Muutke küpsiste eelistusi

E-raamat: Movies with Stanley Cavell in Mind

Edited by (Cornell University, USA)
  • Formaat: 360 pages
  • Ilmumisaeg: 03-Jun-2021
  • Kirjastus: Bloomsbury Academic USA
  • Keel: eng
  • ISBN-13: 9781501351921
  • Formaat - PDF+DRM
  • Hind: 33,92 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 360 pages
  • Ilmumisaeg: 03-Jun-2021
  • Kirjastus: Bloomsbury Academic USA
  • Keel: eng
  • ISBN-13: 9781501351921

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere-that exist beyond his immediate reach and reading. In extending the scope of Cavell's film philosophy, we naturally find ourselves contending with it and amending it, as the case may be. Through a series of interpretive vignettes, the group effort situates, for the expert and novitiate alike, how Cavell's writing on film can profitably enrich one's experience of cinema generally and also inform how we might continue the practice of serious philosophical criticism of specific films mindful of his sensibility. The resulting conversations between texts, traditions, disciplines, genres, and generations creates propitious conditions for discovering what it means to watch and listen to movies with Stanley Cavell in mind.

Arvustused

This volume pushes Cavellian scholarship forward, showing that the value of Cavells work lies not simply in understanding it but in applying it. By extending the philosophers methods to an exciting range of international and contemporary films, the chapters compose a timely consideration on what it is to read a film, and to read a film generously. * Kyle Stevens, Assistant Professor of Film Studies, Appalachian State University, USA * Stanley Cavell is, to my mind, the best thinker for helping us account for the power of the film experience, and the fourteen chapters collected here provide ample reason for understanding the importance of Cavell for the study of film. All of the contributors to this wonderful, collective enterprisebrought together by David LaRoccahave in a similar way encountered him and his work. Whether they are revisiting films Cavell loved or taking up the invitation to explore new films, they reveal the importance of Cavells writing and method. * Sandra Laugier, Professor of Philosophy, Université Paris 1 Panthéon-Sorbonne, France *

Muu info

Extends Stanely Cavell's work to give us a fresh perspective on his own contributions to philosophical thinking about movies.
Foreword
The Importance of Stanley Cavell for the Study of Film
Sandra Laugier

Introduction
The Seriousness of Film Sustained
David LaRocca

I. The Companionship of Film and Philosophy

1. Love and Class in Douglas Sirks All That Heaven Allows
Robert B. Pippin

2. Lévinas, Cavell, and the Films of the Dardenne Brothers
William Rothman

3. The Specter of the Electronic Screen: Bruno Varelas Reception of Cavell
Byron Davies

II. Recollecting and Remembering

4. The Pertinence of the Stars: Achieving Mortality in Little Did I Know and
Only Angels Have Wings
Steven G. Affeldt

5. In Praise of Cinema: Cavell, Arnaud Desplechin, and Telling What Counts in
Trois souvenirs de ma jeunesse
Joseph Mai

III. Rethinking Remarriage

6. Morality and Recognition: A Cavellian Reading of Elaine Mays A New Leaf
Paul Schofield

7. Remarriage Comedy, the Next Generation: The Bold Pursuit of Happiness
K. L. Evans

IV. The Female Voice Heard Anew

8. Passionate Utterances: Cavell, Film, and the Female Voice
Catherine Wheatley

9. Cavell, Altman, Cassavetes: The Melodrama of the Unknown Woman in A Woman
Under the Influence and Nashville
Charles Warren

V. Contending with Conditions, Human and Otherwise

10. Stanley Kubrick and Stanley Cavell: Cinematic Syntax, Avoidance, and
Acknowledgment
David Mikics

11. The Use and Abuse of Documentary Confessionals: Cavell, iek, and the
Possibility of Justice in The Unknown Known and The Act of Killing
Amir Khan

12. Pursuits of Happiness in the Time of War: On Borhane Alaouiés Beirut:
The Encounter
Daniele Rugo

VI. Visibility, Audibility, and Intelligibility

13. Chantal Akerman and Stanley Cavell: Viewing in La Captive and Reviewing
in Moral Perfectionism
Kate Rennebohm

14. Contemplating the Sounds of Contemplative Cinema: Stanley Cavell and
Kelly Reichardt
David LaRocca

Acknowledgments
Contributors
Index
DAVID LAROCCA is the author, editor, or coeditor of a dozen books. He edited The Thought of Stanley Cavell and Cinema, a commemorative issue of Conversations: The Journal of Cavellian Studies, Inheriting Stanley Cavell, and Stanley Cavells Emersons Transcendental Etudes. He has taught philosophy and cinema and held visiting research and teaching positions at Binghamton, Cornell, Cortland, Harvard, Ithaca College, the School of Visual Arts, and Vanderbilt. www.DavidLaRocca.org