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Movies with Stanley Cavell in Mind [Kõva köide]

Edited by (Cornell University, USA)
  • Formaat: Hardback, 360 pages, kõrgus x laius: 229x152 mm, kaal: 649 g
  • Ilmumisaeg: 01-Jul-2021
  • Kirjastus: Bloomsbury Academic USA
  • ISBN-10: 1501351915
  • ISBN-13: 9781501351914
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  • Formaat: Hardback, 360 pages, kõrgus x laius: 229x152 mm, kaal: 649 g
  • Ilmumisaeg: 01-Jul-2021
  • Kirjastus: Bloomsbury Academic USA
  • ISBN-10: 1501351915
  • ISBN-13: 9781501351914
Teised raamatud teemal:
In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere-that exist beyond his immediate reach and reading. In extending the scope of Cavell's film philosophy, we naturally find ourselves contending with it and amending it, as the case may be. Through a series of interpretive vignettes, the group effort situates, for the expert and novitiate alike, how Cavell's writing on film can profitably enrich one's experience of cinema generally and also inform how we might continue the practice of serious philosophical criticism of specific films mindful of his sensibility. The resulting conversations between texts, traditions, disciplines, genres, and generations creates propitious conditions for discovering what it means to watch and listen to movies with Stanley Cavell in mind.

Arvustused

This volume pushes Cavellian scholarship forward, showing that the value of Cavells work lies not simply in understanding it but in applying it. By extending the philosophers methods to an exciting range of international and contemporary films, the chapters compose a timely consideration on what it is to read a film, and to read a film generously. * Kyle Stevens, Assistant Professor of Film Studies, Appalachian State University, USA * Stanley Cavell is, to my mind, the best thinker for helping us account for the power of the film experience, and the fourteen chapters collected here provide ample reason for understanding the importance of Cavell for the study of film. All of the contributors to this wonderful, collective enterprisebrought together by David LaRoccahave in a similar way encountered him and his work. Whether they are revisiting films Cavell loved or taking up the invitation to explore new films, they reveal the importance of Cavells writing and method. * Sandra Laugier, Professor of Philosophy, Université Paris 1 Panthéon-Sorbonne, France *

Muu info

Extends Stanely Cavell's work to give us a fresh perspective on his own contributions to philosophical thinking about movies.
Foreword: The Importance of Stanley Cavell for the Study of Film xiii
Sandra Laugier
Introduction: The Seriousness of Film Sustained 1(30)
David Larocca
I The Companionship of Film and Philosophy
31(60)
1 Love and Class in Douglas Sirk's All That Heaven Allows
33(24)
Robert B. Pippin
2 Levinas, Cavell, and the Films of the Dardenne Brothers
57(15)
William Rothman
3 The Specter of the Electronic Screen: Bruno Varela's Reception of Stanley Cavell
72(19)
Byron Davies
II Recollecting and Remembering
91(38)
4 The Pertinence of the Stars: Achieving Mortality in Little Did I Know and Only Angels Have Wings
93(19)
Steven G. Affeldt
5 In Praise of Cinema: Cavell, Arnaud Desplechin, and Telling What Counts in Trois souvenirs de ma jeunesse
112(17)
Joseph Mai
III Rethinking Remarriage
129(44)
6 Morality and Recognition: A Cavellian Reading of Elaine May's A New Leaf
131(17)
Paul Schofield
7 Remarriage Comedy, the Next Generation: In Bold Pursuit of Happiness
148(25)
K. L. Evans
IV The Female Voice Heard Anew
173(26)
8 Passionate Utterances: Cavell, Film, and the Female Voice
175(16)
Catherine Wheatley
9 Cavell, Altman, Cassavetes: The Melodrama of the Unknown Woman in A Woman Under the Influence and Nashville
191(8)
Charles Warren
V Contending with Conditions, Human and Otherwise
199(52)
10 Stanley Kubrick and Stanley Cavell: Cinematic Syntax, Avoidance, and Acknowledgment
201(20)
David Mikics
11 The Use and Abuse of Documentary Confessionals: Cavell, Zizek, and the Possibility of Justice in The Unknown Known and The Act of Killing
221(14)
Amir Khan
12 Pursuits of Happiness in the Time of War: On Borhane Alaouie's Beirut: The Encounter
235(16)
Daniele Rugo
VI Visibility, Audibility, and Intelligibility
251(68)
13 Chantal Akerman and Stanley Cavell: Viewing in La Captive and Reviewing in Moral Perfectionism
253(21)
Kate Rennebohm
14 Contemplating the Sounds of Contemplative Cinema: Stanley Cavell and Kelly Reichardt
274(45)
David Larocca
Acknowledgments 319(3)
Contributors 322(6)
Index 328
DAVID LAROCCA is the author, editor, or coeditor of a dozen books. He edited The Thought of Stanley Cavell and Cinema, a commemorative issue of Conversations: The Journal of Cavellian Studies, Inheriting Stanley Cavell, and Stanley Cavells Emersons Transcendental Etudes. He has taught philosophy and cinema and held visiting research and teaching positions at Binghamton, Cornell, Cortland, Harvard, Ithaca College, the School of Visual Arts, and Vanderbilt. www.DavidLaRocca.org