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History of Chinese Animation [Kõva köide]

Translated by , Translated by , Translated by , Translated by ,
  • Formaat: Hardback, 495 pages, kõrgus x laius: 235x155 mm, 524 Illustrations, black and white
  • Ilmumisaeg: 15-Jun-2026
  • Kirjastus: Springer Verlag, Singapore
  • ISBN-10: 9819580935
  • ISBN-13: 9789819580934
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  • Kõva köide
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  • Formaat: Hardback, 495 pages, kõrgus x laius: 235x155 mm, 524 Illustrations, black and white
  • Ilmumisaeg: 15-Jun-2026
  • Kirjastus: Springer Verlag, Singapore
  • ISBN-10: 9819580935
  • ISBN-13: 9789819580934
Teised raamatud teemal:
This book applies the philosophical ideas of historical materialism and dialectical materialism to summarize and analyze the creation and development of the world's animation art forms, technology forms and economic forms on the basis of a comprehensive study of the political, cultural, social and economic environments of a particular era, to outline the historical development of animation in China, to assess representative animation schools, animation studios and artists, and to analyze the causes, characteristics and development of animation in terms of ideology, subject matter, artistic style, technology, management and industry, as well as the relationship between them. It also analyses in detail the causes, characteristics and development of animation in terms of ideology, subject matter, artistic style, technology, management and industry, as well as the relationship between them.



 
Chapter 1: Early Development of Chinese Animation (1923-1938).
Chapter
2: Animation During the War Years (1937-1949).
Chapter 3: Animation in the
Early Years of the Peoples Republic of China (1949-1965).
Chapter 4:
Transitional Period of Animation Production (19661976).
Chapter 5: Revival
and Transformation in the Early Stage of the Reform and Opening-Up
(19771986).
Chapter 6: Market-Oriented Transformation of Animation
(1987-1994).- 7    Chapter 7:  Diversified Development in the Market Economy
Era (19952015).
LI Tie is a professor at the School of Art, Tiangong University. His main research interests include intelligent creative technology and applications and digital activation of traditional Chinese art. Academic jobs include members of the Ministry of Educations College Animation and Digital Media Teaching Steering Committee, vice president of the Tianjin Animation Society, higher education teaching experts of the Ministry of Education, national graduate education evaluation and monitoring experts, members and judges of the China Digital Art Design Expert Committee, and national colleges and universities. Standing member of the Digital Creativity Professional Committee of the School Computer Basic Education Research Association. A number of his research projects have been supported by provincial and ministerial funds, and a representative monographs had been published in the field of intelligent creativity.