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Home with Hip Hop Feminism: Performances in Communication and Culture New edition [Pehme köide]

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  • Formaat: Paperback / softback, 180 pages, kõrgus x laius: 225x150 mm, kaal: 280 g
  • Sari: Intersections in Communications and Culture 26
  • Ilmumisaeg: 31-Jul-2014
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433107090
  • ISBN-13: 9781433107092
Teised raamatud teemal:
  • Formaat: Paperback / softback, 180 pages, kõrgus x laius: 225x150 mm, kaal: 280 g
  • Sari: Intersections in Communications and Culture 26
  • Ilmumisaeg: 31-Jul-2014
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433107090
  • ISBN-13: 9781433107092
Teised raamatud teemal:
Aisha S. Durham, co-editor of Home Girls Make Some Noise: Hip Hop Feminism Anthology (2007) and Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy (Peter Lang, 2007), presents hip hop as not only a mode of expression, but as a tangible sense of “home” for black women. Durham explores the expression of hip hop in the body as the place where the real and the imagined collide, while also proving hip hop as a space where black women can explore identity, representation, gender, power, and dominance. She explores hip hop feminism and defines it as “a sociocultural, intellectual, and political movement grounded in the situated knowledge of women of color from the broader hip hop or U.S. post-civil rights generation who recognize culture as a pivotal site for political intervention to challenge, resist, and mobilize collectives to dismantle systems of exploitation.” Durham delves into these topics, and much more, through her own lived experiences in relation to others around her growing up in her community. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)

Arvustused

«All hip hop scholars inevitably situate themselves in hip hop as a starting point for their inquiry. Few do it as brilliantly as Aisha S. Durham. A major contribution to the field of hip hop studies, Home with Hip Hop Feminism masterfully broadens our understanding of the complexities of hip hop feminist thought.» (Bakari Kitwana, author of The Hip Hop Generation: Young Blacks and the Crisis in African-American Culture) «Home with Hip Hop Feminism is the epitome of artistic and intellectual excellence, Aisha S. Durham writes with deep generosity, beautiful care, and an abiding love for black women whose experiences and visions of home include a wide range of expressions and relationships. This is a hip hop feminism that accounts for media, culture, and performance with the poetic perfection of a homegrown writer who remembers our mothers, icons, and homegirls.» (Ruth Nicole Brown author of Black Girlhood Celebration: Toward a Hip-Hop Feminist Pedagogy) «All hip hop scholars inevitably situate themselves in hip hop as a starting point for their inquiry. Few do it as brilliantly as Aisha S. Durham. A major contribution to the field of hip hop studies, Home with Hip Hop Feminism masterfully broadens our understanding of the complexities of hip hop feminist thought.» (Bakari Kitwana, author of The Hip Hop Generation: Young Blacks and the Crisis in African-American Culture) «Home with Hip Hop Feminism is the epitome of artistic and intellectual excellence, Aisha S. Durham writes with deep generosity, beautiful care, and an abiding love for black women whose experiences and visions of home include a wide range of expressions and relationships. This is a hip hop feminism that accounts for media, culture, and performance with the poetic perfection of a homegrown writer who remembers our mothers, icons, and homegirls.» (Ruth Nicole Brown author of Black Girlhood Celebration: Toward a Hip-Hop Feminist Pedagogy)

Illustrations
ix
Acknowledgments xi
Introduction On Going Home 1(18)
PART ONE RECALLING THE HOMEGIRL
Autoethnography
19(4)
Chapter 1 Behind Beats and Rhymes: Working Class from a Hampton Roads Hip Hop Homeplace
23(18)
Chapter 2 The [ News] Wire: My Life Script[ ed]
41(12)
Chapter 3 Between Us: A Bio-Poem
53(8)
PART TWO (RE)MEMBERING THE HOMEGIRL
Textual Experience
61(4)
Chapter 4 From Hip Hop Queen to Hollywood's Mama Morton(s): Latifah as the Sexual Un/desirable
65(16)
Chapter 5 "Single Ladies," Sasha Fierce, and Sexual Scripts in the Black Public Sphere
81(22)
PART THREE REPRESENTIN' THE HOMEGIRL
Poetic Transcription as Performance Ethnography
103(4)
Chapter 6 Every Day
107(18)
Looking Up, Looking Down: Donna's Diggs Park Place Familial Story
108(3)
Latina's Refrain
111(2)
Taressa: A Rasta Mother's Answer(s) Rap
113(7)
(Re)definitions
120(5)
Conclusion The Fundamentals of a Hip Hop Feminist Approach 125(4)
Notes 129(26)
Bibliography 155(18)
Index 173
Aisha S. Durham is Assistant Professor of Communication at the University of South Florida. She is co-editor of Home Girls Make Some Noise: Hip Hop Feminism Anthology (2007) and Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy (Peter Lang, 2007).