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Popular Culture: Introductory Perspectives Fifth Edition [Kõva köide]

  • Formaat: Hardback, 354 pages, kõrgus x laius x paksus: 237x159x24 mm, kaal: 658 g, 3 BW Illustrations, 46 BW Photos, 6 Tables
  • Ilmumisaeg: 23-Jan-2023
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1538171295
  • ISBN-13: 9781538171295
Teised raamatud teemal:
  • Formaat: Hardback, 354 pages, kõrgus x laius x paksus: 237x159x24 mm, kaal: 658 g, 3 BW Illustrations, 46 BW Photos, 6 Tables
  • Ilmumisaeg: 23-Jan-2023
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1538171295
  • ISBN-13: 9781538171295
Teised raamatud teemal:
"Danesi's introduction to popular culture takes students through major forms of media to explore a vast array of cultural theories. The fifth edition features updated coverage on social media and digital cultures, including those surrounding memes, videogames, virtual reality, and streaming services"--

Danesi’s introduction to popular culture takes students through major forms of media to explore a vast array of cultural theories. The fifth edition features updated coverage on social media and digital cultures, including those surrounding memes, video games, virtual reality, and streaming services.



The fifth edition of Marcel Danesi’s Popular Culture is an accessible, engaging introduction for popular culture, media and society, and sociology of the media courses. The fifth edition features updated coverage on social media and digital cultures, including those surrounding memes, video games, virtual reality, and streaming services.

Pop culture surrounds us. It infuses the movies we watch, the music we listen to, the books we read, the clothes we wear, and the food we eat. It comes to us on our televisions, phones, computers, radio, and in every storefront and billboard we pass on the street.

Danesi delves into the social structures that create and promote pop culture, showing how it validates our common experiences. Offering a variety of perspectives on its many modes of creations and delivery, Danesi shows why pop culture will always be something we love to hate and hate to love.

Preface ix
1 What Is Pop Culture?
1(26)
Defining Pop Culture
2(15)
Culture
3(2)
Pop Culture
5(1)
Pop Art
6(3)
Levels
9(1)
The Transference Cycle
10(1)
Predecessors
11(1)
Origins and Spread
12(5)
Features
17(6)
Spectacles and Music
18(1)
Admixture
19(1)
Nostalgia
20(1)
Make-Believe
21(1)
Laughter
22(1)
Studying Pop Culture
23(2)
Genres and Audiences
23(1)
Interdisciplinarity
24(1)
Explorations
25(1)
Chapter References
26(1)
2 The Marketplace And Pop Culture
27(26)
The Partnership
28(5)
Alliance
28(3)
Reinvention and Reproduction
31(1)
Popularity
32(1)
Fad Culture
33(11)
Decoding Fads
34(6)
Fashion
40(3)
Food Fads
43(1)
Celebrity Culture
44(5)
Celebrities and Icons
47(1)
Nano-Celebrities
48(1)
A Model
49(3)
Mediation
51(1)
The Changing Partnership
51(1)
Explorations
52(1)
Chapter References
52(1)
3 Explaining Pop Culture
53(28)
Mass Media Approaches
54(6)
Transmission Models
55(4)
Agenda-Setting Theories
59(1)
Digital Media Theories
60(1)
Critical Theories
60(6)
The Frankfurt School
61(1)
The Centre for Contemporary Cultural Studies
62(1)
Feminism
63(1)
Postmodernism
64(2)
Psychological Theories
66(5)
Media Effects Theories
66(2)
Archetype Theory
68(1)
Psycho-Social Theories
69(2)
Semiotic Approaches
71(4)
Opposition
72(1)
Mythology
73(1)
Representation and Codes
74(1)
The Effects of Pandemics on Culture
75(2)
The Birth of Fiction
75(1)
World Reappraisal
76(1)
Explorations
77(1)
Chapter References
77(4)
4 Print Culture
81(34)
Books
82(13)
Origins and Spread
82(3)
Narrativity
85(2)
The Novel
87(2)
Dime Novels and Pulp Fiction
89(5)
Digital Novels
94(1)
Newspapers
95(7)
Origins and Spread
96(3)
Reading Newspapers
99(2)
Fake News
101(1)
Magazines
102(3)
Origins and Spread
103(1)
Reading Magazines
104(1)
Comics
105(7)
Origins and Spread
106(4)
Superhero Comics
110(2)
Explorations
112(1)
Chapter References
112(3)
5 Radio Culture
115(20)
Radio Broadcasting
116(6)
Historical Sketch
117(4)
Streaming
121(1)
Podcasting
121(1)
Radio Genres
122(4)
Genre Programming
123(2)
The Talk Show
125(1)
The Radio Stage
126(4)
Radio and Advertising
127(1)
Orality
128(2)
The Radio in Pop Culture History
130(3)
The Radio Social Text
131(1)
Information Culture
132(1)
Explorations
133(1)
Chapter References
133(2)
6 Pop Music Culture
135(28)
The Advent of Pop Music
136(7)
Historical Sketch
137(3)
Decoding Pop Music
140(1)
Genres
141(2)
Social Change
143(15)
Jazz and Swing
144(2)
Rock and Roll
146(5)
Decoding Rock
151(4)
Hip-Hop and Rap
155(3)
Music in the Internet Age
158(3)
Indie Music
159(1)
Whither Pop Music?
160(1)
Explorations
161(1)
Chapter References
161(2)
7 Movie Culture
163(34)
Motion Pictures
164(20)
Historical Sketch
165(9)
Categories
174(1)
Genres
175(2)
Thrillers
177(3)
Horror
180(2)
Animation
182(2)
The Movie Theater
184(1)
Postmodernism
184(5)
Future Worlds
185(2)
Images over Words
187(2)
Blockbusters
189(4)
Origins
190(2)
Entrenchment
192(1)
Cinema in the Internet Age
193(2)
Streaming Movies
194(1)
Whither Filmmaking?
194(1)
Explorations
195(1)
Chapter References
196(1)
8 Television Culture
197(30)
Television Broadcasting
198(8)
Historical Sketch
199(3)
Interactive Television
202(1)
Genres
203(3)
Archetypal Structures
206(13)
Sitcoms
211(4)
Reality Television
215(4)
Social Effects
219(3)
Mythologization
220(1)
History-Making Effect
220(2)
Television in the Internet Age
222(2)
Streaming Television
223(1)
Space of Flows
223(1)
Explorations
224(1)
Chapter References
225(2)
9 Advertising Culture
227(24)
Advertising
228(9)
Historical Sketch
229(3)
Techniques
232(2)
Critiques
234(2)
Integration with Pop Culture
236(1)
Ad Culture
237(4)
The Ad Campaign
238(2)
Cooption
240(1)
Branding
241(8)
Product Placement
242(1)
Basic Needs and Social Processes
243(3)
Advertising Art
246(2)
The Future of Advertising
248(1)
Explorations
249(1)
Chapter References
249(2)
10 Pop Language
251(22)
What Is Pop Language?
252(8)
Defining Pop Language
253(4)
Differences from Slang
257(2)
Fictional Languages
259(1)
Texting and Textspeak
260(5)
Texting in Pop Culture
262(2)
Effects on Writing
264(1)
Visual Communication
265(6)
Emojis
266(2)
Emojis in Pop Culture
268(3)
Explorations
271(1)
Chapter References
271(2)
11 Interactive And Immersive Culture
273(24)
Interactive Culture
274(3)
The Online Stage
275(1)
Mashup Culture
276(1)
Memes and Pop Culture
277(9)
Memes
278(1)
The Role of Social Media
279(3)
YouTube
282(2)
Memetic Culture
284(2)
Immersive Culture
286(9)
Video Games
287(4)
Virtual Reality
291(3)
Posthumanism and Transhumanism
294(1)
Explorations
295(1)
Chapter References
296(1)
12 Forever Pop?
297(20)
The Show Must Go On
298(6)
The Lure of Pop Culture
299(2)
Spectacle Power
301(3)
A Global Culture
304(4)
The Global Marketplace
306(1)
The Internet Stage
306(2)
Will Pop Culture Always Keep Changing?
308(7)
Major Attacks
309(3)
Evolution or Mutation?
312(3)
Explorations
315(1)
Chapter References
315(2)
Glossary 317(8)
Index 325
Marcel Danesi is professor of anthropology, semiotics, and communication theory at the University of Toronto. He is the author of several books, including the Concise Dictionary of Popular Culture.