons, provides a methodological approach by which students can bring their own «effective history» to the hermeneutical task. He argues that hidden prejudices keep the interpreter from hearing the text. Thus an awareness of these prejudices leads to an openness that allows the text to speak. The MTP facilitates this kind of subjectivity by engaging the interpreter holistically. This integrative work provides a promising pragmatic interdisciplinary approach to teaching and learning that creates bridges to liberatory knowledge, both cognitively and affectively.

Arvustused

«An innovative, exciting, and energizing study that introduces new models of transdisciplinary and transformative learning through arts based pedagogy. Theater becomes an important site of encounter and discovery of new modes of consciousness as well as new strategies for the classroom.» (Wendy Martin, Professor of American Literature and American Studies, Claremont Graduate University) «An innovative, exciting, and energizing study that introduces new models of transdisciplinary and transformative learning through arts based pedagogy. Theater becomes an important site of encounter and discovery of new modes of consciousness as well as new strategies for the classroom.» (Wendy Martin, Professor of American Literature and American Studies, Claremont Graduate University)

Acknowledgements xi
Chapter 1 Introduction: Encountering Self
1(6)
Talking Books
1(3)
The Real Work Begins: Encountering Self/Texts
4(3)
Part I Encountering Texts: Rationale and Method
7(28)
Chapter 2 Why This Work Matters
9(10)
Transformative Learning
9(2)
The University: Work Toward Wholeness?
11(3)
(In)Beyond the Classroom: Transformative Learning
14(5)
Chapter 3 Why This Method Works
19(10)
Hans-Georg Gadamer's Hermeneutics as Framework
21(1)
"Minority" Literature as Decentering Frame
22(7)
Accenting Particularity
22(2)
Community as History Bearer
24(1)
Resists Rigid Objectivity and Methodologies
25(4)
Chapter 4 Praxis Matters: Embodying Texts
29(6)
Theatre as Method for Encounter
29(2)
Real Conversation and Play
31(4)
Concluding Thoughts
32(3)
Part II What Is the Multicultural Theatre Project? A How' To Guide
35(188)
Chapter 5 Project Description and Overview
37(58)
Backstory: Strategy for Positive Intervention
38(3)
Overview and Guide: MTP Production Process
41(19)
Project Description
41(2)
Preparing for the Production Season (Calendar/Venue)
43(1)
The Production Season (Show Focus)
43(1)
Production Staff/Crew
44(1)
Auditions
44(2)
The Retreat
46(1)
Retreat Agenda at a Glance
47(1)
Retreat Agenda
48(10)
Rehearsal/Production Schedule
58(2)
Multicultural Theatre Project: Theatrical Production Profile
60(27)
The Piano Lesson by August Wilson (Spring 2000)
61(1)
Harlem Renaissance Culture (Spring 2001)
61(1)
Who Do You Think I Am? (Fall 2001)
62(1)
Love is ... Candie's Cafe (Spring 2002, Part 1)
63(1)
A Different Mirror (Fall 2002)
64(3)
Voice! (Spring 2003)
67(1)
Motown and the Sixties, a musical (Spring 2004)
68(3)
Jubilee: A Celebration of Gospel Music (Spring 2005)
71(1)
Once Upon a Time (2006)
72(2)
Everything About Love, a poetry recitation (Spring 2008)
74(1)
The Jazz Age, a musical (Spring 2010)
75(2)
Love is ... Candle's Cafe (Spring 2011, Part II)
77(2)
Liberty (Spring 2013)
79(2)
Lift Every Voice (Spring 2014)
81(3)
Let's Talk About Love (Spring 2015)
84(3)
Alternative Programming
87(1)
MTP Texts
88(7)
Chapter 6 MTP Praxis: Medium for Encounter
95(14)
Creating Space for Encounter: Developing a Learning Community
95(3)
Benefits for Interpreters
97(1)
Challenges for Interpreters
97(1)
Employing Theatre Games: Conceptual Terms and Practices
98(11)
Tools for the Actor
99(1)
Terms and Exercises
99(5)
Tips: Stage Directions
104(1)
Tips: The Fourth Wall
104(1)
Tips: MTP Traditions
105(4)
Chapter 7 Developing Story, Developing Students as Texts
109(30)
The Whole Self to the Task: Mind/Body/Soul
109(2)
The Real Reward
111(7)
Developing Story: Production Guide and Practices
118(1)
General Production Notes
119(3)
Tableau
119(1)
Direct Address: Breaking the Fourth Wall
119(1)
Blocking
119(1)
Production Scene Transitions: Blackouts
120(1)
Rehearsal Schedule
120(2)
Prescript Work: Character Development Workshops
122(4)
Creating a New Character
126(3)
Creating New Scenes for Play Development
129(1)
Creating Personal Monologues
130(4)
Creating Fictive or Historical Monologues
134(1)
The Production: Theatrical Formats
135(4)
Chapter 8 Developing Story: Sample Playwriting
139(70)
Selection Overview
139(70)
Sample Script Excerpt A: Liberte
140(5)
Sample Script Excerpt B: A Different Mirror
145(14)
Sample Script Excerpt C: Love is ... Candie's Cafe
159(50)
Chapter 9 Arts-Based Critical Pedagogy: Strategies for the Classroom
209(14)
Reflective Response Assignment
210(11)
Additional Arts-Based Pedagogical Practices in the Classroom
221(2)
Part III Discovering Best Practices Toward Institutional Change
223(16)
Chapter 10 Discovering Through Assessment
225(12)
MTP's Emerging Picture: Learning Best Practices
225(2)
Assessment of Strategy in the Teaching and Learning Process
227(5)
Expands Worldview and Self-Understanding
228(1)
Theatrical Process Enhances Learning
229(1)
Encourages Academics/Sense of Vocation
230(2)
Assessment of Strategy as It Relates to CDI Desired Outcomes
232(2)
Challenges
234(1)
In Closing
235(2)
Chapter 11 Developing Your Strategy
237(2)
References 239(4)
Index 243
Joi Carr is Associate Professor of English and Film Studies at Pepperdine University, Seaver College, and serves as the Director of Film Studies and the Director of the Multicultural Theatre Project. She received her PhD in English and film from Claremont Graduate University.