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Organic Design in Twentieth-Century Nordic Architecture [Kõva köide]

(Curtin University, Australia)
  • Formaat: Hardback, 262 pages, kõrgus x laius: 234x156 mm, kaal: 612 g, 8 Line drawings, black and white; 140 Halftones, black and white
  • Ilmumisaeg: 05-Mar-2019
  • Kirjastus: Routledge
  • ISBN-10: 0415787262
  • ISBN-13: 9780415787260
Teised raamatud teemal:
Organic Design in Twentieth-Century Nordic ArchitectureSuurem pilt
  • Formaat: Hardback, 262 pages, kõrgus x laius: 234x156 mm, kaal: 612 g, 8 Line drawings, black and white; 140 Halftones, black and white
  • Ilmumisaeg: 05-Mar-2019
  • Kirjastus: Routledge
  • ISBN-10: 0415787262
  • ISBN-13: 9780415787260
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780415787260.html
Märksõnad:
Organic Design in Twentieth-Century Nordic Architecture presents a communicable and useful definition of organic architecture that reaches beyond constraints. The book focuses on the works and writings of architects in Nordic countries, such as Sigurd Lewerentz, Jørn Utzon, Sverre Fehn and the Aaltos (Aino, Elissa and Alvar), among others. It is structured around the ideas of organic design principles that influenced them and allowed their work to evolve from one building to another. Erik Champion argues organic architecture can be viewed as a concerted attempt to thematically unify the built environment through the allegorical expression of ongoing interaction between designer, architectural brief and building-as-process. With over 140 black and white images, this book is an intriguing read for architecture students and professionals alike.
List of Figures
ix
Figure permissions
xiv
List of Table
xviii
Preface xix
Acknowledgments xx
Foreword xxii
1 Introducing Theories of the Organic
1(23)
1.1 Definitions
2(18)
1.2 Parameters
20(4)
2 Sweden
24(74)
2.1 Sweden: Background
24(4)
2.2 Isak Gustav Clason and the Klara School
28(3)
2.3 Carl Westman (1866--1936)
31(1)
2.4 Ivar Tengbom (1878--1968)
31(1)
2.5 Carl Bergsten (1879--1935)
32(1)
2.6 Ragnar Ostberg (1886--1945)
33(5)
2.7 Klara School Ideas
38(7)
2.7.a The Dissolution of Mass Into Surface and Ripples
38(1)
2.7.b Decoration, Containment and Direction
39(3)
2.7.c Missing Clues and Burled Enigmas
42(2)
2.7.d Nordic Light
44(1)
2.8 The Klara School: Summary
45(1)
2.9 Sigurd Lewerentz
46(2)
2.10 Lewerentz's Ideas
48(11)
2.10.a Ripples, Eddies and the Trace of the Line
48(7)
2.10.b The Upturned Boat
55(1)
2.10.c The Hidden and the Seen: Slits, Rents and Washes of Light
56(3)
2.11 Lewerentz: Summary
59(1)
2.12 Erik Gunnar Asplund
60(3)
2.13 Asplund's Ideas
63(28)
2.13.a Human Sculpture and the Use of Symbolism
64(2)
2.13.b Lightness, Lighting and Light: On the City Library Curtains
66(15)
2.13.c Path and Center
81(10)
2.14 Asplund: Summary
91(7)
3 Finland
98(1)
3.1 Finland: Background
98(4)
3.2 Lars Eliel Sonck
102(2)
3.3 Sonck's Ideas
104(11)
3.3.a "Character" Building With the Accretive and the Aedicular
105(6)
3.3.b The Billowing Roof, the Protrusile Wall, the Wobble of Corner
111(3)
3.3.c Plays of Light
114(1)
3.4 Sonck: Summary
115(1)
3.5 Armas Lindgren, Herman Gesellius and Eliel Saarinen
116(2)
3.6 L-G-S Ideas
118(4)
3.6.a The Fall of Land, the Walking Column and Epoch-Stratified Skin
118(2)
3.6.b Crenelated Floors, Fissures and Fortresses
120(2)
3.7 L-G-S: Summary
122(3)
3.8 Alvar Aalto
125(3)
3.9 Aaltos' Ideas
128(22)
3.9.a Ruined Suggestion and the Devolution Towards "Humane" Architecture
128(4)
3.9.b Heterotopia Versus Cytogenesis and the Pull of Focus
132(8)
3.9.c Typology and "Stylistic Metaphor"
140(3)
3.9.d Spatial Flexibility
143(3)
3.9.e Fighting Hermetic Enclosure---the Floating Ceiling, the Stave, Lattice and Arboreal Space
146(4)
3.10 Aalto: Summary
150(3)
3.11 Reima and Raili Pietila
153(1)
3.12 Pietilas' Ideas
154(8)
3.12.a Mythological Morphology and the Expression of Force
154(4)
3.12.b Fragmented Light and the Suspension of Mass
158(3)
3.12.c Surrealism and Symbolism
161(1)
3.12.d Climatic Denudation
161(1)
3.13 Pietilas: Summary
162(4)
4 Denmark
166(52)
4.1 Denmark: Background
166(13)
4.2 Hack J. Kampmann
179(1)
4.3 Kampmann's Ideas
179(8)
4.3.a Thematic Detail of the Exotic, the Eroded and the Rather Well Used
179(7)
4.3.b Dissipation of Mass and Spatial Seepage
186(1)
4.4 Kampmann: Summary
187(1)
4.5 Arne Jacobsen
187(1)
4.6 Jacobsen's Ideas
188(11)
4.6.a Pilotis, Cantilevers and Space Frames with Knee-High Fragility
189(6)
4.6.b Visual Privacy 194 4.7 Jacob sen: Summary
195(4)
4.8 Jørn Utzon
199(2)
4.9 Utzon's Ideas
201(1)
4.9 A The Fifth Facade
201(13)
4.9.b The Erosion of Mass Into Light
203(3)
4.9.c The Wall and the Spine
206(1)
4.9.d Focus
207(1)
4.9.e Simplicity of Elements but Complexity of Relationships
208(5)
4.9.f Servant and Served---Platform and Pagoda
213(1)
4.10 Utzon: Summary
214(4)
5 Norway
218(32)
5.1 Norway: Background
218(4)
5.2 Knut Knutsen
222(2)
5.3 Knutsen's Ideas
224(6)
5.3.a The Spatial Bubble and the Split-Vista of Capillary Architecture
224(5)
5.3.b The Rough and the Exposed of the Ready-Made Detail
229(1)
5.4 Knutsen: Summary
230(1)
5.5 Sverre Fehn
231(5)
5.6 Fehn's Ideas
236(9)
5.6.a Horizons, Vistas and Agrarian Space
236(5)
5.6.b Territorial Psychology of the Curved, the Straight and the Hilltop
241(2)
5.6.c Suspense and the Sublime
243(1)
5.6.d Textual Relationship as Theme
244(1)
5.7 Fehn: Summary
245(5)
6 Conclusion
250(8)
Index 258
Erik Champion is Professor of Cultural Visualisation at Curtin University in Perth, Western Australia.