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Routledge International Handbook of the Arts and Education [Kõva köide]

Edited by (University of Durham, UK), Edited by (Professor Emeritus, University of Melbourne, Australia), Edited by (University of Illinois at Urbana-Champaign, USA)
  • Formaat: Hardback, 442 pages, kõrgus x laius: 246x174 mm, kaal: 952 g, 6 Tables, black and white; 6 Line drawings, black and white; 3 Halftones, black and white; 9 Illustrations, black and white
  • Sari: Routledge International Handbooks of Education
  • Ilmumisaeg: 25-Nov-2014
  • Kirjastus: Routledge
  • ISBN-10: 0415839211
  • ISBN-13: 9780415839211
  • Formaat: Hardback, 442 pages, kõrgus x laius: 246x174 mm, kaal: 952 g, 6 Tables, black and white; 6 Line drawings, black and white; 3 Halftones, black and white; 9 Illustrations, black and white
  • Sari: Routledge International Handbooks of Education
  • Ilmumisaeg: 25-Nov-2014
  • Kirjastus: Routledge
  • ISBN-10: 0415839211
  • ISBN-13: 9780415839211
Teachers of various arts and educators of art teachers acknowledge the diversity of views and approaches to teaching art around the world in essays on the role of history, historical perspectives, arts education and the curriculum, arts education and the wider community, researching the arts, and widening perspectives. Among their topics are Hume's "Of the Standard of Taste" and education and the arts, the absent recognition of heteronomous arts education, the work of media arts in the age of digital production, drama in education for children with special educational needs, challenges in researching arts and education, and closing the gap between policy and practice in arts education. Annotation ©2015 Ringgold, Inc., Portland, OR (protoview.com)

This International Handbook brings together leading writers on Arts in Education to provide a much-needed, authoritative guide to the main debates in the field and an informed account of contemporary developments in policy and practice.

Providing a detailed overview of key concepts and practical challenges, the book combines theoretical insight with specific examples of innovative projects drawing on theoretical, historical and empirical research perspectives to inform understanding. The range of content highlights the breadth of the field, addressing such issues as the importance of community arts and partnership as well as school education, and providing insight into developments in multiple and connecting arts as well as traditional art forms. Topics such as assessment, creativity, cultural diversity, special needs, the arts in early childhood, adult education, arts based research, are all addressed by recognised authorities in each area. The collection of chapters also serves to define the field of arts education, recognising its diversity but highlighting the common elements that provide its identity.

The collection addresses generic issues common to all the arts while acknowledging differences and recognising the dangers of over-generalisation. It also includes specific chapters on each of the art forms (visual art, dance, drama, literature, music, media arts) providing a cutting-edge analysis of key contemporary issues in each subject.

Bringing together specially commissioned pieces by a range of international authors, this Handbook will make an important contribution to the field of Arts Education.

Arvustused

"It surely is a large and rich collection of articles that assures that everyone interested in this field will find at least some relevant and inspiring readings." - Folkert Haanstra, Amsterdam School of the Arts, Netherlands, International Journal of Education through Art, December 2015

Contributors ix
1 Introduction
1(6)
Mike Fleming
Liora Bresler
John O'Toole
PART I The role of theory
7(70)
2 A place for beauty in arts education
9(10)
Joe Winston
3 Bildung: Between cultural heritage and the unknown, instrumentalism and existence
19(11)
Øivind Varkey
4 Hunting high and low: The rise, fall and concealed return of a key dichotomy in music and arts education
30(10)
Petter Dyndahl
5 Hume's `Of the Standard of Taste' and education and the arts
40(10)
John Gingell
6 Creativity in the arts and arts education: Intentionally reclaiming our rightful, central place
50(10)
Eric Booth
7 Embodied arts experience: The educational value of somaesthetics
60(8)
Christine Doddington
8 Visual metaphors: Meaning, interpretation and culture
68(9)
Michael Parsons
PART II Historical perspectives
77(66)
9 Whose arts education? International and intercultural dialogue
79(27)
Emily Akuno
Leopold Klepacki
Mei-Chun Lin
John O'Toole
Tia Reihana
Ernst Wagner
Gloria Zapata Restrepo
10 The role of the arts in society
106(16)
Sophie Claire Ward
11 The absent recognition of heteronomous arts education
122(7)
Bjørn Rasmussen
12 The ordeal of consciousness and the arts of freedom
129(14)
Chris Higgins
PART III Arts education and the curriculum
143(138)
13 Visual art in the curriculum
145(14)
Richard Hickman
Kristen Ali Eglinton
14 Metaphors, musicianship and innovation in the music curriculum
159(11)
Janet R. Barrett
15 Threshold concepts, academic identity and arts curricula design: Dr. Who and Indiana Jones traverse learning landscapes for dance
170(15)
Ralph Buck
Nicholas Rowe
16 When advocacy meets opportunity what's the reality? Establishing drama in the curriculum
185(9)
John O'Toole
17 Literature and the curriculum
194(9)
Irene Pieper
18 The paradox of poetry education
203(9)
Mark Dressman
19 The work of Media Arts in the age of digital production
212(11)
Michael Dezuanni
20 Signs, meaning and embodiment: Learning and pedagogy in the early years
223(11)
Julie Dunn
Susan Wright
21 `Aesthetic learning for all': Drama in education for children with special educational needs
234(11)
Melanie Peter
22 Arts education and therapy: The importance of dramatherapy
245(9)
Sue Jennings
Penny McFarlane
23 Assessing diverse creativities in music: A spectrum of challenges, possibilities and practices
254(14)
Pam Burnard
Martin Fautley
24 Arts integration: Reunion for a creative curriculum
268(13)
Madeleine R. Grumet
Deborah Randolph
Faye Stanley
PART IV Arts education and the wider community
281(42)
25 Community-based arts and education in partnership: Possibilities and challenges
283(12)
Samuel Leong
26 Arts in the community as a place-making event
295(10)
Pat Thomson
Andy Barrett
Christine Hall
Julian Hanby
Susan Jones
27 A fragile dance: Art and place-making in times of war and not war
305(10)
Michael Balfour
28 The arts: Hope in dark places
315(8)
Peter O'Connor
PART V Researching the arts
323(36)
29 Challenges in researching arts and education: A personal reflection
325(9)
John Harland
30 The radical in arts education research
334(11)
Brad Haseman
31 Art, scholarship and research: A backward glance
345(14)
Donal O'Donoghue
PART VI Widening perspectives
359(59)
32 Rethinking industry partnerships: Arts education and uncertainty in liquid modern life
361(10)
Mary Ann Hunter
33 Arts education as a bridge to intercultural understanding
371(7)
Larry O'Farrell
34 The arts as purpose of living: Spirituality and lifelong perspectives of arts learning in Japan
378(10)
Koji Matsunobu
35 Making it happen: Closing the gap between policy and practice in arts education
388(10)
Anne Bamford
36 Creativity and the work of art and science: A cognitive neuroscience perspective
398(12)
Shirley Brice Heath
Lisa Gilbert
37 Art makes children powerful: Art for the many not the few
410(8)
Jonothan Neelands
Index 418
Mike Fleming is Emeritus Professor of Education in the School of Education, Durham University. His research interests are in the areas of teaching English and drama, aesthetics and arts education and intercultural education. He has published extensively in these areas.

Liora Bresler is Professor at the College of Education and at the College of Fine and Applied Arts (School of Art and Design and School of Music), and Fellow at the Academy of Entrepreneurial Leadership at the University of Illinois at Urbana-Champaign. She has written over a hundred book chapters and papers in leading journals of arts and education.

John OToole was foundation Chair of Arts Education at the University of Melbourne and formerly Professor of Drama at Griffith University. He has taught and researched arts education especially drama and applied theatre in schools, colleges and universities, on all continents and at all levels. He has written and co-written many scholarly publications and textbooks.