Preface |
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ix | |
Part 1 Cultural Approach to Markets and Methods |
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1 | (42) |
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1 The 'Cultural Turn' in Marketing and Consumer Research |
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3 | (18) |
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3 | (4) |
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Taking the cultural perspective to marketing and consumer research |
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7 | (6) |
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Practical relevance of cultural knowledge on the marketplace |
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13 | (6) |
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19 | (2) |
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2 Evaluating Cultural Research |
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21 | (22) |
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21 | (2) |
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Questions of validity, reliability and generalization |
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23 | (8) |
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General principles of good epistemic practice |
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31 | (5) |
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36 | (1) |
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37 | (4) |
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41 | (2) |
Part 2 Cultural Data and Methods |
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43 | (56) |
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45 | (23) |
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45 | (2) |
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Ethnography in cultural marketing and consumer research |
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47 | (4) |
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Ethnographic methods and data |
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51 | (6) |
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57 | (3) |
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60 | (3) |
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63 | (4) |
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67 | (1) |
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4 Cultural Texts and Talk |
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68 | (16) |
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68 | (1) |
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Naturally occurring textual materials |
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69 | (2) |
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71 | (1) |
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72 | (7) |
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Projective techniques and elicitation materials |
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79 | (4) |
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83 | (1) |
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5 Visual Materials and Methods |
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84 | (15) |
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84 | (1) |
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Studying visual culture and visual representation |
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85 | (7) |
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Using visual methods to study culture |
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92 | (5) |
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When to use visual methods and materials |
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97 | (1) |
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98 | (1) |
Part 3 Analysis in Cultural Research |
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99 | (56) |
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6 Interpretation and Interpretive Frameworks |
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101 | (24) |
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101 | (2) |
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What is an interpretive framework? |
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103 | (1) |
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The role of theory in interpretation |
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104 | (3) |
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Basic assumptions about interpretation |
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107 | (7) |
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114 | (1) |
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Conceptual tools for close reading of cultural texts |
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114 | (6) |
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Techniques for managing the process of analysis |
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120 | (4) |
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124 | (1) |
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125 | (22) |
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125 | (1) |
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Case 1: The process of interpretation |
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126 | (7) |
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Case 2: A close reading of cultural texts |
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133 | (14) |
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8 Criteria for Good Cultural Analysis |
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147 | (8) |
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Basis for defining criteria |
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147 | (1) |
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Insightfulness and relevance |
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148 | (1) |
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Methodological coherence and transparency |
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149 | (1) |
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Sensitivity to the phenomenon |
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150 | (1) |
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Sensitivity to the ethics and politics of interpretation |
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151 | (1) |
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Communication and credibility |
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152 | (3) |
Part 4 Writing in Cultural Research |
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155 | (30) |
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9 Writing in Cultural Research |
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157 | (13) |
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157 | (1) |
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Writing after the crisis of representation |
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158 | (2) |
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Writing as a method of inquiry |
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160 | (3) |
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163 | (2) |
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165 | (4) |
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169 | (1) |
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10 Writing up Cultural Research |
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170 | (15) |
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170 | (1) |
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171 | (1) |
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172 | (2) |
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Writing good research reports – composing good stories |
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174 | (8) |
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Publishing cultural research on marketing and consumption |
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182 | (2) |
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184 | (1) |
Part 5 Defending Your Research Report |
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185 | (27) |
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11 Theoretical Legacies and Philosophical Questions |
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187 | (25) |
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Is there a theory on cultural marketing and consumer research? |
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187 | (2) |
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189 | (1) |
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What sort of assumptions about language and discourse is ACP based on? |
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190 | (4) |
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What does it mean that things are studied as texts? |
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194 | (1) |
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How do you account for material practices in ACP? |
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195 | (1) |
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How do you see structure and agency in ACP? |
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196 | (1) |
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What is the conception of subjectivity in ACP? |
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197 | (2) |
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What's wrong with the 'humanist' subject? |
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199 | (2) |
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Why is the focus in ACP always on the political aspects of marketplace activity? |
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201 | (2) |
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How does the cultural approach differ from other interpretive marketing and consumer research? |
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203 | (1) |
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What is the history of cultural marketing and consumer research? |
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204 | (6) |
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210 | (2) |
References |
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212 | (13) |
Index |
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225 | |