Muutke küpsiste eelistusi

Strangely Rhetorical: Composing Differently With Novelty Devices [Kõva köide]

  • Formaat: Hardback, 210 pages, kõrgus x laius x paksus: 229x152x20 mm, kaal: 400 g
  • Ilmumisaeg: 01-May-2023
  • Kirjastus: University Press of Colorado
  • ISBN-10: 1646424441
  • ISBN-13: 9781646424443
Teised raamatud teemal:
  • Formaat: Hardback, 210 pages, kõrgus x laius x paksus: 229x152x20 mm, kaal: 400 g
  • Ilmumisaeg: 01-May-2023
  • Kirjastus: University Press of Colorado
  • ISBN-10: 1646424441
  • ISBN-13: 9781646424443
Teised raamatud teemal:
Strangely Rhetorical establishes the groundwork for strangeness as a lens under the broader interdisciplinary umbrella of rhetoric and composition and shares a series of rhetorical devices for practically thinking about how compositions are made unique.

Strangely Rhetorical establishes the groundwork for strangeness as a lens under the broader interdisciplinary umbrella of rhetoric and composition and shares a series of rhetorical devices for practically thinking about how compositions are made unique. Jimmy Butts explores how strange, novel, weird, and interesting texts work and offers insight into how and why these forms can be invented, created, and stylized to generate the effective delivery of rhetorical messages in fun, divergent ways.
 
Using a new theoretical framework—that strangeness is inherent within all rhetorical interactions and is potentially useful—Butts demonstrates how rhetoric is always already coming from an Other, offering an ethical context for how defamiliarized texts work with different audiences. Applying examples of seven figures for composing in and across written, aural, visual, electronic, and spatial texts (the WAVES of media), Butts shows how divergence is possible in all sorts of refigured multimodal ways.

Strangely Rhetorical rethinks what exactly rhetoric is and does, considering the ways that strange compositions help rhetors connect across a broad range of networks in a world haunted by distance. This is a book about strange rhetoric for makers and creatives, for students and teachers, and for composers of all sorts.

Arvustused

The author makes a delightfully jarring and ultimately compelling case for strangeness as a rhetorical trope, moving us to believe that, ironically, by composing strange and salient figurations with words, images, and sound, we can move closer to one another in our networked, infinitely interconnected universe. Lisa Blankenship, Baruch College   Butts has managed quite a feat: Strangely Rhetorical is at once crisply lucid and consistently strangeprecisely as it ought to be. I look forward to continuing to become a stranger writer out of my engagement with Buttss text. Ira Allen, Northern Arizona University    

PART I UNDERSTANDING STRANGENESS
Chapter 1 What 1s Strangely Rhetorical?
7(24)
Stranger Rhetors
What Strangeness May Be
Our Strange World in Context
A Strange Shklovskian Rhetoric
Aristotelian Strangeness
A Strange New View of Rhetorical Composition
The Limits of Rhetorical Strangeness and Anti-strangeness: What Is Not Strange? What Is Not Rhetorical?
With Whom Might We Disagree? Anti-agon, Again, I Strangeness as an Experimental Framework
Strangeness? So What?
Chapter 2 Why Strangene2s Matters
31(28)
Why Strange?
Vignettes for Thinking Why
Who Cares? Strange Negotations
The Five Whys Explained
Making Strange: The Momentarily Epiphanic Role of Rhetoric
The Interestingness Axis: Boredom and Pleasure
The Interchange Axis: Being Open and Being Heard
Strange Voices in Public
Brass Tacks and the Real Politics of Strangeness
Chapter 3 How Strang3ness Works
59(22)
Composing in Technicolor
Strange Style as Method
Ancient Figures and Novelty Devices
The Problem with Standardized Style
A Techne of Strangeness; or, How to Break the Rules
Sexy and Intoxicating
Teaching and Learning New Figures for Ourselves
PART II USING STRANGENESS
Chapter 4 Where Is Str4ngeness?
81(22)
New Wine/New Vessels: The WAVES where Strangeness Lies
Waves and Means
The Terrible Farce of Multimodality
Containers for Strange Solutions: Paper, Pictures, Tanks, Vessels, Jars, and Sacks
Mode Baggage
Who Splashes in WAVES?
In and out of Bodies
Out of the Box
Inescapable Sirens, a Potential Problem C(r)ashing in on Each Other
Float On
Chapter 5 Se7en 5trangers
103(55)
Introducing the Seven Strangers
S is for Shapeshifting
T is for Time Travel j R is for Replacement
A is for Addition and Subtraction
N is for Negation
G is for Glossolalia
E is for Exponentiation
Chapter 6 Stran6er Relations and Weirder Networks
158(26)
Stronger, Stranger Relations
Exercising Strange Complexity
Boredom Maintenance and the Complex Stakeholders of Novelty and Escape
From Digital to Analog and Back across Space and Time
Other Things/Beings Make It Stranger
Technologies Make It Stranger
Everything, Everywhere, Always: Skeletons and Bookracks
What Now? What's New?
Epilogue: Parrhesia: Why Speaking Plainly May Be the Strangest Trope of All 184(3)
References 187(1)
Index 187(24)
About the Author 211
Jimmy Butts has enjoyed thinking differently with students from the various places he has taught writing, including Louisiana State University, Wake Forest, Clemson, Winthrop, and Charleston County High Schools. He is interested in postmodern writing styles and the future of composition and rhetoric and has published in Communication Design Quarterly, Textshop Experiments, Pre-Text, and elsewhere.