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Literary Cultures and Digital Humanities in India [Kõva köide]

Edited by , Edited by (Jamia Millia Islamia, India)
  • Formaat: Hardback, 396 pages, kõrgus x laius: 234x156 mm, kaal: 740 g, 9 Tables, black and white; 13 Line drawings, black and white; 16 Halftones, black and white; 29 Illustrations, black and white
  • Ilmumisaeg: 29-Dec-2022
  • Kirjastus: Routledge India
  • ISBN-10: 1032056738
  • ISBN-13: 9781032056739
Teised raamatud teemal:
  • Formaat: Hardback, 396 pages, kõrgus x laius: 234x156 mm, kaal: 740 g, 9 Tables, black and white; 13 Line drawings, black and white; 16 Halftones, black and white; 29 Illustrations, black and white
  • Ilmumisaeg: 29-Dec-2022
  • Kirjastus: Routledge India
  • ISBN-10: 1032056738
  • ISBN-13: 9781032056739
Teised raamatud teemal:
This book explores the use of digital humanities (DH) to understand, interpret, and annotate the poetics of Indian literary and cultural texts, which circulate in digital forms in manuscripts and as oral or musical performance. Drawing on the linguistic, cultural, historical, social, and geographic diversity of Indian texts and contexts, it foregrounds the use of digital technologies including minimal computing, novel digital humanities research and teaching methodologies, critical archive generation and maintenance for explicating poetics of Indian literatures and generating scholarly digital resources which will facilitate comparative readings.

With contributions from DH scholars and practitioners from across India, the United States, the United Kingdom, and more, this book will be a key intervention for scholars and researchers of literature and literary theory, DH, media studies, and South Asian Studies.
Acknowledgements viii
List of Illustrations
ix
Notes on Contributors xi
Introduction 1(16)
Nishat Zaidi
A. Sean Pue
PART I Digital Humanities From the Sidelines: Theoretical Considerations
17(50)
1 Digital Cultures in India: Digitality and Its Discontents
19(19)
Maya Dodd
2 Community Accountability and Activist Interventions in the Digital Humanities
38(14)
Dhanashree Thorat
3 Three Models of World Literature
52(15)
Michael Falk
PART II Archives, Ethics, and Praxis
67(86)
4 Digital Archives for Indian Literatures and Cultures: Challenges and Prospects
69(15)
Parthasarathi Bhaumik
5 Bichitra: The Online Tagore Variorum Project
84(15)
Spandana Bhowmik
6 Digital Humanities in Practice: A Case Study
99(14)
Prakruti Maniar
7 Archiving "Community's Voices" in Karbi Anglong: Collective Memory and Digital Apprehensions
113(15)
Debashree Dattaray
8 From Rekhta to rekhta.org: Digital Remappings of Urdu Literary Culture and Public Sphere
128(25)
Nishat Zaidi
Mohd Aqib
PART III Forms in Flux I: Trajectories of Digital Cultures in Indian Literatures
153(92)
9 "Digitizing Derozio: Exploring Intertexts to English Romanticism in Collected Poems of Henry Derozio"
155(13)
Amardeep Singh
10 The Internet in the Context of Indian Women's Poetry in Enghsh
168(21)
Shruti Sareen
11 Putting the Local in the Global--Indian Graphic Novels: The New Vogue of Indian Writing in English
189(17)
Aibhi Biswas
12 Quantitative Stepwise Analysis of the Impact of Technology in Indian English Novels 1947-2017
206(19)
T. Shanmugapriya
Nirmala Menon
Deborah Sutton
13 (Un)Scripting Hindustani: The Special Case of Hindi-Urdu Audiobook
225(20)
Abiral Kumar
PART IV Forms in Flux II: Born Digital
245(68)
14 Journeying Against the Heroes: Subaltern Poetics in Indian Videogames
247(18)
Souvik Mukherjee
15 Narrative and Play: Some Reflections on Videogames Based on Bollywood
265(17)
Nishat Haider
16 Hitman 2 and Its Spectre of Mumbai: A City Lost in Translation
282(14)
Samya Brata Roy
17 Electronic Literature in India: Where Is It? Does It Even Exist?
296(17)
Justy Joseph
Nirmala Menon
PART V Digital Atmospheres
313(64)
18 The Cult of YouTube Mushairas in India's Small Towns
315(11)
Yousuf Saeed
19 Performative Politics in Digital Spaces: An Analysis of Lokshahiri (People's Poetry) on YouTube
326(18)
Avanti Chhatre
20 Encountering the Digital in Folk Songs and Oral History: Tracing the History and Memory of Migration of Tea Plantation Labour Through Jhumur Songs
344(17)
Devika Singh Shekhawat
21 Infusing Digital Media Into Theatre in Contemporary Indian Performances
361(16)
Tanya Jaluthria
Afterword: Rethinking Digital Colonialisms--The Limits of Postcolonial Digital Humanities 377(6)
Roopika Risam
Index 383
Nishat Zaidi is Professor of English at Jamia Millia Islamia, New Delhi. As a scholar, critic, and translator, she is a recipient of several prestigious grants and has conducted collaborative research with the Centre for Indian Studies in Africa, University of Witwatersrand, SA; South Asia Institute, Heidelberg University, Germany; and Michigan State University, USA. Her publications include Day and Dastan translated by Nishat Zaidi and Alok Bhalla (2018); Purdah and Polygamy: Life in an Indian Muslim Household, by Iqbalunnisa Hussain, edited and introduced by Nishat Zaidi (2018); Between Worlds: The Travels of Yusuf Khan Kambalposh translated and edited by Mushirul Hasan and Nishat Zaidi (2014) among others. Her forthcoming work is Karbala: A Historical Play (translation of Premchands play Karbala with a critical introduction and notes) to be published in 2022.

A. Sean Pue is Associate Professor of Hindi Language and South Asian Literature and Culture at Michigan State University, USA. He is the author of I Too Have Some Dreams: N. M. Rashed and Modernism in Urdu Poetry (2014). An Andrew W. Mellon New Directions Fellowship allowed Pue to study linguistics and computer/data science and to develop Publics of Sound: Data Driven Analysis of the of Poetic Innovation in South Asia, which includes an extensive sound archive of South Asian poetry and analytical and methodological writings. Pue holds a Ph.D. in Middle East and Asian Languages and Cultures and Comparative Literature and Society from Columbia University.