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MENC Handbook of Research on Music Learning: Volume 1: Strategies [Pehme köide]

Edited by (John Beattie Professor of Music Education, Northwestern University), Edited by (Professor Emeritus, University of Illinois, Champaign-Urbana)
  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 145x218x28 mm, kaal: 522 g
  • Ilmumisaeg: 08-Dec-2011
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 019538668X
  • ISBN-13: 9780195386684
  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 145x218x28 mm, kaal: 522 g
  • Ilmumisaeg: 08-Dec-2011
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 019538668X
  • ISBN-13: 9780195386684
The MENC Handbook of Research on Music Learning, Volume 1: Strategies brings together the best and most current research on methods for music learning, focusing squarely on the profession's empirical and conceptual knowledge of how students gain competence in music at various ages and in different contexts. The collection of chapters, written by the foremost figures active in the field, takes a broad theoretical perspective on current, critical areas of research, including music development, music listening and reading, motivation and self-regulated learning in music, music perception, and movement. The book's companion volume, Applications, builds an extensive and solid position of practice upon the frameworks and research presented here.

Throughout both volumes in this essential set, focus is placed on the musical knowledge and musical skills needed to perform, create, understand, reflect on, enjoy, value, and respond to music. A key point of emphasis rests on the relationship between music learning and finding meaning in music, and as music technology plays an increasingly important role in learning today, chapters move beyond exclusively formal classroom instruction into other forms of systematic learning and informal instruction.

Either individually or paired with its companion Volume 2: Applications, this indispensable overview of this growing area of inquiry will appeal to students and scholars in Music Education, as well as front-line music educators in the classroom.

Arvustused

The essays offer valuable insights from researcher and practitioners on how people learn music and, thus, on how music is or should be taught. This work will be welcomed by scholars and practitioners of music education, who continually assess music teaching and strive to make it better ... Recommended. * D. Arnold, Choice *

Contributors xv
1 How Learning Theories Shape Our Understanding of Music Learners
3(32)
Susan A. O'Neill
Yarostav Senyshyn
2 Construction of Music Learning
35(49)
Peter R. Webster
3 Roles of Direct Instruction, Critical Thinking, and Transfer in the Design of Curriculum for Music Learning
84(56)
Richard Colwell
4 Musical Development: Revisiting a Generic Theory
140(33)
Keith Swanwick
5 Biological and Environmental Factors in Music Cognition and Learning
173(43)
Steven M. Demorest
6 Motivation and Achievement
216(49)
Lisa Linnenbrink-Garcia
Martin L. Maehr
Paul R. Pintrich
7 Motivation to Learn Music: A Discussion of Some Key Elements
265(36)
Bret P. Smith
Index 301
Richard Colwell is Professor Emeritus of Music Education at the University of Illinois and the New England Conservatory of Music. He is the founding editor of the Bulletin of the Council for Research in Music Education and the Quarterly Journal of Music Teaching and Learning. He is also a Guggenheim scholar and a member of MENC's Hall of Fame. He is co-editor of The New Handbook of Research on Music Teaching and Learning, as well as editor of The MENC Handbook of Research Metholodolgoies and The MENC Handbook of Musical Cognition and Development. Peter R. Webster is Professor of Music Education and Director of the Center for Music Technology at Northwestern University School of Music, and co-author (with David Brian Williams) of Experiencing Music Technology