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PART I UNDERSTANDING STRANGENESS |
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Chapter 1 What 1s Strangely Rhetorical? |
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7 | (24) |
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Our Strange World in Context |
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A Strange Shklovskian Rhetoric |
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A Strange New View of Rhetorical Composition |
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The Limits of Rhetorical Strangeness and Anti-strangeness: What Is Not Strange? What Is Not Rhetorical? |
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With Whom Might We Disagree? Anti-agon, Again, I Strangeness as an Experimental Framework |
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Chapter 2 Why Strangene2s Matters |
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31 | (28) |
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Vignettes for Thinking Why |
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Who Cares? Strange Negotations |
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Making Strange: The Momentarily Epiphanic Role of Rhetoric |
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The Interestingness Axis: Boredom and Pleasure |
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The Interchange Axis: Being Open and Being Heard |
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Brass Tacks and the Real Politics of Strangeness |
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Chapter 3 How Strang3ness Works |
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59 | (22) |
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Ancient Figures and Novelty Devices |
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The Problem with Standardized Style |
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A Techne of Strangeness; or, How to Break the Rules |
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Teaching and Learning New Figures for Ourselves |
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PART II USING STRANGENESS |
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Chapter 4 Where Is Str4ngeness? |
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81 | (22) |
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New Wine/New Vessels: The WAVES where Strangeness Lies |
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The Terrible Farce of Multimodality |
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Containers for Strange Solutions: Paper, Pictures, Tanks, Vessels, Jars, and Sacks |
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Inescapable Sirens, a Potential Problem C(r)ashing in on Each Other |
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Chapter 5 Se7en 5trangers |
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103 | (55) |
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Introducing the Seven Strangers |
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T is for Time Travel j R is for Replacement |
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A is for Addition and Subtraction |
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Chapter 6 Stran6er Relations and Weirder Networks |
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158 | (26) |
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Stronger, Stranger Relations |
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Exercising Strange Complexity |
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Boredom Maintenance and the Complex Stakeholders of Novelty and Escape |
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From Digital to Analog and Back across Space and Time |
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Other Things/Beings Make It Stranger |
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Technologies Make It Stranger |
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Everything, Everywhere, Always: Skeletons and Bookracks |
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Epilogue: Parrhesia: Why Speaking Plainly May Be the Strangest Trope of All |
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184 | (3) |
References |
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187 | (1) |
Index |
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187 | (24) |
About the Author |
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