This ground-breaking edited collection explores the challenges of preserving complex digital objects such as simulations, visualisations, digital art and video games. Drawing on the outputs of the JISC-funded Preservation of Complex Objects (POCOS) symposia, enhanced with specialist pathfinder solutions.
This ground-breaking edited collection explores the challenges of preserving complex digital objects such as simulations, visualisations, digital art and video games.
Drawing on the outputs of the JISC-funded Preservation of Complex Objects (POCOS) symposia, enhanced with specialist pathfinder solutions, this book will cover topics such as the legal and technical challenges of preservation, curation and authority, and digital archaeology
Written by international experts from a broad background of library, collecting institutions, information and computer science, and digital preservation backgrounds, this collection showcases the state of the art of the discipline and brings together stakeholder perspectives from across the preservation community. The collection is structured around six parts:
- Why and what to preserve: creativity vs preservation
- The memory institution: data archival perspectives
- Digital preservation approaches, practices and tools
- Case studies
- A legal perspective
- Pathfinder conclusions
Arvustused
This collection is a valuable contribution to the digital preservation literature...it is sufficiently practical to be of use to practitioners, particularly those working in memory institutions and faced with issues of digital preservation of complex digital objects. ...a well written and a valuable resource for the preservation field. -- Against the Grain "This book is an essential resource for anyone engaged with digital preservation activities. It becomes increasingly difficult to focus purely on the preservation of simple digital objects, we have to engage with the complex because developing ICT capabilities provide us with the means to incorporate more and more complexity in the artefacts and genres we create and use. Keeping up to date with advances in digital preservation know-how is challenge enough in itself; bringing together these outputs from the POCOS meetings in a single print resource provides much needed practical assistance. " -- Online Information Review "This book is an essential resource for anyone engaged in digital preservation activities. It becomes increasingly difficult to focus purely on the preservation of simple digital objects, and we must engage with the complex because developing ICT capabilities provides us with the means to incorporate more and more complexity in the artefacts and genres we create and use." -- Online Information Review ...any information professionals working through the present-day digital revolution, as well as academics and students on information courses will find this book to be a valuable textbook and tool. It provides a much-needed pathway for anyone wanting to learn more about digital preservation. More importantly, in addition to being extremely educational, this book is actually very interesting to read. ...a landmark summary that is adequately scary but hopeful and constructive at the same time. -- Archival Issues
Foreword - Adam Farquhar Preface - Neil Grindley Introduction - Janet
Delve and David Anderson PART 1: WHY AND WHAT TO PRESERVE: CREATIVITY VERSUS
PRESERVATION
1. Standing on the shoulders of heavily armed giants why
history matters for game development - Dan Pinchbeck
2. Archaeology versus
anthropology: what can truly be preserved? - Richard A. Bartle
3. Make or
break? Concerning the value of redundancy as a creative strategy - Simon
Biggs
4. Between code and space: the challenges of preserving complex digital
creativity in contemporary arts practice - Michael Takeo Magruder PART 2: THE
MEMORY INSTITUTION/DATA ARCHIVAL PERSPECTIVE
5. Preservation of digital
objects at the Archaeology Data Service - Jenny Mitcham
6. Preserving games
for museum collections and public display: the National Videogame Archive -
Tom Woolley, James Newman and Iain Simons
7. Bridging the gap in digital art
preservation: interdisciplinary reflections on authenticity, longevity and
potential collaborations - Perla Innocenti
8. Laying a trail of breadcrumbs
preparing the path for preservation - Drew Baker and David Anderson PART 3:
DIGITAL PRESERVATION APPROACHES, PRACTICE AND TOOLS
9. Digital preservation
and curation: the danger of overlooking software - Neil Chue Hong
10. How do
I know that I have preserved software? - Brian Matthews, Arif Shaon and
Esther Conway
11. Digital preservation strategies for visualizations and
simulations - Janet Delve, Hugh Denard and William Kilbride
12. The ISDA
tools: preserving 3D digital content - Kenton McHenry, Rob Kooper, Luigi
Marini and Michael Ondrejcek
13. Ecologies of research and performance:
preservation challenges in the London Charter - Hugh Denard
14. A tangled
web: metadata and problems in game preservation - Jerome McDonough
15.
Metadata for preserving computing environments - Angela Dappert
16.
Preserving games environments via TOTEM, KEEP and Bletchley Park - Janet
Delve, Dan Pinchbeck and Winfried Bergmeyer
17. Documenting the context of
software art works through social theory: towards a vocabulary for context
classification - Leo Konstantelos PART 4: CASE STUDIES
18. The Villa of
Oplontis: a born-digital project - John R. Clarke
19. Preservation of
complex cultural heritage objects a practical Implementation - Daniel
Pletinckx.
Janet Delve is co-leader of the interdisciplinary Future Proof Computing Group in the School of Creative Technologies at the University of Portsmouth. She is a member of the Digital Preservation Coalition Technology Watch Editorial Board. David Anderson is co-leader of the interdisciplinary Future Proof Computing Group at the University of Portsmouth. He is the Director of CiTECH (the Centre for Cultural and Industrial Technologies Research) in the Faculty of Creative and Cultural Industries.
