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Routledge Companion to Indigenous Art Histories in the United States and Canada [Kõva köide]

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  • Formaat: Hardback, 436 pages, kõrgus x laius: 246x174 mm, kaal: 1160 g, 65 Halftones, black and white; 65 Illustrations, black and white
  • Sari: Routledge Art History and Visual Studies Companions
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367856689
  • ISBN-13: 9780367856687
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  • Formaat: Hardback, 436 pages, kõrgus x laius: 246x174 mm, kaal: 1160 g, 65 Halftones, black and white; 65 Illustrations, black and white
  • Sari: Routledge Art History and Visual Studies Companions
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367856689
  • ISBN-13: 9780367856687
"This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodies, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; collaboration, consultation and mentorship"--

This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America.

Acknowledgments xi
Author Biographies xii
List of Figures
xxiii
Preface xxvi
Patricia Marroquin Norhy
Introduction: The Path Before Us: Generating and Foregrounding Indigenous Art Theory and Method 1(18)
Heather Igloliorte
Carla Taunton
SECTION I Sovereignty and Futurity
19(64)
1 Art, Visual Sovereignty and Pushing Perceptions
21(9)
Jolene Rickard
2 Dancing Sovereignty: Reclaiming the Grease Trail Through Protocol, Movement, and Song
30(12)
Mique'l Dangeli
3 Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach
42(11)
Heather Ahtone
4 An Inuit Approach to Archival Work Based on Respect and Adaptability
53(11)
Heather Campbell
Reilley Bishop-Stall
5 Overclock Our Imagination!: Mapping the Indigenous Future Imaginary
64(12)
Jason Edward Lewis
6 A Manifesto of Close Encounters
76(7)
Steven Loft
SECTION II Kinship, Care, Relationality
83(68)
7 Kitchen Tables and Beads: Space and Gesture in Contemplative and Creative Research
85(7)
Sherry Farrell Racette
8 Expanding Relationships: Beyond the Non
92(6)
Ashok Mathur
9 Wisdom in Beauty: Respect in Indigenous Curation
98(5)
Kathleen Ash-Milby
10 Balancing Curatorial Indigenous and Queer Belonging: In Conversation with Artist and Curator Adrian Stimson (Blackfoot Siksika Nation)
103(12)
Logan MacDonald
11 Taking Good Care: Collaborative Curating and the Alberni Indian Residential School Art Collection
115(11)
Andrea Walsh
12 Betraying the Object: Relational Anxieties and Bureaucratic Care in Indigenous Collections Research
126(11)
Mikinaak Migwans
13 A Brief Conversation on Visiting, Mentoring, The Land, and Art History
137(14)
Erin Sutherland
Dylan Miner
SECTION III Indigenous Ways of Knowing and Being
151(82)
14 Miyikosiwin: Spirit, Land and Form Among Turtle Island's Indigenous Artists, Designers and Architects
153(6)
Gerald McMaster
15 Indigenous Curation in LA: The People's Home: Winston Street 1974
159(12)
Celestina Castillo
Nancy Marie Mithlo
16 The Giving Tree: Methodologies of Generosity
171(9)
Julie Nagam
17 Frontmnners as an Exploration of Indigenous Littoral Curation
180(9)
Cathy Mattes
18 A:Shiwi Art History: The Strength of Pueblo Place
189(11)
Miranda Belarde-LeuHs
19 Inuit Research Methodologies: Conversations Toward Reclaiming Inuit Protocols with Robert Comeau
200(10)
Krista Ulujuk Zawadski
20 A Braided Process: Decolonizing, Indigenizing, and Self-Determination
210(13)
Jaimie Isaac
21 There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education
223(10)
Peter Morin
SECTION IV Anti-colonial Practices
233(98)
22 From Colonial Trophy Case to Non-Colonial Keeping House
235(12)
David Garneau
23 An Ethic of Decolonial Questioning: Exercising the Quadruple Turn in the Arts and Culture Sector
247(14)
Leah Decter
Carta Taunton
24 Unsettling Artistic Expectations With Two-eyed Seeing
261(14)
Travis Wysote
25 Decolonizing Representation: Ontological Transformations Through Re-mediation of Indigenous Representation in Popular Culture and Indigenous Interventions
275(9)
Stephen Foster
Mike Evans
26 Care Full Discomfort: Engaged Decolonial Practice, People and Admin
284(12)
Rachelle Dickenson
27 Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches
296(11)
Jonathan Lainey
28 Art Racism to Indigenography Methodology
307(10)
Mary Longman
29 A Glossary of Insistence
317(14)
Tanya Lukin Linklater
SECTION V Stories, Living Knowledges, Continuity and Resurgence
331(71)
30 Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual
333(10)
Carmen Robertson
31 Bringing Stories to Sites at Shore Lunch Clarkson/Mississauga
343(9)
Lisa Myers
32 "The Words You Choose are Purposeful": On Inuit Writing and Editing
352(10)
Tarralik Duffy
Taqralik Partridge
33 Beyond Queer Survivance
362(9)
Michelle McGeough
34 Indigenous Abstraction: A Vehicle for Visioning
371(10)
Jason Baerg
35 Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics
381(8)
Nadia Jackinsky-Sethi
36 Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces
389(13)
Heather Igloliorte
Bibliography 402(22)
Index 424
Heather Igloliorte is Associate Professor of Art History at Concordia University, Canada.

Carla Taunton is Associate Professor of Art History and Contemporary Culture at NSCAD University, Canada.