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ix | |
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xiv | |
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xviii | |
| Preface |
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xix | |
| Acknowledgments |
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xx | |
| Foreword |
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xxii | |
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1 Introducing Theories of the Organic |
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1 | (23) |
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2 | (18) |
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20 | (4) |
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24 | (74) |
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24 | (4) |
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2.2 Isak Gustav Clason and the Klara School |
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28 | (3) |
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2.3 Carl Westman (1866--1936) |
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31 | (1) |
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2.4 Ivar Tengbom (1878--1968) |
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31 | (1) |
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2.5 Carl Bergsten (1819--1935) |
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32 | (1) |
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2.6 Ragnar Ostberg (1886--1945) |
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33 | (5) |
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38 | (7) |
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2.7.a The Dissolution of Mass Into Surface and Ripples |
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38 | (1) |
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2.7.b Decoration, Containment and Direction |
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39 | (3) |
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2.7.c Missing Clues and Burled Enigmas |
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42 | (2) |
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44 | (1) |
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2.8 The Klara School: Summary |
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45 | (1) |
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46 | (2) |
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48 | (11) |
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2.10.a Ripples, Eddies and the Trace of the Line |
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48 | (7) |
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55 | (1) |
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2.10.C The Hidden and the Seen: Slits, Rents and Washes of Light |
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56 | (3) |
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59 | (1) |
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60 | (3) |
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63 | (28) |
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2.13.a Human Sculpture and the Use of Symbolism |
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64 | (12) |
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2.13.b Lightness, Lighting and Light: On the City Library Curtains |
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76 | (5) |
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81 | (10) |
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91 | (7) |
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98 | (68) |
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98 | (4) |
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102 | (2) |
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104 | (11) |
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3.3.a "Character" Building With the Accretive and the Aedicular |
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105 | (6) |
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3.3.b The Billowing Roof the Protrusile Wall, the Wobble of Corner |
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111 | (3) |
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114 | (1) |
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115 | (1) |
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3.5 Armas Lindgren, Herman Gesellius and Eliel Saarinen |
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116 | (2) |
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118 | (4) |
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3.6.a The Fall of Land, the Walking Column and Epoch-Stratified Skin |
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118 | (2) |
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3.6.b Crenelated Floors, Fissures and Fortresses |
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120 | (2) |
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122 | (3) |
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125 | (3) |
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128 | (22) |
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3.9.a Ruined Suggestion and the Devolution Towards "Humane" Architecture |
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128 | (4) |
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3.9.b Heterotopia Versus Cytogenesis and the Pull of Focus |
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132 | (8) |
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3.9.c Typology and "Stylistic Metaphor" |
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140 | (3) |
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3.9.d Spatial Flexibility |
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143 | (3) |
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3.9.e Fighting Hermetic Enclosure---the Floating Ceiling, the Stave, Lattice and Arboreal Space |
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146 | (4) |
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150 | (3) |
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3.11 Reima and Raili Pietila |
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153 | (1) |
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154 | (8) |
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3.12.a Mythological Morphology and the Expression of Force |
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154 | (4) |
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3.12.b Fragmented Light and the Suspension of Mass |
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158 | (3) |
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3.12.c Surrealism and Symbolism |
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161 | (1) |
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3.12.d Climatic Denudation |
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161 | (1) |
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162 | (4) |
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166 | (52) |
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166 | (13) |
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179 | (1) |
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179 | (8) |
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4.3.a Thematic Detail of the Exotic, the Eroded and the Rather Well Used |
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179 | (7) |
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4.3.b Dissipation of Mass and Spatial Seepage |
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186 | (1) |
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187 | (1) |
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187 | (1) |
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188 | (7) |
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4.6.a Pilotis, Cantilevers and Space Frames with Knee-High Fragility |
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189 | (5) |
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194 | (1) |
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195 | (4) |
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199 | (2) |
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201 | (13) |
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201 | (2) |
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4.9.b The Erosion of Mass Into Light |
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203 | (3) |
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4.9.c The Wall and the Spine |
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206 | (1) |
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207 | (1) |
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4.9.e Simplicity of Elements but Complexity of Relationships |
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208 | (5) |
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4.9.f Servant and Served---Platform and Pagoda |
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213 | (1) |
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214 | (4) |
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218 | (32) |
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218 | (4) |
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222 | (2) |
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224 | (6) |
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5.3.a The Spatial Bubble and the Split-Vista of Capillary Architecture |
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224 | (5) |
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5.3.b The Rough and the Exposed of the Ready-Made Detail |
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229 | (1) |
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230 | (1) |
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231 | (5) |
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236 | (9) |
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5.6.a Horizons, Vistas and Agrarian Space |
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236 | (5) |
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5.6.b Territorial Psychology of the Curved, the Straight and the Hilltop |
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241 | (2) |
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5.6.C Suspense and the Sublime |
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243 | (1) |
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5.6.d Textual Relationship as Theme |
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244 | (1) |
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245 | (5) |
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250 | (8) |
| Index |
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258 | |
Lisainfo e-raamatute kohta