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Multimodality and Translanguaging in Video Interactions [Pehme köide]

(Università degli Studi di Messina, Italy)
  • Formaat: Paperback / softback, 104 pages, kõrgus x laius x paksus: 228x152x6 mm, kaal: 170 g, Worked examples or Exercises
  • Sari: Elements in Applied Linguistics
  • Ilmumisaeg: 21-Dec-2023
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009286927
  • ISBN-13: 9781009286923
  • Formaat: Paperback / softback, 104 pages, kõrgus x laius x paksus: 228x152x6 mm, kaal: 170 g, Worked examples or Exercises
  • Sari: Elements in Applied Linguistics
  • Ilmumisaeg: 21-Dec-2023
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009286927
  • ISBN-13: 9781009286923
The Element aims at unpacking these resources and at interpreting how they make meanings to improve and encourage active and responsible participation in the current digital scenarios.

This Element presents and critically discusses video-mediated communication by combining theories and empirical methods of multimodal studies and translanguaging. Since Covid-19 gained momentum, video-based interactions have become more and more ingrained in private and public lives and to the point of being fully incorporated in a wide range of community practices in personal, work and educational environments. The meaning making of video communication results from the complex, situationally based and culturally influenced and interlaced components of different semiotic resources and practices. These include the use of speech, writing, translingual practices, gaze behaviour, proxemics and kinesics patterns, as well as forms of embodied interaction. The Element aims at unpacking these resources and at interpreting how they make meanings to improve and encourage active and responsible participation in the current digital scenarios.

Muu info

This Element explores multimodal resources of video interactions, such as speech, writing, gaze, and management of translingual practices.
1. Introduction;
2. Familiar, reconfigured, and emergent uses of speech and writing;
3. Translanguaging practices as meaning-making resources;
4. The repurposing of gaze in video-mediated scenarios;
5. The onscreen distribution of movement and the construction of distance;
6. Conclusions; References.