This book showcases the current state of the art of research on rhythm in speech and language. Decades of study have revealed that bodily rhythms are crucial for producing and understanding speech and language, and for understanding their evolution and variability across populations-not only adults, but also developmental and clinical populations. It is also clear that there is perplexing dimensionality and variability of rhythm within and across languages. This book offers the scientific foundation for harmonizing physiological universality and cultural diversity, fostering collaborative breakthroughs across research domains. Its fifty chapters cover physiology, cognition, and culture, presenting knowledge from neuroscience, cognitive science, psychology, phonetics, and communication research. Ideal for academics, researchers, and professionals seeking interdisciplinary insights into the essence of human communication. This title is also available as open access on Cambridge Core.
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This edited collection showcases the current state of the art of research on rhythm in speech and language.
Part I. The Physiology of Rhythm:
1. Body-grounded speech rhythm:
ubiquitous interactions between speech, breathing and limb movements;
2. Jaw
opening patterns and their correspondence with syllable stress patterns;
3.
Region-specific endogenous brain rhythms and their role for speech and
language;
4. The sensorimotor account of multimodal prosody;
5. Evaluating
neural tracking of rhythmic information in speech: some caveats and
challenges;
6. Speech rhythm in the perception-action-cycle;
7. A road to
better understanding of rhythms in speech using a comparative approach; Part
II. Acoustic and Sublexical Rhythms:
8. A polychromatic portrait of speech
rhythm;
9. Rhythms of phones, syllables, and words in connected speech;
10.
Linguistic factors affecting amplitude modulation spectra;
11. The P-center
effect and the domain of beat perception in speech;
12. Adaptive pacing in
word segmentation and the vowel-onset paced syllable inference model;
13.
Beyond acoustics: Capacity limitations of linguistic levels;
14. Rhythm is a
timescale; Part III. Rhythm in Prosody and at the ProsodySyntax Interface:
15. Intonation units: prosodic regularity in spontaneous speech as a window
onto cognitive dynamics;
16. Phrasal rhythmicity and the sources of temporal
intermittency in speech;
17. Prosody vs. syntax, or prosody and syntax?:
evaluating accounts of delta-band tracking; 18.Cognitive and neural
constraints on timing and rhythm in language;
19. Shaping rhythm to keep
balance: the structural implications of temporal modulation;
20. The
hierarchical temporal structure of prosody;
21. Preserving prosody in
temporal distortions of speech;
22. Rhythmic alternation and balance: a new
metric; Part IV. Diversity of Rhythm from Oral Speech to Music:
23. Time,
cohesion, style: rhythm formants in oral narrative;
24. Time to pop the
cork?: The cork exercise and its effects on rhythm and melody in a public
speaker's presentation task;
25. Rhythmic stimulation of linguistic
performance: a common structure?;
26. Characterizing rhythmic regularity in
speech and song;
27. Beats in time across music and language;
28. Shared
mechanisms for the processing of rhythm in music and speech;
29. Interaction
phonology: rhythmic co-ordination as scaffold for communicative alignment;
Part V. Rhythm across Languages:
30. Duration-based and acoustic speech
rhythm metrics;
31. The role of prosodic durational variation in the temporal
coordination of utterances;
32. Individual and language differences in rhythm
grouping preferences: The iambic-trochaic law revisited;
33. Cross-linguistic
consistency of speech rhythms and pending questions: evidence from bilingual
and second language speakers;
34. Revisiting rhythm in romance languages;
Part VI. Rhythm in Language Acquisition:
35. Rhythm and language acquisition:
a temporal sampling perspective;
36. Neural and behavioural rhythmic tracking
during language acquisition: findings, methods, and outstanding issues;
37.
Maturational constraints on tracking of temporal attention in infant language
acquisition;
38. Rhythmic structure in infant-directed communication;
39.
Prosody as an entry point into language structure in early language
acquisition;
40. Acquisition of similar versus different speech rhythmic
class;
41. Speech rhythms and pupil size; Part VI. Rhythm in Speech and
Language Disabilities:
42. Speech rhythm in hearing loss and cochlear implant
listening;
43. Melodic intonation therapy: the ingredients that make it work;
44. Phonetic adaptation and rhythmic entrainment in interactive language use:
neural mechanisms and evidence from individuals with neurological disorders;
45. Rhythmic processes in stuttering and Parkinson's disease;
46. Speech
rhythm in stuttering: perception and production;
47. Conversational
rhythmic-prosodic entrainment in autism.
Lars Meyer investigates the neurobiology of language. He is a group leader at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig, and a researcher at the Clinic for Phoniatrics and Pedaudiology, University Hospital Münster. His doctoral work received the Otto Hahn Medal by the Max Planck Society. Antje Strauss is a cognitive neuroscientist interested in speech processing. She received her Ph.D. at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig, and has completed post-doctoral fellowships in Grenoble and Geneva. She currently conducts research at the University of Konstanz.
